Avatâras by Annie Besant (top 10 most read books in the world .TXT) 📖

it been left alone was prevented by the coming of the great Teacher of the Advaita. You must remember, that His name has been worn by man after man, through century after century; but the Shrî Shankarâchârya on whom was the power of Mahâdeva was born but a few years after the passing away of the Buddha, as the records of the Dwârakâ Math show plainly--giving date after date backward, until they bring His birth within 60 or 70 years of the passing away of the Buddha.

We come to the tenth Avatâra, the future one, the Kalki. Of that but little may be said; but one or two hints perchance may be given. With His coming will dawn a brighter age; with His coming the Kali Yuga will pass away; with His coming will also come a higher race of men. He will come when there is born upon earth the sixth Root Race. There will then be a great change in the world, a great manifestation of truth, of occult truth, and when He comes then occultism will again be able to show itself to the world by proofs that none will be able to challenge or to deny; and He in His coming will give the rule over the sixth Root Race to the two Kings, of whom you read in the _Kalki Purâṇa_. As we look back down the past stream of time we find over and over again two great figures standing side by side--the ideal King and the ideal Priest. They work together; the one rules, the other teaches; the one governs the nation, the other instructs it. And such a pair of mighty ones come down in every age for each and every Race. Each Race has its own Teacher, the ideal Brâhmaṇa, called in the Buddhist language the Bodhisattva, the learned, full of wisdom and truth. Each has also its own ruler, the Manu. Those two we can trace in the past, in Their actual incarnations; and we see Them in the third, the fourth, and fifth Races; the Manu in each race is the ideal King, the Brâhmaṇa in each race is the ideal Teacher; and we learn that when the Kalki Avatâra shall come He shall call from the sacred village of Shamballa--the village known to the occultist though not to the profane--two Kings who have remained throughout the age in order to help the world in its evolution. And the name of the Manu who will be the King of the next Race, is said in the _Purâṇa_ to be Moru; and the name of the ideal Brâhmaṇa who will be the Teacher of the next Race is said to be Devapi; and these two are King and Teacher for the sixth Race that is to be born.

Those of you who have read something of the wondrous story of the past will know that the choosing out of the new Race, the evolving of it, the making of a new Root Race, is a thing that takes centuries, millenniums, sometimes hundreds of thousands of years; and that the two who are to be its King and Priest, the Manu and the Brâhmaṇa, are at Their work throughout the centuries, choosing the men who may be the seeds of the new Race. In the womb of the fourth Race a choice was made out of which the fifth was born; isolated in the Gobi desert, for enormous periods of time, that chosen family was trained, educated, reared, till its Manu incarnated in it, and its Teacher also incarnated in it, and the first A´ryan family was led forth to settle in A´ryâvarta. Now in the womb of the fifth Race, the sixth Race is a choosing, and the King and the Teacher of the sixth Race are already at Their mighty and beneficent work. They are choosing one by one, trying and testing, those who shall form the nucleus of the sixth Race; They are taking soul by soul, subjecting each to many a test, to many an ordeal, to see if there be the strength out of which a new Race can spring; and in fulness of time when Their work is ready, then will come the Kalki Avatâra, to sweep away the darkness, to send the Kali Yuga into the past, to proclaim the birth of the new Satya Yuga, with a new and more spiritual Race, that is to live therein. Then will He call out the chosen, the King Moru and the Brâhmaṇa Devapi, and give into Their hands the Race that now They are building, the Race to inhabit a fairer world, to carry onwards the evolution of humanity.


FOURTH LECTURE.

My brothers, there are themes so lofty that tongue of Deva would not suffice to do full justice to that which they enclose, and when we think of the music of Shrî Kṛiṣhṇa's flute, all human music seems as discord amidst its strains. Nevertheless since bhakti grows by thought and word, it is not amiss that we should come near a subject so sacred; only in dealing with it we must needs feel our incompetency, we must needs regret our limitations, we must needs wish for greater power of expression than we can have down here. For, perhaps, amid all the divine manifestations that have glorified the world, there is none which has aroused a wider, tenderer feeling than the Avatâra which we are to study this morning.

