Some Turns of Thought in Modern Philosophy by George Santayana (booksvooks .txt) 📖
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Such at least would be the case if romantic superstition did not supervene, demanding that the spirit should impose some arbitrary rhythm or destiny on the world which it creates: but this side of idealism has been cultivated chiefly by the intrepid Germans: some of them, like Spengler and Keyserling, still thrive and grow famous on it without a blush. The modest English in these matters take shelter under the wing of science speculatively extended, or traditional religion prudently rationalised: the scope of the spirit, like its psychological distribution, is conceived realistically. It might almost prove an euthanasia for British idealism to lose itself in the new metaphysics of nature which the mathematicians are evolving; and since this metaphysics, though materialistic in effect, is more subtle and abstruse than popular materialism, British idealism might perhaps be said to survive in it, having now passed victoriously into its opposite, and being merged in something higher.
[10] Ethical Studies, by F.H. Bradley, O.M., LL.D. (Glasgow), late Fellow of Merton College, Oxford; second edition revised, with additional notes by the Author. Oxford, The Clarendon Press, 1927.
III REVOLUTIONS IN SCIENCESince the beginning of the twentieth century, science has gained notably in expertness, and lost notably in authority. We are bombarded with inventions; but if we ask the inventors what they have learned of the depths of nature, which somehow they have probed with such astonishing success, their faces remain blank. They may be chewing gum; or they may tell us that if an aeroplane could only fly fast enough, it would get home before it starts; or they may urge us to come with them into a dark room, to hold hands, and to commune with the dear departed.
Practically there may be no harm in such a division of labour, the inventors doing the work and the professors the talking. The experts may themselves be inexpert in verbal expression, or content with stock phrases, or profoundly sceptical, or too busy to think. Nevertheless, skill and understanding are at their best when they go together and adorn the same mind. Modern science until lately had realised this ideal: it was an extension of common perception and common sense. We could trust it implicitly, as we do a map or a calendar; it was not true for us merely in an argumentative or visionary sense, as are religion and philosophy. Geography went hand in hand with travel, Copernican astronomy with circumnavigation of the globe: and even the theory of evolution and the historical sciences in the nineteenth century were continuous with liberal reform: people saw in the past, as they then learned to conceive it, simply an extension of those transformations which they were witnessing in the present. They could think they knew the world as a man knows his native town, or the contents of his chest of drawers: nature was our home, and science was our home knowledge. For it is not intrinsic clearness or coherence that make ideas persuasive, but connection with action, or with some voluminous inner response, which is readiness to act. It is a sense of on-coming fate, a compulsion to do or to suffer, that produces the illusion of perfect knowledge.
I call it illusion, although our contact with things may be real, and our sensations and thoughts may be inevitable and honest; because nevertheless it is always an illusion to suppose that our images are the intrinsic qualities of things, or reproduce them exactly. The Ptolemaic system, for instance, was perfectly scientific; it was based on careful and prolonged observation and on just reasoning; but it was modelled on an image—the spherical blue dome of the heavens—proper only to an observer on the earth, and not transferable to a universe which is diffuse, centreless, fluid, and perhaps infinite. When the imagination, for any reason, comes to be peopled with images of the latter sort, the modern, and especially the latest, astronomy becomes more persuasive. For although I suspect that even Einstein is an imperfect relativist, and retains Euclidean space and absolute time at the bottom of his calculation, and recovers them at the end, yet the effort to express the system of nature as it would appear from any station and to any sensorium seems to be eminently enlightening.
Theory and practice in the latest science are still allied, otherwise neither of them would prosper as it does; but each has taken a leap in its own direction. The distance between them has become greater than the naked eye can measure, and each of them in itself has become unintelligible. We roll and fly at dizzy speeds, and hear at incredible distances; at the same time we imagine and calculate to incredible depths. The technique of science, like that of industry, has become a thing in itself; the one veils its object, which is nature, as the other defeats its purpose, which is happiness. Science often seems to be less the study of things than the study of science. It is now more scholastic than philosophy ever was. We are invited to conceive organisms within organisms, so minute, so free, and so dynamic, that the heart of matter seems to explode into an endless discharge of fireworks, or a mathematical nightmare realised in a thousand places at once, and become the substance of the world. What is even more remarkable—for the notion of infinite organisation has been familiar to the learned at least since the time of Leibniz—the theatre of science is transformed no less than the actors and the play. The upright walls of space, the steady tread of time, begin to fail us; they bend now so obligingly to our perspectives that we no longer seem to travel through them, but to carry them with us, shooting them out or weaving them about us according to some native fatality, which is left unexplained. We seem to have reverted in some sense from Copernicus to Ptolemy: except that the centre is now occupied, not by the solid earth, but by any geometrical point chosen for the origin of calculation. Time, too, is not measured by the sun or stars, but by any "clock"—that is, by any recurrent rhythm taken as a standard of comparison. It would seem that the existence and energy of each chosen centre, as well as its career and encounters, hang on the collateral existence of other centres of force, among which it must wend its way: yet the only witness to their presence, and the only known property of their substance, is their "radio-activity", or the physical light which they shed. Light, in its physical being, is accordingly the measure of all things in this new philosophy: and if we ask ourselves why this element should have been preferred, the answer is not far to seek. Light is the only medium through which very remote or very minute particles of matter can be revealed to science. Whatever the nature of things may be intrinsically, science must accordingly express the universe in terms of light.
These reforms have come from within: they are triumphs of method. We make an evident advance in logic, and in that parsimony which is dear to philosophers (though not to nature), if we refuse to assign given terms and relations to any prior medium, such as absolute time or space, which cannot be given with them. Observable spaces and times, like the facts observed in them, are given separately and in a desultory fashion. Initially, then, there are as many spaces and times as there are observers, or rather observations; these are the specious times and spaces of dreams, of sensuous life, and of romantic biography. Each is centred here and now, and stretched outwards, forward, and back, as far as imagination has the strength to project it. Then, when objects and events have been posited as self-existent, and when a "clock" and a system of co-ordinates have been established for measuring them, a single mathematical space and time may be deployed about them, conceived to contain all things, and to supply them with their respective places and dates. This gives us the cosmos of classical physics. But this system involves the uncritical notion of light and matter travelling through media previously existing, and being carried down, like a boat drifting down stream, by a flowing time which has a pace of its own, and imposes it on all existence. In reality, each "clock" and each landscape is self-centred and initially absolute: its time and space are irrelevant to those of any other landscape or "clock", unless the objects or events revealed there, being posited as self-existent, actually coincide with those revealed also in another landscape, or dated by another "clock". It is only by travelling along its own path at its own rate that experience or light can ever reach a point lying on another path also, so that two observations, and two measures, may coincide at their ultimate terms, their starting-points or their ends. Positions are therefore not independent of the journey which terminates in them, and thereby individuates them; and dates are not independent of the events which distinguish them. The flux of existence comes first: matter and light distend time by their pulses, they distend space by their deployments.
This, if I understand it, is one half the new theory; the other half is not less acceptable. Newton had described motion as a result of two principles: the first, inertia, was supposed to be inherent in bodies; the second, gravity, was incidental to their co-existence. Yet inherent inertia can only be observed relatively: it makes no difference to me whether I am said to be moving at a great speed or absolutely at rest, if I am not jolted or breathless, and if my felt environment does not change. Inertia, or weight, in so far as it denotes something intrinsic, seems to be but another name for substance or the principle of existence: in so far as it denotes the first law of motion, it seems to be relative to an environment. It would therefore be preferable to combine inertia and attraction in a single formula, expressing the behaviour of bodies towards one
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