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hears from an aged and garrulous attendant, her only female adviser (for her mother died when she was yet an infant), of the sorrows and sufferings of the Christian captive. Urged by pity and womanly sympathy, she repairs to his prison to succour and console him. She supports his feeble and tottering steps to her father's cellar, recruits his exhausted frame with copious draughts of sparkling wine, and when his dim eye brightens, and his pale cheek becomes flushed with the glow of returning health and animation, she—unaccustomed to disguise or concealment, and being by nature all openness and truth—gives vent to the feelings which now thrill her maiden heart for the first time, in the rich gush of unspeakable love, tenderness, and devotion—
I vish Lord Bateman as you vos mine!
[4]
Oh, in sevin long years I'll make a wow,
I'll make a wow, and I'll keep it strong.
Love has converted the tender girl into a majestic heroine; she cannot only make "a wow," but she can "keep it strong;" she feels all the dignity of truth and love swelling in her bosom. With the view of possessing herself of the real state of Lord Bateman's affections, and with no sordid or mercenary motives, she has enquired of that nobleman what are his means of subsistence, and whether all Northumberland belongs to him. His Lordship has rejoined, with a noble regard for truth, that half Northumberland is his, and that he will give it freely to the fair young lady who will release him from his dungeon. She, being thus assured of his regard and esteem, rejects all idea of pecuniary reward, and offers to be a party to a solemn wow—to be kept strong on both sides—that, if for seven years he will remain a bachelor, she, for the like period, will remain a maid. The contract is made, and the lovers are solemnly contracted.
I'll make a wow, and I'll keep it strong.
Love has converted the tender girl into a majestic heroine; she cannot only make "a wow," but she can "keep it strong;" she feels all the dignity of truth and love swelling in her bosom. With the view of possessing herself of the real state of Lord Bateman's affections, and with no sordid or mercenary motives, she has enquired of that nobleman what are his means of subsistence, and whether all Northumberland belongs to him. His Lordship has rejoined, with a noble regard for truth, that half Northumberland is his, and that he will give it freely to the fair young lady who will release him from his dungeon. She, being thus assured of his regard and esteem, rejects all idea of pecuniary reward, and offers to be a party to a solemn wow—to be kept strong on both sides—that, if for seven years he will remain a bachelor, she, for the like period, will remain a maid. The contract is made, and the lovers are solemnly contracted.
[5]
Now sevin long years is gone and past,
And fourteen days vell known to me.
In this may be recognised, though in a minor degree, the same gifted hand that portrayed the Mussulman, the pirate, the father, and the bigot, in two words. The time is gone, the historian knows it, and that is enough for the reader. This is the dignity of history very strikingly exemplified.
And fourteen days vell known to me.
In this may be recognised, though in a minor degree, the same gifted hand that portrayed the Mussulman, the pirate, the father, and the bigot, in two words. The time is gone, the historian knows it, and that is enough for the reader. This is the dignity of history very strikingly exemplified.
[6]
Avay and avay vent this proud young porter,
Avay and avay and avay vent he.
Nothing perhaps could be more ingeniously contrived to express the vastness of Lord Bateman's family mansion than this remarkable passage. The proud young porter had to thread courts, corridors, galleries, and staircases innumerable, before he could penetrate to those exquisite apartments in which Lord Bateman was wont to solace his leisure hours, with the most refined pleasures of his time. We behold him hastening to the presence of his lord: the repetition of the word "avay" causes us to feel the speed with which he hastens—at length he arrives. Does he appear before the chief with indecent haste? Is he described as rushing madly into his presence to impart his message? No! a different atmosphere surrounds that remarkable man. Even this proud young porter is checked in his impetuous career which lasted only
Avay and avay and avay vent he.
Nothing perhaps could be more ingeniously contrived to express the vastness of Lord Bateman's family mansion than this remarkable passage. The proud young porter had to thread courts, corridors, galleries, and staircases innumerable, before he could penetrate to those exquisite apartments in which Lord Bateman was wont to solace his leisure hours, with the most refined pleasures of his time. We behold him hastening to the presence of his lord: the repetition of the word "avay" causes us to feel the speed with which he hastens—at length he arrives. Does he appear before the chief with indecent haste? Is he described as rushing madly into his presence to impart his message? No! a different atmosphere surrounds that remarkable man. Even this proud young porter is checked in his impetuous career which lasted only
Until he came to Lord Bateman's chamber,
Vere he vent down on his bended knee.
Lord Bateman's eye is upon him, and he quails.
Vere he vent down on his bended knee.
Lord Bateman's eye is upon him, and he quails.
[7]
Vot news! vot news! my proud young porter?
A pleasant condescension on the part of his lordship, showing that he recognised the stately youth, and no less stately pride of office which characterized his follower, and that he was acquainted with the distinguishing appellation which he appears to have borne in the family.
A pleasant condescension on the part of his lordship, showing that he recognised the stately youth, and no less stately pride of office which characterized his follower, and that he was acquainted with the distinguishing appellation which he appears to have borne in the family.