The austerer glories of Mahâdeva, the Lord of the burning ground, attract more the hearts of those who are weary of the world and who see the futility of worldly attractions; but Shrî Kṛiṣhṇa is the God of the household, the God of family life, the God whose manifestations attract in every phase of His Self-revelation; He is human to the very core; born in humanity, as He has said, He acts as a man. As a child, He is a real child, full of playfulness, of fun, of winsome grace. Growing up into boyhood, into manhood, He exercises the same human fascination over the hearts of men, of women, and of children; the God in whose presence there is always joy, the God in whose presence there is continual laughter and music. When we think of Shrî Kṛiṣhṇa we seem to hear the ripple of the river, the rustling of the leaves in the forest, the lowing of the kine in the pasture, the laughter of happy children playing round their parents' knees. He is so fundamentally the God who is human in everything; who bends in human sympathy over the cradle of the babe, who sympathises with the play of the youth, who is the friend of the lover, the blesser of the bridegroom and the bride, who smiles on the young mother when her first-born lies in her arms--everywhere the God of love and of human happiness; what wonder that His winsome grace has fascinated the hearts of men!

We are to study Him, then, this morning. Now an Avatâra--I say this to clear away some preliminary difficulties--an Avatâra has two great aspects to the world. First, He is a historical fact. Do not let that be forgotten. When you are reading the story of the great Ones, you are reading history and not fable. But it is more than history; the Avatâras acts out on the stage of the world a mighty drama. He is, as it were, a player on the world's stage, and He plays a definite drama, and that drama is an exposition of spiritual truth. And though the facts are facts of history, they are also an allegory under which great spiritual truths are conveyed to the minds and to the hearts of men. If you think of it only as an allegory, you miss an aspect of the truth; if you think of it only as a history you miss an aspect of the truth. The history of an Avatâra is an exposition of spiritual verities; but though the drama be a real one, it is a drama with an object, a drama with distinct outlines laid down, as it were, by the author, and the Avatâra plays His part on the stage at the same time as He is living out His life as man in the history of the world. That must be remembered, otherwise some of the great lessons of the Avatâra will be misread.

Then He comes into the world surrounded by many who have been with Him in former births, surrounded by celestial beings, born as men, and by a vast body of beings of the opposing side born also as men. I am speaking specially of the Avatâra of Shrî Kṛiṣhṇa, but this is true of any other human Avatâra as well. They are not born into the world alone; They are born with a great circle round Them of friends, and a great host before them of apparent foes, incarnated as human beings, to work out the world-drama that is being played.

This is most of all, perhaps, apparent in the case of the One whom we are now studying. Because of the extremely complicated nature of the Avatâra of Shrî Kṛiṣhṇa, and the vast range that He covered as regards His manifestations of complex human life, in order to render the vast subject a little more manageable, I have divided this drama, as it were, into its separate acts. I am using for a moment the language of the stage, for I think it will make my meaning rather more clear. That is, in dealing with His life, I have taken its stages which are clearly marked out, and in each of these we shall see one great type of the teaching which the world is meant to learn from the playing of this drama before the eyes of men. To some extent the stages correspond with marked periods in the life, and to some extent they overlap each other; but by having them clearly in our minds we shall be able, I think, to grasp better the whole object of the Avatâra--we shall have as it were compartments in the mind in which the different types of teaching may be placed.

First then He comes to show forth to the world a great Object of bhakti, and the love of God to His bhakta, or devotee. That is the aim of the first act of the great drama--to stand forth as the Object of devotion, and to show forth the love with which God regards His devotees. We have there a marked stage in the life of Shrî Kṛiṣhṇa.

Then the second act of the drama may be said to be His character as the destroyer of the opposing forces that retard evolution, and that runs through the whole of His life.

The third act is that of the statesman, the wise, politic, and intellectual actor on the world's stage of history, the guiding force of the nation by His wondrous policy and intelligence, standing forth not as king but rather as statesman.

Then we have Him as friend, the human friend, especially of the Pâṇḍavas and of Arjuna.

The next act is that of Shrî Kṛiṣhṇa as Teacher, the world-teacher, not the teacher of one race alone.

Then we see Him in the strange and wondrous aspect of the Searcher of the hearts of men, the trier and tester of human nature.

Finally, we may regard Him in His manifestation as the Supreme, the all-pervading life of the universe, who looks on nothing as outside Himself, who embraces in His arms evil and good, darkness and light, nothing alien to Himself.

Into these seven acts, as it were, the life-history may be divided, and each of them might serve as the study of a life-time instead of our compressing