Where No Fear Was by Arthur Christopher Benson (top inspirational books .txt) 📖

secundis
Alteram sortem."


"He hopes for a change of fortune when things are menacing, he fears a reverse when things are prosperous." And if we look at the facts of life, we see that it is not by any means the confident and optimistic people who succeed best in their designs. It is rather the man of eager and ambitious temperament, who dreads a repulse and anticipates it, and takes all possible measures beforehand to avoid it.

We see the same principle underlying the scientific doctrine of evolution. People often think loosely that the idea of evolution, in the case, let us say, of a bird like a heron, with his immobility, his long legs, his pointed beak, his muscular neck, is that such characteristics have been evolved through long ages by birds that have had to get their food in swamps and shallow lakes, and were thus gradually equipped for food-getting through long ages of practice. But of course no particular bird is thus modified by circumstances. A pigeon transferred to a fen would not develop the characteristics of the heron; it would simply die for lack of food. It is rather that certain minute variations take place, for unknown reasons, in every species; and the bird which happened to be hatched out in a fenland with a rather sharper beak or rather longer legs than his fellows, would have his power of obtaining food slightly increased, and would thus be more likely to perpetuate in his offspring that particular advantage of form. This principle working through endless centuries would tend slowly to develop the stock that was better equipped for life under such circumstances, and to eliminate those less suited to the locality; and thus the fittest would tend to survive. But it does not indicate any design on the part of the birds themselves, nor any deliberate attempt to develop those characteristics; it is rather that such characteristics, once started by natural variation, tend to emphasize themselves in the lapse of time.

No doubt fear has played an enormous part in the progress of the human race itself. The savage whose imagination was stronger than that of other savages, and who could forecast the possibilities of disaster, would wander through the forest with more precaution against wild beasts, and would make his dwelling more secure against assault; so that the more timid and imaginative type would tend to survive longest and to multiply their stock. Man in his physical characteristics is a very weak, frail, and helpless animal, exposed to all kinds of dangers; his infancy is protracted and singularly defenceless; his pace is slow, his strength is insignificant; it is his imagination that has put him at the top of creation, and has enabled him both to evade dangers and to use natural forces for his greater security. Though he is the youngest of all created forms, and by no means the best equipped for life, he has been able to go ahead in a way denied to all other animals; his inventiveness has been largely developed by his terrors; and the result has been that whereas all other animals still preserve, as a condition of life, their ceaseless attitude of suspicion and fear, man has been enabled by organisation to establish communities in which fear of disaster plays but little part. If one watches a bird feeding on a lawn, it is strange to observe its ceaseless vigilance. It takes a hurried mouthful, and then looks round in an agitated manner to see that it is in no danger of attack. Yet it is clear that the terror in which all wild animals seem to live, and without which self-preservation would be impossible, does not in the least militate against their physical welfare. A man who had to live his life under the same sort of risks that a bird in a garden has to endure from cats and other foes, would lose his senses from the awful pressure of terror; he would lie under the constant shadow of assassination.

But the singular thing in Nature is that she preserves characteristics long after they have ceased to be needed; and so, though a man in a civilised community has very little to dread, he is still haunted by an irrational sense of insecurity and precariousness. And thus many of our fears arise from old inheritance, and represent nothing rational or real at all, but only an old and savage need of vigilance and wariness.

One can see this exemplified in a curious way in level tracts of country. Everyone who has traversed places like the plain of Worcestershire must remember the irritating way in which the roads keep ascending little eminences, instead of going round at the foot. Now these old country roads no doubt represent very ancient tracks indeed, dating from times when much of the land was uncultivated. They get stereotyped, partly because they were tracks, and partly because for convenience the first enclosures and tillages were made along the roads for purposes of communication. But the perpetual tendency to ascend little eminences no doubt dates from a time when it was safer to go up, in order to look round and to see ahead, partly in order to be sure of one's direction, and partly to beware of the manifold dangers of the road.

And thus many of the fears by which one is haunted are these old survivals, these inherited anxieties. Who does not know the frame of mind when perhaps for a day, perhaps for days together, the mind is oppressed and uneasy, scenting danger in the air, forecasting calamity, recounting all the possible directions in which fate or malice may have power to wound and hurt us? It is a melancholy inheritance, but it cannot be combated by any reason. It is of no use then to imitate Robinson Crusoe, and to make a list of one's blessings on a piece of paper; that only increases our fear, because it is just the chance of forfeiting such blessings of which we are in dread! We must simply remind ourselves that we are surrounded by old phantoms, and that we derive our weakness from ages far back, in which risks were many and security was rare.


