Sister Carrie Theodore Dreiser (e reader books TXT) 📖

“I want you to come over this evening and meet my husband,” said Mrs. Vance, not long after their intimacy began. “He wants to meet you. You play cards, don’t you?”

“A little,” said Carrie.

“Well, we’ll have a game of cards. If your husband comes home bring him over.”

“He’s not coming to dinner tonight,” said Carrie.

“Well, when he does come we’ll call him in.”

Carrie acquiesced, and that evening met the portly Vance, an individual a few years younger than Hurstwood, and who owed his seemingly comfortable matrimonial state much more to his money than to his good looks. He thought well of Carrie upon the first glance and laid himself out to be genial, teaching her a new game of cards and talking to her about New York and its pleasures. Mrs. Vance played some upon the piano, and at last Hurstwood came.

“I am very glad to meet you,” he said to Mrs. Vance when Carrie introduced him, showing much of the old grace which had captivated Carrie.

“Did you think your wife had run away?” said Mr. Vance, extending his hand upon introduction.

“I didn’t know but what she might have found a better husband,” said Hurstwood.

He now turned his attention to Mrs. Vance, and in a flash Carrie saw again what she for some time had subconsciously missed in Hurstwood⁠—the adroitness and flattery of which he was capable. She also saw that she was not well dressed⁠—not nearly as well dressed⁠—as Mrs. Vance. These were not vague ideas any longer. Her situation was cleared up for her. She felt that her life was becoming stale, and therein she felt cause for gloom. The old helpful, urging melancholy was restored. The desirous Carrie was whispered to concerning her possibilities.

There were no immediate results to this awakening, for Carrie had little power of initiative; but, nevertheless, she seemed ever capable of getting herself into the tide of change where she would be easily borne along. Hurstwood noticed nothing. He had been unconscious of the marked contrasts which Carrie had observed. He did not even detect the shade of melancholy which settled in her eyes. Worst of all, she now began to feel the loneliness of the flat and seek the company of Mrs. Vance, who liked her exceedingly.

“Let’s go to the matinee this afternoon,” said Mrs. Vance, who had stepped across into Carrie’s flat one morning, still arrayed in a soft pink dressing-gown, which she had donned upon rising. Hurstwood and Vance had gone their separate ways nearly an hour before.

“All right,” said Carrie, noticing the air of the petted and well-groomed woman in Mrs. Vance’s general appearance. She looked as though she was dearly loved and her every wish gratified. “What shall we see?”

“Oh, I do want to see Nat Goodwin,” said Mrs. Vance. “I do think he is the jolliest actor. The papers say this is such a good play.”

“What time will we have to start?” asked Carrie.

“Let’s go at one and walk down Broadway from Thirty-fourth Street,” said Mrs. Vance. “It’s such an interesting walk. He’s at the Madison Square.”

“I’ll be glad to go,” said Carrie. “How much will we have to pay for seats?”

“Not more than a dollar,” said Mrs. Vance.

The latter departed, and at one o’clock reappeared, stunningly arrayed in a dark-blue walking dress, with a nobby hat to match. Carrie had gotten herself up charmingly enough, but this woman pained her by contrast. She seemed to have so many dainty little things which Carrie had not. There were trinkets of gold, an elegant green leather purse set with her initials, a fancy handkerchief, exceedingly rich in design, and the like. Carrie felt that she needed more and better clothes to compare with this woman, and that anyone looking at the two would pick Mrs. Vance for her raiment alone. It was a trying, though rather unjust thought, for Carrie had now developed an equally pleasing figure, and had grown in comeliness until she was a thoroughly attractive type of her colour of beauty. There was some difference in the clothing of the two, both of quality and age, but this difference was not especially noticeable. It served, however, to augment Carrie’s dissatisfaction with her state.

The walk down Broadway, then as now, was one of the remarkable features of the city. There gathered, before the matinee and afterwards, not only all the pretty women who love a showy parade, but the men who love to gaze upon and admire them. It was a very imposing procession of pretty faces and fine clothes. Women appeared in their very best hats, shoes, and gloves, and walked arm in arm on their way to the fine shops or theatres strung along from Fourteenth to Thirty-fourth streets. Equally the men paraded with the very latest they could afford. A tailor might have secured hints on suit measurements, a shoemaker on proper lasts and colours, a hatter on hats. It was literally true that if a lover of fine clothes secured a new suit, it was sure to have its first airing on Broadway. So true and well understood was this fact, that several years later a popular song, detailing this and other facts concerning the afternoon parade on matinee days, and entitled “What Right Has He on Broadway?” was published, and had quite a vogue about the music-halls of the city.

In all her stay in the city, Carrie had never heard of this showy parade; had never even been on Broadway when it was taking place. On the other hand, it was a familiar thing to Mrs. Vance, who not only knew of it as an entity, but had often been in it, going purposely to see and be seen, to create a stir with her beauty and dispel any tendency to fall short in dressiness by contrasting herself with the beauty and fashion of the town.

Carrie stepped along easily enough after they got out of the car at Thirty-fourth Street, but soon fixed her eyes upon the lovely company which swarmed by and with them as they proceeded. She