Short Fiction Leonid Andreyev (best books to read .txt) 📖
- Author: Leonid Andreyev
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“I won’t any more,” he whispers into the deacon’s ear, while insane rejoicing is fairly splashing fire from every pore of his face. And he weeps, covering his face with his hands.
“Take some drops, some drops, Father Vassily,” the distracted deacon whispers into his ear and desperately exclaims: “Lord, Lord, how out of place! Listen, Father Vassily!”
The priest moves his folded hands an inch or two from his face, and looks from behind their shelter askance at the deacon. The deacon with a shiver, edges away on tiptoe, feels his way to the gate with his belly, and groping for the door emerges out of the altar enclosure.
“Come, let us give our last kiss, brethren, to the departed one, giving thanks unto God. …”
A commotion ensues in the church; some depart stealthily without exchanging any words with those who remain, and the darkened church is now only comfortably filled. Only about the black coffin is the surge of a silent throng, people are making the sign of the cross, bending their heads over something dreadful and repulsive and moving away with wry countenances. The widow is parting from her husband. She now believes in his death and she is conscious of the nauseating odor, but her eyes are locked to tears and there is no voice in her throat. And the children are watching her with three pairs of silent eyes.
And while the people watched the deacon plunging worriedly through the congregation, Father Vassily had come out into the chancel and stood eyeing the crowd. And those who saw him in that moment had indelibly engraved in their memory his striking appearance. He was holding on with his hands to the railing so convulsively that the tips of his fingers turned livid; with I neck outstretched, the whole of his body bent over the railing, and pouring himself into one immense glance he riveted it upon the spot where the widow stood beside her children. And it was queer to see him, for it seemed as though he delighted in her boundless anguish, so cheerful, so radiant, so daringly happy was his impetuous glance.
“What partings, O brethren, what weepings, what sobbing in this present hour; come hither, imprint a kiss upon the brow of him who from his early youth hath dwelt among you, for he is now to be consigned to his grave, surmounted by a stone, to take up his dwelling in the darkness, being buried with the dead, parting from his kin and his friends. …”
“Stop, thou madman!” an agonized voice came from the chancel. “Canst thou not see there is none dead among us?”
And here occurred that mad and great event for which all had been waiting with such dread and such mystery. Father Vassily flung open the clanging gate, and strode through the crowd cutting its motley array of colors with the solemn black of his attire and made his way to the black, silently waiting coffin. He stopped, raised his right hand commandingly and hurriedly said to the decomposing corpse:
“I say unto thee: Arise.”
In the wake of these words came confusion, noise, screams, cries of mortal terror. In a panic of fear the people rushed to the doors, transformed into a herd of frightened beasts. They clutched at one another, threatened one another with gnashing teeth, choking and roaring. And they poured out of the door with the slowness of water trickling out of an overturned bottle. There remained only the verger who had dropped his book, the widow with her children, and Ivan Porfyritch. The latter glanced a moment at the priest and leaping from his place cut his way into the rear of the departing throng, bellowing with wrath and fear.
With the radiant and benign smile of compassion towards their unbelief and fear—all aglow with the might of limitless faith, Father Vassily repeated for the second time with solemn and regal simplicity:
“I say unto thee, Arise!”
But still is the corpse and its tightly locked lips are dispassionately guarding the secret of Eternity. And silence. Not a sound is heard in the deserted church. But now the resonant clatter of scattered frightened footsteps over the flagstones of the church: the widow and the orphans are going. In their wake flees the verger, stopping for an instant in the doorway he wrings his hands, and silence once more.
“It is better so. How can he rise in this state before his wife and children?” swiftly flits through Father Vassily’s mind, and for the third and last time he commands, softly and sternly:
“Simeon, I say unto thee: Arise!”
Slowly sinks his hand, he is waiting. Someone’s footsteps rustle in the sand just outside of the window and the sound seems so near as though it came from the coffin. He is waiting. The footsteps come nearer and nearer, pass the window and die away. And stillness, and a protracted agonized sigh. Who is sighing? He is bending over the coffin, seeking a movement of life in the puffed up and formless face; he commands to the eyes: “But open ye, I say,” bends still lower, closer and closer, clutches the edges of the coffin with his hands, almost touching the livid lips and trying to breathe the breath of life into them, and the shaken corpse replies with the coldly ferocious fetid exhalation of death.
He reels back in silence and for an instant sees and comprehends all. He smells the terrible odor; he realizes that the people had fled in terror, that in the church there are only he and the corpse; he sees the darkness beyond the window, but does not comprehend its nature. A memory of something horribly distant flashes through his mind, of some vernal laughter that had been ringing in a dim past and then died away. He remembers the snowstorm. The church bell and the snowstorm. And the immobile
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