Death of the Ayn Rand Scholar Gray Cavender (motivational novels for students .TXT) đ
- Author: Gray Cavender
Book online «Death of the Ayn Rand Scholar Gray Cavender (motivational novels for students .TXT) đ». Author Gray Cavender
Jillian said, âOK, while Iâm here, I have an intellectual question.â
âIf I can helpâŠyes?
âIn doing some homework on Professor Keefer, I saw that heâd written critically about a Raymond Williams. Who is this Raymond WilliamsâŠif you know?â
âYes, but of course. Raymond Williams was one of theâŠBig 3, the troika of post-war British Marxist theorists. The others were E.P. Thompson, a historian, and Stuart Hall, theâŠinventor of British Cultural Studies.â
âI think we covered Hall for sure and maybe Thompson, too, in Professor Naremoreâs class. But not WilliamsâŠat least I donât think we covered him.â
âRaymond Williams was a cultural scholar, but also much more. For example, he was a novelist. It is here that Keefer enters the scene. He wrote a book that was critical of Williamsâ novels. But, it was merely a backhanded attack on Marxism in literary criticism. Still the studentâŠthis is good,â she commented as she saw Jillian taking notes on her IPAD.
She continued, âThis Keefer guy makes his way like thisâŠalways criticism, never offering anything original himselfâŠjust critical of othersâŠand always backhanded. He is aâŠweasel.â She laughed again. âYou know weaselâŠyes?â
âOh yes,â Jillian laughed. âSo, were his criticisms of Williams correct?â
ZZ gave an exaggerated shrug. âBut no. Keefer, in his critical commentary, alwaysâŠtravels light. I laugh at my own cleverness,â she said, laughing. âI make theâŠâin joke.â Long ago, when Raymond Williams reviewed Orwellâs novel, 1984âŠyou know the novelâŠof course you know itâŠWilliams accused Orwell of âtravelling light.â Williams meant this as a theoretic critique. You see, Orwell, a socialist, was critical of Marxism in 1984âŠalso in Animal Farm. Williams was saying that Orwellâs critique lacked theoretic depth.â
ZZ made another exaggerated shrug. âBut, back to Keefer. He is always careful,â ZZ paused and shook her head as if disagreeing with herself, ânot carefulâŠâstudied,â in his literary criticism. He criticizes Williams, but never Hall. He criticizes feminisms, but again, in a way that is crafty. He writes of identity, by which he means raceâŠas if class and gender are not important with along with race. He should take one of our courses on intersectionality to understand the interplay of race AND class AND gender. You know these thingsâŠyou have a graduate degree in Justice Studies with much attention to Women and Gender Studies. These ideas are in your graduate projectâŠI remember themâŠthey areâŠsecond nature to you. To him,â she expelled a puff of air, âno, they are absent. What does he think identity isâonly one thing? But no.â
Jillian smiled. It was a treat to talk with ZZ. Coming to her office had always been a tutorial, theoretically, methodologically. She was always passionate about ideas, and it was exhilarating.
âBut you ask these questions of me, Jillian. Do you suspect Keefer of the murder?â
Again, Jillian felt qualms about this conversation. âWell, he and the victim were having an affairâŠand you seem to have a negative opinion of himâŠâ
âYes, but as a scholar. He is soâŠâ She thought before speaking. âHe does not engage, only react. I cannot imagine him doing somethingâŠnot positive, a murder is not positive, something that requires an original action. But pay me no mind, JillianâŠI am an academicâŠyou are the police.â
âOK, but in any case, thank you for your insights.â
âYou are welcome.â ZZ was quiet again, and then said, âYou know, when you decided to work as the police, I was upset.â
âWhy?â
âWe Roma do not always get along so well with police, with authorities. Your choice troubled me. But, I can see that you are still you. You listen, you make the notes. Maybe you will be good for the police.â She arched her eyebrows again.
âI will tryâŠI promise. And, my partner who youâve met, Wes Webb, he is a good person. He is my mentor, and his advice and training are not just about being a good police officer, but also being an officer who is a good person.â
âI sensed this.â
Both women were quiet for a time. Jillian broke the brief silence by asking, âBut what about you, ZZ? Whatâs new?â
âYou mean, what am I working on, no?â
Jillian blushed. âIf youâd rather not sayâŠâ
âNo worries,â ZZ paused, then said, âI am thinking about travelers.â
âYou mean Roma people?â
âWe are travelers, yesâŠbut others alsoâŠpeople who work in carnivals, in circuses, musicians. They travel, too, constantly. I sometimes travel with such peopleâŠseeing how they live.â
âI didnât know that you were doing this. So, do they accept you?â
âWhy would they not?â
âWell, youâre a professorâŠâ
âYes, and of course I tell them this, but I live with them, too. And also, I can play musicâŠnot like Django,â she laughed and gestured to his photograph, âbut not bad. And with the carnivals, I can tell the fortunes. I will not traffic in stereotypes, but this is something that I learned at an early age. From an aunt, the techniqueâŠand the other part, the ability, I have this from my NagyiâŠmy grandmother.â
âReally?â
âDo not seem so surprised, Jillian. Professors can have otherâŠskill sets.â She laughed and said, âWith the fortunes, Jillian, you have but to cross my palm with silver.â
Jillian automatically asked, âSo, will we catch Professor Siemensâ killer?â
ZZ, stopped laughing, looked at her intently before answering. She then smiled and said, âMost certainly.â The smile faded, but the intensity persisted, even increased. âBut, be careful, Jillian, there is danger in the darkness.â
Jillian was taken aback, but quickly said, âIâm embarrassed, I donât want to insult youâŠmay I pay you?â
ZZ simply smiled as she said, âNo, once my student, always my studentâŠit isâŠon the house.â
âThank you,â Jillian laughed, nervously.
âBut, I must ask a return favor.â
âOKâŠ?â
âPlease, keep secret my research on travelers. I like it when people think I amâŠa bum. I can hear the crows cawing. She pressed her finger to her mouth. âSo, shoosh.â She
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