Walden Henry David Thoreau (howl and other poems txt) 📖

spirited away. One year I went across the middle only five days before it disappeared entirely. In 1845 Walden was first completely open on the 1st of April; in ’46, the 25th of March; in ’47, the 8th of April; in ’51, the 28th of March; in ’52, the 18th of April; in ’53, the 23rd of March; in ’54, about the 7th of April.

Every incident connected with the breaking up of the rivers and ponds and the settling of the weather is particularly interesting to us who live in a climate of so great extremes. When the warmer days come, they who dwell near the river hear the ice crack at night with a startling whoop as loud as artillery, as if its icy fetters were rent from end to end, and within a few days see it rapidly going out. So the alligator comes out of the mud with quakings of the earth. One old man, who has been a close observer of Nature, and seems as thoroughly wise in regard to all her operations as if she had been put upon the stocks when he was a boy, and he had helped to lay her keel⁠—who has come to his growth, and can hardly acquire more of natural lore if he should live to the age of Methuselah⁠—told me⁠—and I was surprised to hear him express wonder at any of Nature’s operations, for I thought that there were no secrets between them⁠—that one spring day he took his gun and boat, and thought that he would have a little sport with the ducks. There was ice still on the meadows, but it was all gone out of the river, and he dropped down without obstruction from Sudbury, where he lived, to Fair Haven Pond, which he found, unexpectedly, covered for the most part with a firm field of ice. It was a warm day, and he was surprised to see so great a body of ice remaining. Not seeing any ducks, he hid his boat on the north or back side of an island in the pond, and then concealed himself in the bushes on the south side, to await them. The ice was melted for three or four rods from the shore, and there was a smooth and warm sheet of water, with a muddy bottom, such as the ducks love, within, and he thought it likely that some would be along pretty soon. After he had lain still there about an hour he heard a low and seemingly very distant sound, but singularly grand and impressive, unlike anything he had ever heard, gradually swelling and increasing as if it would have a universal and memorable ending, a sullen rush and roar, which seemed to him all at once like the sound of a vast body of fowl coming in to settle there, and, seizing his gun, he started up in haste and excited; but he found, to his surprise, that the whole body of the ice had started while he lay there, and drifted in to the shore, and the sound he had heard was made by its edge grating on the shore⁠—at first gently nibbled and crumbled off, but at length heaving up and scattering its wrecks along the island to a considerable height before it came to a standstill.

At length the sun’s rays have attained the right angle, and warm winds blow up mist and rain and melt the snowbanks, and the sun, dispersing the mist, smiles on a checkered landscape of russet and white smoking with incense, through which the traveller picks his way from islet to islet, cheered by the music of a thousand tinkling rills and rivulets whose veins are filled with the blood of winter which they are bearing off.

Few phenomena gave me more delight than to observe the forms which thawing sand and clay assume in flowing down the sides of a deep cut on the railroad through which I passed on my way to the village, a phenomenon not very common on so large a scale, though the number of freshly exposed banks of the right material must have been greatly multiplied since railroads were invented. The material was sand of every degree of fineness and of various rich colors, commonly mixed with a little clay. When the frost comes out in the spring, and even in a thawing day in the winter, the sand begins to flow down the slopes like lava, sometimes bursting out through the snow and overflowing it where no sand was to be seen before. Innumerable little streams overlap and interlace one with another, exhibiting a sort of hybrid product, which obeys half way the law of currents, and half way that of vegetation. As it flows it takes the forms of sappy leaves or vines, making heaps of pulpy sprays a foot or more in depth, and resembling, as you look down on them, the laciniated, lobed, and imbricated thalluses of some lichens; or you are reminded of coral, of leopard’s paws or birds’ feet, of brains or lungs or bowels, and excrements of all kinds. It is a truly grotesque vegetation, whose forms and color we see imitated in bronze, a sort of architectural foliage more ancient and typical than acanthus, chiccory, ivy, vine, or any vegetable leaves; destined perhaps, under some circumstances, to become a puzzle to future geologists. The whole cut impressed me as if it were a cave with its stalactites laid open to the light. The various shades of the sand are singularly rich and agreeable, embracing the different iron colors, brown, gray, yellowish, and reddish. When the flowing mass reaches the drain at the foot of the bank it spreads out flatter into strands, the separate streams losing their semi-cylindrical form and gradually becoming more flat and broad, running together as they are more moist, till they form an almost flat sand, still variously and beautifully shaded, but in which you can trace the original