Villette Charlotte Brontë (summer reads .txt) 📖

and so devouring, that I think it would soon have licked up the very life in my veins. Besides, my godmother, knowing her son, and knowing me, would as soon have thought of chaperoning a sister with a brother, as of keeping anxious guard over our incomings and outgoings.

The present was no occasion for showy array; my dun mist crape would suffice, and I sought the same in the great oak-wardrobe in the dormitory, where hung no less than forty dresses. But there had been changes and reforms, and some innovating hand had pruned this same crowded wardrobe, and carried diverse garments to the grenier⁠—my crape amongst the rest. I must fetch it. I got the key, and went aloft fearless, almost thoughtless. I unlocked the door, I plunged in. The reader may believe it or not, but when I thus suddenly entered, that garret was not wholly dark as it should have been; from one point there shone a solemn light, like a star, but broader. So plainly it shone, that it revealed the deep alcove with a portion of the tarnished scarlet curtain drawn over it. Instantly, silently, before my eyes, it vanished; so did the curtain and alcove; all that end of the garret became black as night. I ventured no research; I had not time nor will; snatching my dress, which hung on the wall, happily near the door, I rushed out, relocked the door with convulsed haste, and darted downwards to the dormitory.

But I trembled too much to dress myself; impossible to arrange hair or fasten hooks-and-eyes with such fingers, so I called Rosine and bribed her to help me. Rosine liked a bribe, so she did her best, smoothed and plaited my hair as well as a coiffeur would have done, placed the lace collar mathematically straight, tied the neck-ribbon accurately⁠—in short, did her work like the neat-handed Phillis she could be when she chose. Having given me my handkerchief and gloves, she took the candle and lighted me downstairs. After all, I had forgotten my shawl; she ran back to fetch it; and I stood with Dr. John in the vestibule, waiting.

“What is this, Lucy?” said he, looking down at me narrowly. “Here is the old excitement. Ha! the nun again?”

But I utterly denied the charge: I was vexed to be suspected of a second illusion. He was sceptical.

“She has been, as sure as I live,” said he; “her figure crossing your eyes leaves on them a peculiar gleam and expression not to be mistaken.”

“She has not been,” I persisted, for, indeed, I could deny her apparition with truth.

“The old symptoms are there,” he affirmed: “a particular pale, and what the Scotch call a ‘raised’ look.”

He was so obstinate, I thought it better to tell him what I really had seen. Of course with him it was held to be another effect of the same cause⁠—it was all optical illusion⁠—nervous malady, and so on. Not one bit did I believe him; but I dared not contradict; doctors are so self-opinionated, so immovable in their dry, materialist views.

Rosine brought the shawl, and I was bundled into the carriage.

The theatre was full⁠—crammed to its roof: royal and noble were there: palace and hotel had emptied their inmates into those tiers so thronged and so hushed. Deeply did I feel myself privileged in having a place before that stage; I longed to see a being of whose powers I had heard reports which made me conceive peculiar anticipations. I wondered if she would justify her renown: with strange curiosity, with feelings severe and austere, yet of riveted interest, I waited. She was a study of such nature as had not encountered my eyes yet; a great and new planet she was, but in what shape? I waited her rising.

She rose at nine that December night: above the horizon I saw her come. She could shine yet with pale grandeur and steady might; but that star verged already on its judgment-day. Seen near, it was a chaos⁠—hollow, half-consumed⁠—an orb perished or perishing⁠—half lava, half glow.

I had heard this woman termed “plain,” and I expected bony harshness and grimness⁠—something large, angular, sallow. What I saw was the shadow of a royal Vashti; a queen, fair as the day once, turned pale now like twilight, and wasted like wax in flame.

For awhile⁠—a long while⁠—I thought it was only a woman, though an unique woman, who moved in might and grace before this multitude. By-and-by I recognised my mistake. Behold! I found upon her something neither of woman nor of man: in each of her eyes sat a devil. These evil forces bore her through the tragedy, kept up her feeble strength⁠—for she was but a frail creature; and as the action rose and the stir deepened, how wildly they shook her with their passions of the pit! They wrote hell on her straight, haughty brow. They tuned her voice to the note of torment. They writhed her regal face to a demoniac mask. Hate and Murder and Madness incarnate she stood.

It was a marvellous sight, a mighty revelation.

It was a spectacle low, horrible, immoral.

Swordsmen thrust through, and dying in their blood on the arena sand; bulls goring horses disembowelled, made a meeker vision for the public⁠—a milder condiment for a people’s palate⁠—than Vashti torn by seven devils⁠—devils which cried sore and rent the tenement they haunted, but still refused to be exorcised.

Suffering had struck that stage empress; and she stood before her audience neither yielding to, nor enduring, nor, in finite measure, resenting it. She stood locked in struggle, rigid in resistance. She stood, not dressed, but draped in pale antique folds, long and regular like sculpture. A background and entourage and flooring of deepest crimson threw her out, white like alabaster⁠—like silver⁠—rather, be it said, like Death.

Where was the artist of the Cleopatra? Let him come and sit down and study this different vision. Let him seek here the mighty brawn, the muscle, the abounding blood, the full-fed flesh