Q by Luther Blissett (most recommended books txt) đ
- Author: Luther Blissett
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I leave his questions behind me, staggering down the corridor to get back to the bedroom.
Antwerp, 30_th__ April 1538_
Something still burns inside me. The girl is washing the sheets in the courtyard, the occasional glimpse of a young white body under her dress, belted tightly around the waist.
It isnât spring, not any more, April just makes me scratch my scars: the geographical map of lost battles.
Itâs Kathleen. She isnât anyoneâs wife, just as all the children donât seem to have a single mother or a single father, but have many parents. They donât show fear or reverence to the adults, who allow themselves to be teased, and smile at childish jokes. Women with time to play, pregnant bellies, men who never raise their hands in anger, children sitting on their laps. Eloi has built the Garden of Eden and he knows it.ïżœ
Thirteen years ago he confronted Philip Melanchthon in the presence of Luther. Lean and Chubby both thought he was round the bend, and wrote to the papal authorities in Antwerp telling them to arrest him. A few months later brother Fat Pig would incite the massacre of all of us, the devils incarnate who had dared to challenge their masters. Eloi and I have had the same enemies, and we donât meet till now, now that itâs all over.
Kathleen wrings out the washing: still that burning at the pit of my stomach. Iâve forgotten. The warâs obliterated everything, the glory of God, madness, killing: Iâve forgotten. And yet thereâs still something there and it canât be obliterated, itâs vague and present, lying in wait behind every twisting place in my mind.
She lifts her face and sees me: a smile.
Itâs a place where you could lock yourself in, far from your troubles, from the black wing of the Cop whoâs been following me for ever.
Youâre beautiful. Youâre alive. Youâre a life that has slipped in the mud but doesnât want to give up, and still gives me a day of sunlight, and that burning sensation deep in my bowels.
âGerrit Boekbinder.â
I give a start and turn around quickly, my arm drawn back to shield my body.
A short, stout man, a beard sprinkled with grey, and a resolute expression.
He talks to me seriously. âOld Gert-of-the-Well. Life really is full of surprises. I could have imagined anything, but not bumping into you again. And here, wellâŠâ
I scrutinise this anonymous face. âYouâre mixing me up with someone else.â
Now he smiles. âI donât think so. But itâs not all that important, the past doesnât matter here, when I came here I was in a bad way, and merely hearing my name mentioned made me start like a wildcat. You were with Van Geleen, werenât you? I was told you were seen when they took the Council House in AmsterdamâŠâ
Iâm trying to work out who I have in front of me, but his features tell me nothing.
âWho are you?â
âBalthasar Merck. Iâm not surprised if you donât remember me, but I was in Mïżœnster as well.â
Eloi must have told him.
âI really believed in it too. I had a shop in Amsterdam. I abandoned everything to join the Baptist brethren. I admired you, Gert, and it was a severe blow when you left, and not just for me. Rothmann, Bockelson and Knipperdolling were crazy, they took us to the brink of pure madness.â
Names that hurt, but Merck seems sincere and willing to understand.
I look into his eyes. âHow did you get out of there?â
âWith young Krechting. They hanged his brother from the shafts of a cart along with the others, but not him, he managed to lead us out just in time, when the bishopsâ supporters were already entering the city.â A dark shadow falls across hisïżœ face. âI left my wife in Mïżœnster, she was too weak to follow me, she didnât make it.â
âAnd you ended up here?â
âI spent months begging in the street, I even got arrested once, the soldiers, you know, when Iâd already got back to Holland. They tortured meâ â he shows his swollen fingers â âto make me confess that Iâd been a Baptist. But I gave them nothing. It was incredibly painful, I screamed like a madman while they pulled my nails out but I didnât give them a thing. I thought about my Anja, buried in that ditch. Not a word. They left me alone when they thought Iâd completely lost it. Eloi took me with him, he saved my lifeâŠâ
I turn around to look over the balustrade: Kathleen is putting the sheets in a basin and carrying them away.
âIsnât she beautiful?â
I want to reply that at this moment sheâs more important than our memories.
He puts his hand on my shoulder for a moment. âThere are no husbands or wives here.â
I pull a face: âIâm old.â
He laughs, a great guffaw, as though I was hearing one for the first time, after abandoning my existence for years. âYouâre just tired, brother. Youâre dead. Gerrit Boekbinder is dead and buried under the walls of Mïżœnster. Here youâre Lot, the one who doesnât turn around. You just remember that.â
A hand on my shoulder. I watch the children down in the courtyard, as though they were children from a fairy tale. The baby executioners of Mïżœnster are far away, Bockelsonâs little monsters, the child inquisitors with blood on their hands.
âWho are these people, Balthasar?â
âFree spirits. Theyâve conquered purity, theyâve decreed sin to be a lie and established the principle the freedom of their desires, their own happiness.â
He says this quite naturally, as though explaining the order of the cosmos. That burning in my stomach has turned to pain, for me, for this exhausted body, and this simple joy.
