Loverly:The Life and Times of My Fair Lady (Broadway Legacies) McHugh, Dominic (snow like ashes series txt) đ
Book online «Loverly:The Life and Times of My Fair Lady (Broadway Legacies) McHugh, Dominic (snow like ashes series txt) đ». Author McHugh, Dominic
8/45: Who Is the Lady? (lead sheet without lyric) (1p, Loewe autograph)
9/2: Say a Prayer for Me Tonight (sketch) (1p, Loewe autograph)
9/9: Who Is the Lady? (lead sheet) (1p, Loewe autograph)
9/10: Say a Prayer for Me Tonight (sketches)
Warner-Chappell Collection (By Box/Folder Number):
141/1: End of Ascot (1p, Bennettâs full score for original end of scene)
141/1: New 24 (2pp, Langâs score for change of scene)
141/1: Ascot Gavotte (16pp, Copyistâs full score)
141/1: Ascot Gavotte (9pp, Freda Millerâs dance pianistâs piano score: mixture of copyistâs score and Rittmannâs score for the dance; intermediate stage of number)
141/1: Ascot Gavotte (3pp, photocopy of Rittmannâs piano score for âIntro to Gavotteâ with pencil annotations)
141/3: Intro to Gavotte (2pp, photocopy of Rittmannâs piano score (ann.))
141/3: Ascot Gavotte (7pp, copyistâs score plus Rittmannâs score (ann.); final version)
141/3: Middle of Ascot (untitled) (1p, piano score with instructions; possible Loewe score; music depicts the entrance of Higgins)
141/3: Ascot Gavotte Reprise (1p, photocopy of Rittmannâs score with pencil annotations)
141/3: Gavotte (9pp, copyistâs piano-conductor score, original version of ending/ second verse)
141/3: Ascot Gavotte Reprise (1p, photocopy of Rittmannâs score with pencil annotations; at bottom is the original end of scene)
141/3: End of Ascot (untitled) (1p, Rittmannâs piano score; cut)
141/5: Ascot Gavotte (7pp, choral score; includes extra verse which was later cut)
141/6: Iâve Grown Accustomed to Her Face (33pp, copyistâs full score)
141/7: Ballroom Intro + Continuation (5pp, Lang full score; original version)
141/7: Ballroom Intro (4pp, conductorâs short score; First page in Bennettâs hand, other three in unknown hand)
141/8: Changes of scene: 4a, 5a, 6a, 10a and 23 (copyistâs full scores)
142/1: Come to the Ball (27pp, Bennettâs full score)
142/1: Intro to Dress Ballet (2pp, Langâs full score)
142/3: Come to the Ball (16pp, copyistâs conductorâs score; includes dance section)
142/3: Come to the Ball (12pp, copyistâs piano score; includes early version of transitional section)
142/5: Dress Ballet (34pp, Bennettâs full score)
142/6: Intro to Dress Ballet (1p, copyistâs version of conductorâs v score)
142/6: Dress Ballet (14pp, photocopy of Rittmann piano score)
142/7: Intro to Dress Ballet (1p, Rittmannâs piano score)
142/7: Dress Ballet (14pp, Freda Millerâs photocopy of Rittmann piano score (ann.)
142/7: Dress Ballet (16pp, annotated photocopy of Rittmann piano score; contains final pages at end which represent a revision)
143/2: The Embassy Waltz (24pp, Bennettâs full score, crossed out; early version)
143/4: Embassy Waltz (7pp, copyistâs piano score)
143/4: Embassy Waltz (10pp, photocopy of Loewe/Rittmann piano score with completely new Rittmann ending)
143/5: End of Gavotte and Blackout (6pp, copyistâs full score)
143/6: Finish of Entrâacte (5pp, Langâs full score)
143/6: Entrâacte (28pp, copyistâs full score)
143/8: Entrâacte (3pp, Rittmannâs piano score (ann.))
