Hegel's Philosophy of Mind by Georg Wilhelm Friedrich Hegel (romantic love story reading .TXT) 📖

It may be well at this point to guard against a misconception of this serial order of exposition14. As stage is seen to follow stage, the historical imagination, which [pg xxxvi] governs our ordinary current of ideas, turns the logical dependence into a time-sequence. But it is of course not meant that the later stage follows the earlier in history. The later is the more real, and therefore the more fundamental. But we can only understand by abstracting and then transcending our abstractions, or rather by showing how the abstraction implies relations which force us to go further and beyond our arbitrary arrest. Each stage therefore either stands to that preceding it as an antithesis, which inevitably dogs its steps as an accusing spirit, or it is the conjunction of the original thesis with the antithesis, in a union which should not be called synthesis because it is a closer fusion and true marriage of minds. A truth and reality, though fundamental, is only appreciated at its true value and seen in all its force where it appears as the reconciliation and reunion of partial and opposing points of view. Thus, e.g., the full significance of the State does not emerge so long as we view it in isolation as a supposed single state, but only as it is seen in the conflict of history, in its actual “energy” as a world-power among powers, always pointing beyond itself to a something universal which it fain would be, and yet cannot be. Or, again, there never was a civil or economic society which existed save under the wing of a state, or in one-sided assumption of state powers to itself: and a family is no isolated and independent unit belonging to a supposed patriarchal age, but was always mixed up with, and in manifold dependence upon, political and civil combinations. The true family, indeed, far from preceding the state in time, presupposes the political power to give it its precise sphere and its social stability: as is well illustrated by that typical form of it presented in the Roman state.

So, again, religion does not supervene upon an [pg xxxvii] already existing political and moral system and invest it with an additional sanction. The true order would be better described as the reverse. The real basis of social life, and even of intelligence, is religion. As some thinkers quaintly put it, the known rests and lives on the bosom of the Unknowable. But when we say that, we must at once guard against a misconception. There are religions of all sorts; and some of them which are most heard of in the modern world only exist or survive in the shape of a traditional name and venerated creed which has lost its power. Nor is a religion necessarily committed to a definite conception of a supernatural—of a personal power outside the order of Nature. But in all cases, religion is a faith and a theory which gives unity to the facts of life, and gives it, not because the unity is in detail proved or detected, but because life and experience in their deepest reality inexorably demand and evince such a unity to the heart. The religion of a time is not its nominal creed, but its dominant conviction of the meaning of reality, the principle which animates all its being and all its striving, the faith it has in the laws of nature and the purpose of life. Dimly or clearly felt and perceived, religion has for its principle (one cannot well say, its object) not the unknowable, but the inner unity of life and knowledge, of act and consciousness, a unity which is certified in its every knowledge, but is never fully demonstrable by the summation of all its ascertained items. As such a felt and believed synthesis of the world and life, religion is the unity which gives stability and harmony to the social sphere; just as morality in its turn gives a partial and practical realisation to the ideal of religion. But religion does not merely establish and sanction morality; it also frees it from a certain narrowness it [pg xxxviii] always has, as of the earth. Or, otherwise put, morality has to the keener inspection something in it which is more than the mere moral injunction at first indicates. Beyond the moral, in its stricter sense, as the obligatory duty and the obedience to law, rises and expands the beautiful and the good: a beautiful which is disinterestedly loved, and a goodness which has thrown off all utilitarian relativity, and become a free self-enhancing joy. The true spirit of religion sees in the divine judgment not a mere final sanction to human morality which has failed of its earthly close, not the re-adjustment of social and political judgments in accordance with our more conscientious inner standards, but a certain, though, for our part-by-part vision, incalculable proportion between what is done and suffered. And in this liberation of the moral from its restrictions, Art renders no slight aid. Thus in different ways, religion presupposes morality to fill up its vacant form, and morality presupposes religion to give its laws an ultimate sanction, which at the same time points beyond their limitations.