[8]
And broke his sword in splinters three.
Exemplifying, in a highly poetical and striking manner, the force of Lord Bateman's love, which he would seem to have kept strong as his "wow." We have beheld him patient in confinement, descending to no base murmurings against fortune, even when chained by the middle to a tree, with the prospect of ending his days in that ignominious and unpleasant position. He has borne all this and a great deal more, seven years and a fortnight have elapsed, and, at last, on the mere mention of the fair young lady, he falls into a perfect phrenzy, and breaks his sword, the faithful partner and companion of his glory, into three splinters. Antiquarians differ respecting the intent and meaning of this ceremony, which has been construed and interpreted in many different ways. The strong probability is that it was done "for luck;" and yet Lord Bateman should have been superior to the prejudices of the vulgar.
Exemplifying, in a highly poetical and striking manner, the force of Lord Bateman's love, which he would seem to have kept strong as his "wow." We have beheld him patient in confinement, descending to no base murmurings against fortune, even when chained by the middle to a tree, with the prospect of ending his days in that ignominious and unpleasant position. He has borne all this and a great deal more, seven years and a fortnight have elapsed, and, at last, on the mere mention of the fair young lady, he falls into a perfect phrenzy, and breaks his sword, the faithful partner and companion of his glory, into three splinters. Antiquarians differ respecting the intent and meaning of this ceremony, which has been construed and interpreted in many different ways. The strong probability is that it was done "for luck;" and yet Lord Bateman should have been superior to the prejudices of the vulgar.
[9]
If my own Sophia.
So called doubtless from the mosque of St. Sophia, at Constantinople; her father having professed the Mahomedan religion.
So called doubtless from the mosque of St. Sophia, at Constantinople; her father having professed the Mahomedan religion.
[10]
Then up and spoke this young bride's mother,
Who never vos heerd to speak so free.
This is an exquisite touch of nature, which most married men, whether of noble or plebeian blood, will quickly recognise. During the whole of her daughter's courtship, the good old lady had scarcely spoken, save by expressive smiles and looks of approval. But now that her object is gained, and her daughter fast married (as she thinks), she suddenly assumes quite a new tone, "and never was heerd to speak so free." It would be difficult for poetry to comprehend any thing more strictly true and life-like than this.
Who never vos heerd to speak so free.
This is an exquisite touch of nature, which most married men, whether of noble or plebeian blood, will quickly recognise. During the whole of her daughter's courtship, the good old lady had scarcely spoken, save by expressive smiles and looks of approval. But now that her object is gained, and her daughter fast married (as she thinks), she suddenly assumes quite a new tone, "and never was heerd to speak so free." It would be difficult for poetry to comprehend any thing more strictly true and life-like than this.
[11]
With both their hearts so full of glee.
If any thing could add to the grace and beauty of the poem, it would be this most satisfactory and agreeable conclusion. At the time of the foreign lady's arrival on the shores of England, we find Lord Bateman in the disagreeable dilemma of having contracted another marriage; to which step his lordship has doubtless been impelled by despair of ever recovering his lost Sophia, and a natural anxiety not to die without leaving an heir to his estate. The ceremony has been performed, the Church has done its office, the bride and her mamma have taken possession of the castle, when the lost Sophia suddenly presents herself. An ordinary man would have been overwhelmed by such a complication of perplexities—not so Lord Bateman. Master of the human heart, he appeals to feminine ambition and love of display; and, reminding the young lady that she came to him on a saddle horse (with her revered parent following no doubt on foot behind), offers to bestow upon her a coach and three. The young lady closes with the proposition; her august mother, having brought it about by her freedom of speech, makes no objection; Lord Bateman, being a nobleman of great power, and having plenty of superfluous wealth to bestow upon the Church, orders another marriage, and boldly declares the first one to be a nullity. Thereupon "another marriage" is immediately prepared, and the piece closes with a picture of general happiness and hilarity.
If any thing could add to the grace and beauty of the poem, it would be this most satisfactory and agreeable conclusion. At the time of the foreign lady's arrival on the shores of England, we find Lord Bateman in the disagreeable dilemma of having contracted another marriage; to which step his lordship has doubtless been impelled by despair of ever recovering his lost Sophia, and a natural anxiety not to die without leaving an heir to his estate. The ceremony has been performed, the Church has done its office, the bride and her mamma have taken possession of the castle, when the lost Sophia suddenly presents herself. An ordinary man would have been overwhelmed by such a complication of perplexities—not so Lord Bateman. Master of the human heart, he appeals to feminine ambition and love of display; and, reminding the young lady that she came to him on a saddle horse (with her revered parent following no doubt on foot behind), offers to bestow upon her a coach and three. The young lady closes with the proposition; her august mother, having brought it about by her freedom of speech, makes no objection; Lord Bateman, being a nobleman of great power, and having plenty of superfluous wealth to bestow upon the Church, orders another marriage, and boldly declares the first one to be a nullity. Thereupon "another marriage" is immediately prepared, and the piece closes with a picture of general happiness and hilarity.
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