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for a reg’lar tramp through the rain, up by Saltwood, ’round by Newington, over the camp, and so ’round and back, and see ’ow they’re getting on about the ’ouse. See? And look ’ere! you get Gwendolen to go out a bit before I come back. If it’s still rainy, she can easy go ’round and see ’er sister. Then we’ll ’ave a bit of tea, with tea cake⁠—all buttery, see? Toce it ourselves, p’raps. Eh?”

“I dessay I can find something to do in the ’ouse,” said Ann, considering. “You’ll take your mackintosh and leggin’s, I s’pose. You’ll get wet without your mackintosh over those roads.”

“Righ-O,” said Kipps, and went to ask Gwendolen for his brown leggings and his other pair of boots.

Things conspired to demoralise Kipps that afternoon.

When he got outside the house everything looked so wet under the drive of the southwester that he abandoned the prospect of the clay lanes towards Newington altogether, and turned east to Folkestone along the Seabrook digue. His mackintosh flapped about him, the rain stung his cheek; for a time he felt a hardy man. And then as abruptly the rain ceased and the wind fell, and before he was through Sandgate High Street it was a bright spring day. And there was Kipps in his mackintosh and squeaky leggings, looking like a fool!

Inertia carried him another mile to the Leas, and there the whole world was pretending there had never been such a thing as rain⁠—ever. There wasn’t a cloud in the sky; except for an occasional puddle the asphalt paths looked as dry as a bone. A smartly dressed man in one of those overcoats that look like ordinary cloth and are really most deceitfully and unfairly waterproof, passed him and glanced at the stiff folds of his mackintosh. “Demn!” said Kipps. His mackintosh swished against his leggings, his leggings piped and whistled over his boot-tops.

“Why do I never get anything right?” Kipps asked of a bright implacable universe.

Nice old ladies passed him, refined people with tidy umbrellas, bright, beautiful, supercilious-looking children. Of course! the right thing for such a day as this was a light overcoat and an umbrella. A child might have known that. He had them at home, but how could one explain that? He decided to turn down by the Harvey monument and escape through Clifton Gardens towards the hills. And thereby he came upon Coote.

He already felt the most abject and propitiatory of social outcasts when he came upon Coote, and Coote finished him. He passed within a yard of Coote. Coote was coming along towards the Leas, and when Kipps saw him his legs hesitated about their office and he seemed to himself to stagger about all over the footpath. At the sight of him Coote started visibly. Then a sort of rigor vitae passed through his frame, his jaw protruded and errant bubbles of air seemed to escape and run about beneath his loose skin. (Seemed I say⁠—I am perfectly well aware that there is really connective tissue in Coote as in all of us to prevent anything of the sort.) His eyes fixed themselves on the horizon and glazed. As he went by Kipps could hear his even, resolute breathing. He went by, and Kipps staggered on into a universe of dead cats and dust heaps, rind and ashes⁠—cut! Cut!

It was part of the inexorable decrees of Providence that almost immediately afterwards the residuum of Kipps had to pass a very, very long and observant-looking girls’ school.

Kipps recovered consciousness again on the road between Shorncliffe Station and Cheriton, though he cannot remember, indeed to this day he has never attempted to remember, how he got there. And he was back at certain thoughts suggested by his last night’s novel reading, that linked up directly with the pariah-like emotions of these last encounters. The novel lay at home upon the cheffonier; it was one of society and politics⁠—there is no need whatever to give the title or name the author⁠—written with a heavy-handed thoroughness that overrode any possibility of resistance on the part of the Kipps mind. It had crushed all his poor little edifice of ideals, his dreams of a sensible, unassuming existence, of snugness, of not caring what people said and all the rest of it, to dust; it had reinstated, squarely and strongly again, the only proper conception of English social life. There was a character in the book who trifled with Art, who was addicted to reading French novels, who dressed in a loose, careless way, who was a sorrow to his dignified, silvery-haired, politico-religious mother, and met the admonitions of bishops with a front of brass. He treated a “nice girl,” to whom they had got him engaged, badly; he married beneath him⁠—some low thing or other. And sank.⁠ ⁠


Kipps could not escape the application of the case. He was enabled to see how this sort of thing looked to decent people; he was enabled to gauge the measure of the penalties due. His mind went from that to the frozen marble of Coote’s visage.

He deserved it!⁠ ⁠


That day of remorse! Later it found him coming upon the site of his building operations and surveying it in a mood near to despair, his mackintosh over his arm.

Hardly anyone was at work that day⁠—no doubt the builders were having him in some obscure manner⁠—and the whole place seemed a dismal and depressing litter. The builder’s shed, black-lettered Wilkins, Builder, Hythe, looked like a stranded thing amidst a cast-up disorder of wheelbarrows and wheeling planks, and earth and sand and bricks. The foundations of the walls were trenches full of damp concrete, drying in patches; the rooms⁠—it was incredible they could ever be rooms⁠—were shaped out as squares and oblongs of coarse, wet grass and sorrel. They looked absurdly small⁠—dishonestly small. What could you expect? Of course the builders were having him, building too small, building all wrong, using bad materials! Old Kipps had told him a wrinkle or two. The builders

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