But art, religion, and philosophy still rest on the national culture and on the individual mind. However much they rise in the heights of the ideal world, they never leave the reality of life and circumstance behind, and float in the free empyrean. Yet there are degrees of universality, degrees in which they reach what they promised. As the various psychical nuclei of an individual consciousness tend through the course of experience to gather round a central idea and by fusion and assimilation form a complete mental organisation; so, through the march of history, there grows up a complication and a fusion of national ideas and aspirations, which, though still retaining the individuality and restriction of a concrete national life, ultimately present [pg xxxix] an organisation social, aesthetic, and religious which is a type of humanity in its universality and completeness. Always moving in the measure and on the lines of the real development of its social organisation, the art and religion of a nation tend to give expression to what social and political actuality at its best but imperfectly sets in existence. They come more and more to be, not mere competing fragments as set side by side with those of others, but comparatively equal and complete representations of the many-sided and many-voiced reality of man and the world. Yet always they live and flourish in reciprocity with the fullness of practical institutions and individual character. An abstractly universal art and religion is a delusion—until all diversities of geography and climate, of language and temperament, have been made to disappear. If these energies are in power and reality and not merely in name, they cannot be applied like a panacea or put on like a suit of ready-made clothes. If alive, they grow with individualised type out of the social situation: and they can only attain a vulgar and visible universality, so far as they attach themselves to some simple and uniform aspects,—a part tolerably identical everywhere—in human nature in all times and races.

Art, according to Hegel's account, is the first of the three expressions of Absolute Mind. But the key-note to the whole is to be found in Religion15: or Religion is the generic description of that phase of mind which has found rest in the fullness of attainment and is no longer a struggle and a warfare, but a fruition. “It is the conviction of all nations,” he says16, “that in the [pg xl] religious consciousness they hold their truth; and they have always regarded religion as their dignity and as the Sunday of their life. Whatever excites our doubts and alarms, all grief and all anxiety, all that the petty fields of finitude can offer to attract us, we leave behind on the shoals of time: and as the traveller on the highest peak of a mountain range, removed from every distinct view of the earth's surface, quietly lets his vision neglect all the restrictions of the landscape and the world; so in this pure region of faith man, lifted above the hard and inflexible reality, sees it with his mind's eye reflected in the rays of the mental sun to an image where its discords, its lights and shades, are softened to eternal calm. In this region of mind flow the waters of forgetfulness, from which Psyche drinks, and in which she drowns all her pain: and the darknesses of this life are here softened to a dream-image, and transfigured into a mere setting for the splendours of the Eternal.'”

If we take Religion, in this extended sense, we find it is the sense, the vision, the faith, the certainty of the eternal in the changeable, of the infinite in the finite, of the reality in appearance, of the truth in error. It is freedom from the distractions and pre-occupations of the particular details of life; it is the sense of permanence, repose, certainty, rounding off, toning down and absorbing the vicissitude, the restlessness, the doubts of actual life. Such a victory over palpable reality has no doubt its origin—its embryology—in phases of mind which have been already discussed in the first section. Religion will vary enormously according to the grade of national mood of mind and social development in which it emerges. But whatever be the peculiarities of its original swaddling-clothes, its cardinal note will be a sense of dependence on, and independence [pg xli] in, something more permanent, more august, more of a surety and stay than visible and variable nature and man,—something also which whether God or devil, or both in one, holds the keys of life and death, of weal and woe, and holds them from some safe vantage-ground above the lower realms of change. By this central being the outward and the inward, past and present and to come, are made one. And as already indicated, Religion, emerging, as it does, from social man, from mind ethical, will retain traces of the two foci in society: the individual subjectivity and the objective community. Retain them however only as traces, which still show in the actually envisaged reconciliation. For that is what religion does to morality. It carries a step higher the unity or rather combination gained in the State: it is the fuller harmony of the individual and the collectivity. The moral conscience rests in certainty and fixity on the religious.

But Religion (thus widely understood as the faith in sempiternal and all-explaining reality) at first appears under a guise of Art. The poem and the pyramid, the temple-image and the painting, the drama and the fairy legend, these are religion: but they are, perhaps, religion as Art. And that means that they present the eternal under sensible representations, the work of an artist, and in a perishable material of limited range. Yet even the carvers of a long-past day whose works have been disinterred from the plateaux of Auvergne knew that they gave to the perishable life