The hand presses on my shoulder. âThe Holy Spirit is in them, as it is everyone. They live in Godâs light, they donât need to take up a sword.â
The light fades from my eyes, itâs as though they almost refuse to see. âDo you think thatâs how it is? That we lost the Kingdom so that we would find it here?â
He nods: âEloi once told me that the Kingdom of God isnât something you wait for: there is no yesterday or today, and you wonât get there, not even in a thousand years. Itâs an experience of the heart: it exists everywhere, and nowhere⊠Itâs in Kathleenâs smile, in the warmth of her body, in the joy of a child.â
I feel as though I want to weep away the hate, the fear, the desperation, the defeat. But itâs difficult, painful. I have to lean on the balustrade.
âItâs too late for me.â
âItâs never too late for anyone. If you stay here youâll learn that too, brother.â
âEloi wants me to tell him my story. Why?â
âHe believes in the simple people, the humblest ones. He believes that Christ can resurrect in each one of us, particularly in those who have been sunk in the mud of defeat.â
âAll I see behind me is a great ocean of horror.â
He sighs, as though he really understood. âLet the dead bury their dead, so that the living can be born into new life.â
The lesson of the Saviour.
âDid he tell you that too?â
âNo. Itâs something I worked out as I crossed the threshold into where you are now.â
*
I donât know how it happened, it just happened naturally, without anyone issuing instructions I suddenly found myself carving fence-posts for the vegetable garden. I started to return everyoneâs greetings, and a young carder even asked me advice about the best way to adjust his loom.
I stack up the sharpened stakes in a corner of the garden at the back of the house, the little hatchet is precise and light, it allows me to work sitting down and without a great deal of effort. For a moment I see in my mindâs eye a young man splitting wood in Pastor Vogelâs yard, a thousand years ago, but itâs a memory that I immediately dispel.
The little blonde girl comes over with a gappy smile. âAre you Lot?â
Itâs still hard for me to frame words.
I stop, so as not to risk hurting her with the splinters. âThatâs right. And who are you?â
âMagda.â
She hands me a coloured stone.
âI painted it for you.â
I roll it around in my hands for a moment. âThanks, Magda, thatâs very kind of you.â
âHave you got a little girl?â
âNo.â
âWhy not?â
Iâve never been asked questions by a child before.
âI donât know.â
Her mother suddenly appears, a little bag of seeds in her arms.
âMagda, come here, weâve got to sow seeds in the garden.â
That old burning sensation again. The words come out on their own. âIs she your daughter?â
âYes.â
Kathleen smiles, a smile to light up the day, takes the little girl by the hand and looks at the fence-posts.
âThanks for what youâre doing. Without the fence the garden wouldnât last a day.â
âThanks to you for taking me in.â
âAre you going to stay with us?â
âI donât know, Iâve got nowhere to go.â
The little girl takes the bag from her motherâs hands and runs towards the vegetable garden chattering away to herself.
Kathleenâs blue eyes wonât give my stomach peace. Stay.â
Antwerp, 4_th__ May 1538_
Eloi is negotiating with two characters dressed in black, with the serious, urgent air of businessmen.
I wait, sitting some way off: he seems to be at ease with these people. I wonder if they know what heâs really thinking.
They greet each other with great effusive gestures and phoney smiles, Eloiâs smile winning hands down. The two crows leave without so much as glancing at me.
âThey own a printing press. Iâve done a deal with them so that I can make use of it. Iâve promised them that they wonât have problems with the censors, weâll have to be careful.â
He talks to me as though it was obvious that I was one of their own.
âI suppose your âacquaintancesâ put up the moneyâŠâ
âEverywhere there are people who can understand what we say. Youâve got to contact them, get hold of extra money to print and distribute our message. Freedom of the spirit is beyond price, but this world wants to impose a price on everything. Weâve got to keep our feet on the ground: here we hold everything in common ownership, we live in serene simplicity, we work just hard enough to survive and we keep company with wealthy men to finance ourselves. But the world out there is governed by the war between the states, the merchants, the Church.â
I shrug my shoulders disconsolately. âIs that what youâre looking for? Someone who can move in that world of cut-throats? Someone who got out alive?â
The usual disarming smile, but now with the sincerity that the merchants didnât get. âWe need someone smart, someone who can dissemble and whisper the right words in the right ears.â
We look at each other.
âThe story is long and difficult, sometimes there are gaps in my memory.â
Eloi is serious. âIâm in no hurry, and youâll come back strengthened from your labours.â
Itâs as though we had always planned it, as though he were waiting for me, as thoughâŠ
âI know youâve met Balthasar. Did he get you to change your mind?â
âNo. A little girl did that.â
*
The study is in semi-darkness, interrupted by a column of light filtering through the closed shutters. Eloi gives me a glass of liqueur and some silent attention.
âWhat do you know about the peasant war?â
He shakes his head. âNot a
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