143: The Embassy Waltz (13pp, copyistâs conductorâs short score)
144/1: Exit Music (29pp, copyistâs full score)
144/3: Fainting Music (Instrumental parts for early version of the end of the Ascot scene)
144/5: End of Finale (Recording only) âFair Ladyâ (6pp, Bennettâs full score, as used on the Original Broadway Cast album)
144/6: Intro to Finale One/Finale One (1p + 11pp, copyistâs version of conductorâs short score)
144/7: Finale Ultimo (5pp, Rittmannâs piano score for the end of the show [ann.])
145/1: Get Me to the Church On Time (47pp, Copyistâs full score)
145/1: Church (old) version (29pp, Langâs full score of original version of âGet Me to the Church on Timeâ)
145/3: Get Me to the Church II (2pp, choral arrangerâs score)
145/4: Church On Time Dance (11pp, Rittmannâs piano score)
145/4: Church on Time Dance (8pp, photocopy of Rittmannâs piano score [ann.])
145/5: Get Me to the Church on Time (6pp, copyistâs piano-vocal score; annotations by Rittmann indicating how the dance music is to be created) 145/Unnumbered folder: Get Me to the Church on Time (Utility) (9pp, Langâs full score)
146/1: A Hymn to Him Utility (10pp, Langâs full score for utility)
146/1: A Hymn to Him (30pp, copyistâs full score)
146/4: Hymn Continued and Scene Change (4pp, copyistâs conductorâs short score of final verse of âA Hymn to Himâ and the scene change)
146/4: A Hymn to Him (10pp, Loewe/Rittmann piano score, with some annotations. Loeweâs handwriting on the lyric, but Rittmannâs on the music.)
146/4: A Hymn to Him (10pp, photocopy of Loewe/Rittmann piano with annotations)
146/4: A Hymn to Him (18pp, copyistâs score in two parts, with pp. 13â18 stuck on end; contains earlier version of lyric)
146/5: I Could Have Danced All Night (utility) (10pp, Lang full score for utility)
146/5: I Could Have Danced All Night (21pp, copyistâs full score)
146/6: I Should Have Danced All Night (copies of the Reed parts for âI Could Have Danced All NightââReeds 1 and 2 use âShouldâ in the title, but Reed 3 has âCouldâ)
146/7: Bridge after Prayer (1p, viola part; stuck on back of viola part for different number
146/8: I Want to Dance All Night (14pp, copyistâs score; Loewe has written the title on in pencil)
146/8: I Could Have Danced All Night (12pp, Copyistâs Score)
147/2: Say a Prayer for Me Tonight (3pp, copyistâs score)
147/5: Iâve Grown Accustomed to Her Face (16pp, copyistâs piano-vocal score; original version, includes âGay Femalesââ singing âWithout You,â comments by Rittmann, and small note on final page âDanced All Night in B Flat, low and pretty, by FLâ)
147/3: Intro to Accustomed (3pp, Rittmannâs piano score for final version of start of song, but title page in Loeweâs hand)
147/5: Iâve Grown Accustomed to Her Face (16pp, copyistâs piano-vocal score)
147/6: Iâve Grown Accustomed to Her Face (2pp, copyistâs choral score)
148/1: Reprises (7pp, original orchestration for the double reprise and Freddyâs verse of Show Me; all Bennett)
148/1: Just You Wait (17pp, copyistâs full score)
148/2: Yost Jew Wait (1p, percussion score)
148/3: Just You Wait (7pp, copyistâs piano score of original version)
148/3: Intro to Reprise of Just You Wait (2pp, Rittmannâs piano-vocal score [ann.])
148/3: Street Reprise (2pp, Rittmann score on p.1; second page includes Loewe manuscript)
148/3: Just You Wait (8pp, copyistâs score [ann.])
148/4: Just You Wait (Reprise) (3pp, copyistâs full score)
148/6: On the Street Where She Lives (41pp, Langâs full score; complete original version of song, including different verse)
148/8: On the Street Where She Lives (7pp, copyistâs piano-vocal score)
149/1: Ordinary Man (36pp, copyistâs full score)
149/2: Street Where You Live (Reprise) (8pp, copyistâs full score)
149/3: Opening Act 1 (6pp, Rittmannâs autograph piano score, early version)
149/5: Overture (6pp, Rittmannâs score,
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