VI


FEARS OF CHILDHOOD

If I look back over my own life, I can discern three distinct stages of fear and anxieties, and I expect it is the same with most people. The terrors of childhood are very mysterious things, and their horror consists in the child's inability to put the dread into words. I remember how one night, when we were living in the Master's Lodge at Wellington College, I had gone to bed, and waking soon afterwards heard a voice somewhere outside. I got out of bed, went to the door, and looked out. Close to my door was an archway which looked into the open gallery that ran round the big front hall, giving access to the bedrooms. At the opposite end of the hall, in the gallery, burnt a gaslight: to my horror I observed close to the gas what seemed to me a colossal shrouded statue, made of a black bronze, formless, silent, awful. I crept back to my bed, and there shivered in an ecstasy of fear, till at last I fell asleep. There was no statue there in the morning! I told my old nurse, after a day or two of dumb dread, what I had seen. She laughed, and told me that a certain Mrs. Holder, an elderly widow who was a dressmaker, had been to see her, about some piece of work. They had turned out the nursery lights and were going downstairs, when some question arose about the stuff of the frock, whatever it was. Mrs. Holder had mounted on a chair to look close at the stuff by the gaslight; and this was my bogey!

We had a delightful custom in nursery days, devised by my mother, that on festival occasions, such as birthdays or at Christmas, our presents were given us in the evening by a fairy called Abracadabra.

The first time the fairy appeared, we heard, after tea, in the hall, the hoarse notes of a horn. We rushed out in amazement. Down in the hall, talking to an aunt of mine who was staying in the house, stood a veritable fairy, in a scarlet dress, carrying a wand and a scarlet bag, and wearing a high pointed scarlet hat, of the shape of an extinguisher. My aunt called us down; and we saw that the fairy had the face of a great ape, dark-brown, spectacled, of a good-natured aspect, with a broad grin, and a curious crop of white hair, hanging down behind and on each side. Unfortunately my eldest brother, a very clever and imaginative child, was seized with a panic so insupportable at the sight of the face, that his present had to be given him hurriedly, and he was led away, blanched and shuddering, to the nursery. After that, the fairy never appeared except when he was at school: but long after, when I was looking in a lumber-room with my brother for some mislaid toys, I found in a box the mask of Abracadabra and the horn. I put it hurriedly on, and blew a blast on the horn, which seemed to be of tortoise-shell with metal fittings. To my amazement, he turned perfectly white, covered his face with his hands, and burst out with the most dreadful moans. I thought at first that he was making believe to be frightened, but I saw in a minute or two that he had quite lost control of himself, and the things were hurriedly put away. At the time I thought it a silly kind of affectation. But I perceive now that he had had a real shock the first time he had seen the mask; and though he was then a big schoolboy, the terror was indelible. Who can say of what old inheritance of fear that horror of the great ape-like countenance was the sign? He had no associations of fear with apes, but it must have been, I think, some dim old primeval terror, dating from some ancestral encounter with a forest monster. In no other way can I explain it.

Again, as a child, I was once sitting at dinner with my parents, reading an old bound-up Saturday Magazine, looking at the pictures, and waiting for dessert. I turned a page, and saw a picture of a Saint, lying on the ground, holding up a cross, and a huge and cloudy fiend with vast bat-like wings bending over him, preparing to clutch him, but deterred by the sacred emblem. That was a really terrible shock. I turned the page hastily, and said nothing, though it deprived me of speech and appetite. My father noticed my distress, and asked if I felt unwell, but I said "No." I got through dessert somehow; but then I had to say good-night, go out into the dimly-lit hall, slip the volume back into the bookcase, and get upstairs. I tore up the staircase, feeling the air full of wings and clutching hands. That was too bad ever to be spoken of; and as I did not remember which volume it was, I was never able to look at the set of magazines again for fear of encountering it; and strange to say some years afterwards, when I was an Eton boy, I looked curiously for the picture, and again experienced the same overwhelming horror.

My youngest brother, too, an imaginative child, could never be persuaded by any bribes or entreaties to go into a dark room to fetch anything out. Nothing would induce him. I remember that he was catechised at the tea-table as to what he expected