Protocols 2 by DeYtH Banger (best romantic novels to read .txt) đź“–
- Author: DeYtH Banger
Book online «Protocols 2 by DeYtH Banger (best romantic novels to read .txt) 📖». Author DeYtH Banger
by Philip Levine
Early March.
The cold beach deserted. My kids
home in a bare house, bundled up
and listening to rock music
pirated from England. My wife
waiting for me in a bar, alone
for an hour over her sherry, and none
of us knows why I have to pace
back and forth on this flat
and birdless stretch of gleaming sand
while the violent air shouts
out its rags of speech. I recall
the calm warm sea of Florida
30 years ago, and my brother
and I staring out in the hope
that someone known and loved
would return out of air and water
and no more, a miracle a kid
could half-believe, could see
as something everyday and possible.
Later I slept alone and dreamed
of the home I never had and wakened
in the dark. A silver light sprayed
across the bed, and the little
rented room ticked toward dawn.
I did not rise. I did not go
to the window and address
the moon. I did not cry
or cry out against the hour
or the loneliness that still
was mine, for I had grown
into the man I am, and I
knew better. A sudden voice
calls out my name or a name
I think is mine. I turn.
The waves have darkened; the sky's
descending all around me. I read
once that the sea would come
to be the color of heaven.
They would be two seas tied
together, and between the two
a third, the sea of my own heart.
I read and believed nothing.
This little beach at the end
of the world is anywhere, and I
stand in a stillness that will last
forever or until the first light
breaks beyond these waters. Don't
be scared, the book said, don't flee
as wave after wave the breakers rise
in darkness toward their ghostly crests,
for he has set a limit to the sea
and he is at your side. The sea
and I breathe in and out as one.
Maybe this is done at last
or for now, this search for what
is never here. Maybe all that
ancient namesake sang is true.
The voice I hear now is
my own night voice, going out
and coming back in an old chant
that calms me, that calms
-- for all I know -- the waves
still lost out there.
by Philip Levine
Two young men—you just might call them boys—
waiting for the Woodward streetcar to get
them downtown. Yes, they’re tired, they’re also
dirty, and happy. Happy because they’ve
finished a short work week and if they’re not rich
they’re as close to rich as they’ll ever be
in this town. Are they truly brothers?
You could ask the husky one, the one
in the black jacket he fills to bursting;
he seems friendly enough, snapping
his fingers while he shakes his ass and sings
“Sweet Lorraine,” or if you’re put off
by his mocking tone ask the one leaning
against the locked door of Ruby’s Rib Shack,
the one whose eyelids flutter in time
with nothing. Tell him it’s crucial to know
if in truth this is brotherly love. He won’t
get angry, he’s too tired for anger,
too relieved to be here, he won’t even laugh
though he’ll find you silly. It’s Thursday,
maybe a holy day somewhere else, maybe
the Sabbath, but these two, neither devout
nor cynical, have no idea how to worship
except by doing what they’re doing,
singing a song about a woman they love
merely for her name, breathing in and out
the used and soiled air they wouldn’t know
how to live without, and by filling
the twin bodies they’ve disguised as filth.
by Philip Levine
We stood at the back door
of the shop in the night air
while a line of box cars
of soured wheat and pop bottles
uncoupled and was sent creaking
down our spur. Once, when I
unsealed a car and the two
of us strained the door open
with a groan of rust, an old man
stepped out and tipped his hat.
'It's all yours, boys!'
and he went off, stiff-legged,
smelling of straw and shit.
I often wonder whose father
he was and how long he kept
moving until the police
found him, ticketless, sleeping
in a 2nd class waiting room
and tore the cardboard box
out of his hands and beat him
until the ink of his birth smudged
and surrendered its separate vowels.
In the great railyard of Milano
the dog with the white throat
and the soiled muzzle crossed
and recrossed the tracks
'searching for his master,'
said the boy, but his grandfather
said, 'No. He was sent by God
to test the Italian railroads.'
When I lie down at last to sleep
inside a boxcar of coffins bound
for the villages climbing north
will I waken in a small station
where women have come to claim
what is left of glory? Or will
I sleep until the silver bridge
spanning the Mystic River jabs
me awake, and I am back
in a dirty work shirt that says Phil,
24 years old, hungry and lost, on
the run from a war no one can win?
I want to travel one more time
with the wind whipping in
the open door, with you to keep
me company, back the long
tangled road that leads us home.
Through Flat Rock going east
picking up speed, the damp fields
asleep in moonlight. You stand
beside me, breathing the cold
in silence. When you grip
my arm hard and lean way out
and shout out the holy names
of the lost neither of us is scared
and our tears mean nothing.
by Philip Levine
It's wonderful how I jog
on four honed-down ivory toes
my massive buttocks slipping
like oiled parts with each light step.
I'm to market. I can smell
the sour, grooved block, I can smell
the blade that opens the hole
and the pudgy white fingers
that shake out the intestines
like a hankie. In my dreams
the snouts drool on the marble,
suffering children, suffering flies,
suffering the consumers
who won't meet their steady eyes
for fear they could see. The boy
who drives me along believes
that any moment I'll fall
on my side and drum my toes
like a typewriter or squeal
and shit like a new housewife
discovering television,
or that I'll turn like a beast
cleverly to hook his teeth
with my teeth. No. Not this pig.
by Philip Levine
Words go on travelling from voice
to voice while the phones are still
and the wires hum in the cold. Now
and then dark winter birds settle
slowly on the crossbars, where huddled
they caw out their loneliness. Except
for them the March world is white
and barely alive. The train to Providence
moans somewhere near the end
of town, and the churning of metal
on metal from so many miles away
is only a high thin note trilling
the frozen air. Years ago I lived
not far from here, grown to fat
and austerity, a man who came
closely shaven to breakfast and ate
in silence and left punctually, alone,
for work. So it was I saw it all
and turned away to where snow
fell into snow and the wind spoke
in the incomprehensible syllable
of wind, and I could be anyone:
a man whose life lay open before him,
a book with no ending, a widow
bearing white carnations at dusk
to a hillside graveyard turned
to blank rubble, a cinder floating
down to earth and blinking slowly out,
too small to mean a thing, too tired
to even sigh. If life comes back,
as we are told it does, each time one
step closer to the edge of truth,
then I am ready for the dawn
that calls a sullen boy from sleep
rubbing his eyes on a white window
and knowing none of it can last the day.
Comments (0)