The Lost Continent C. J. Cutcliffe Hyne (the lemonade war series .TXT) 📖

centre of the Ark’s floor, the whole of the Mysteries learned during the study of ages were set down in accurate writing. I read through some of them during the days which passed, and the awfulness of the Powers over which they gave control appalled me. I had seen some of these Powers set loose in Atlantis, and was a witness of her destruction. But here were Powers far higher than those; here was the great Secret of Life and Death which Phorenice also had found, and for which she had been destroyed; and there were other things also of which I cannot even bring my stylo to scribe.

The thought of being custodian of these writings was more than I could endure, and the more the matter rested in my mind, the more intolerable became the burden. And at last I took hot irons, and with them seared the wax on the sheets till every letter of the old writings was obliterated. If I did wrong, the High Gods in Their infinite justice will give me punishment; if it is well that these great secrets should endure on earth, They in their infinite power will dictate them afresh to some fitting scribes; but I destroyed them there as the Ark swayed with us over the waves; and later, when we came to land, I rewrote upon the sheets the matters which led to great Atlantis being dragged to her death-throes.

Nais, that I love so tenderly⁠—

[Translator’s Note: The remaining sheets are too broken to be legible.]

Endnotes

Translator’s Note: Professor Reeder of the Wyoming State University has recently unearthed the skeleton of a Brontosaurus, 130 ft. in length, which would have weighed 50 tons when alive. It was 35 ft. in height at the hips, and 25 ft. at the shoulder, and 40 people could be seated with comfort within its ribs. Its thigh bone was 8 ft. long. The fossils of a whole series of these colossal lizards have been found. ↩

Colophon

The Lost Continent
was published in 1900 by
C. J. Cutcliffe Hyne.

This ebook was produced for
Standard Ebooks
by
Alex Cabal,
and is based on a transcription produced in 2008 by
Judith Boss and David Widger
for
Project Gutenberg.

The cover page is adapted from
Moonlight in the Bay of Douarnenez,
a painting completed in 1901 by
Maxime Maufra.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
February 6, 2017, 11:35 p.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/c-j-cutcliffe-hyne/the-lost-continent.

The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.

Uncopyright

May you do good and not evil.
May you find forgiveness for yourself and forgive others.
May you share freely, never taking more than you give.

Copyright pages exist to tell you can’t do something. Unlike them, this Uncopyright page exists to tell you, among other things, that the writing and artwork in this ebook are believed to be in the U.S. public domain. The U.S. public domain represents our collective cultural heritage, and items in it are free for anyone in the U.S. to do almost anything at all with, without having to get permission. Public domain items are free of copyright restrictions.

Copyright laws are different around the world. If you’re not located in the U.S., check with your local laws before using this ebook.

Non-authorship activities performed on public domain items⁠—so-called “sweat of the brow” work⁠—don’t create a new copyright. That means nobody can claim a new copyright on a public domain item for, among other things, work like digitization, markup, or typography. Regardless, to dispel any possible doubt on the copyright status of this ebook, Standard Ebooks L3C, its contributors, and the contributors to this ebook release this ebook under the terms in the CC0 1.0 Universal Public Domain Dedication, thus dedicating to the worldwide public domain all of the work they’ve done on this ebook, including but not limited to metadata, the titlepage, imprint, colophon, this Uncopyright, and any changes or enhancements to, or markup on, the original text and artwork. This dedication doesn’t change the copyright status of the underlying works, which, though believed to already be in the U.S. public domain, may not yet be in the public domain of other countries. We make this dedication in the interest of enriching our global cultural heritage, to promote free and libre culture around the world, and to give back to the unrestricted culture that has given all of us so much.