The unity of form and content is what distinguishes poetry from other areas of creativity. However, this is precisely what titanic work implies. The Hundred Best English Poems by - (e book reader online .txt) 📖
Download in Format:
- Author: -
- Performer: -
Book online «The Hundred Best English Poems by - (e book reader online .txt) 📖». Author -
lassie!
The boat rocks at the pier o' Leith,
Fu' loud the wind blaws frae the Ferry,
The ship rides by the Berwick-Law,
And I maun leave my bonie Mary.
The boat rocks at the pier o' Leith,
Fu' loud the wind blaws frae the Ferry,
The ship rides by the Berwick-Law,
And I maun leave my bonie Mary.
II.
The trumpets sound, the banners fly,
The glittering spears are rankèd ready,
The shouts o' war are heard afar,
The battle closes deep and bloody.
It's not the roar o' sea or shore
Wad mak me langer wish to tarry,
Nor shouts o' war that's heard afar:
It's leaving thee, my bonie Mary!
The glittering spears are rankèd ready,
The shouts o' war are heard afar,
The battle closes deep and bloody.
It's not the roar o' sea or shore
Wad mak me langer wish to tarry,
Nor shouts o' war that's heard afar:
It's leaving thee, my bonie Mary!
10. Of a' the Airts.
I.
Of a' the airts the wind can blaw
I dearly like the west,
For there the bonie lassie lives,
The lassie I lo'e best.
There wild woods grow, and rivers row,
And monie a hill between,
But day and night my fancy's flight
Is ever wi' my Jean.
I dearly like the west,
For there the bonie lassie lives,
The lassie I lo'e best.
There wild woods grow, and rivers row,
And monie a hill between,
But day and night my fancy's flight
Is ever wi' my Jean.
II.
I see her in the dewy flowers—
I see her sweet and fair.
I hear her in the tunefu' birds—
I hear her charm the air.
There's not a bonie flower that springs
By fountain, shaw, or green,
There's not a bonie bird that sings,
But minds me o' my Jean.
I see her sweet and fair.
I hear her in the tunefu' birds—
I hear her charm the air.
There's not a bonie flower that springs
By fountain, shaw, or green,
There's not a bonie bird that sings,
But minds me o' my Jean.
11. John Anderson my Jo.
I.
John Anderson my jo, John,
When we were first acquent,
Your locks were like the raven,
Your bonie brow was brent;
But now your brow is beld, John,
Your locks are like the snaw,
But blessings on your frosty pow,
John Anderson my jo!
When we were first acquent,
Your locks were like the raven,
Your bonie brow was brent;
But now your brow is beld, John,
Your locks are like the snaw,
But blessings on your frosty pow,
John Anderson my jo!
II.
John Anderson my jo, John,
We clamb the hill thegither,
And monie a cantie day, John,
We've had wi' ane anither;
Now we maun totter down, John,
And hand in hand we'll go,
And sleep thegither at the foot,
John Anderson my jo!
We clamb the hill thegither,
And monie a cantie day, John,
We've had wi' ane anither;
Now we maun totter down, John,
And hand in hand we'll go,
And sleep thegither at the foot,
John Anderson my jo!
12. Ae Fond Kiss.
I.
Ae fond kiss, and then we sever!
Ae farewell, and then forever!
Deep in heart-wrung tears I'll pledge thee,
Warring sighs and groans I'll wage thee.
Who shall say that Fortune grieves him,
While the star of hope she leaves him?
Me, nae cheerfu' twinkle lights me,
Dark despair around benights me.
Ae farewell, and then forever!
Deep in heart-wrung tears I'll pledge thee,
Warring sighs and groans I'll wage thee.
Who shall say that Fortune grieves him,
While the star of hope she leaves him?
Me, nae cheerfu' twinkle lights me,
Dark despair around benights me.
II.
I'll ne'er blame my partial fancy:
Naething could resist my Nancy!
But to see her was to love her,
Love but her, and love for ever.
Had we never lov'd sae kindly,
Had we never lov'd sae blindly,
Never met—or never parted—
We had ne'er been broken-hearted.
Naething could resist my Nancy!
But to see her was to love her,
Love but her, and love for ever.
Had we never lov'd sae kindly,
Had we never lov'd sae blindly,
Never met—or never parted—
We had ne'er been broken-hearted.
III.
Fare-thee-weel, thou first and fairest!
Fare-thee-weel, thou best and dearest!
Thine be ilka joy and treasure,
Peace, Enjoyment, Love, and Pleasure!
Ae fond kiss, and then we sever!
Ae farewell, alas, for ever!
Deep in heart-wrung tears I'll pledge thee,
Warring sighs and groans I'll wage thee.
Fare-thee-weel, thou best and dearest!
Thine be ilka joy and treasure,
Peace, Enjoyment, Love, and Pleasure!
Ae fond kiss, and then we sever!
Ae farewell, alas, for ever!
Deep in heart-wrung tears I'll pledge thee,
Warring sighs and groans I'll wage thee.
13. Ye Flowery Banks.
I.
Ye flowery banks o' bonie Doon,
How can ye blume sae fair?
How can ye chant, ye little birds,
And I sae fu' o' care?
How can ye blume sae fair?
How can ye chant, ye little birds,
And I sae fu' o' care?
II.
Thou'll break my heart, thou bonie bird,
That sings upon the bough:
Thou minds me o' the happy days
When my fause Luve was true!
That sings upon the bough:
Thou minds me o' the happy days
When my fause Luve was true!
III.
Thou'll break my heart, thou bonie bird,
That sings beside thy mate:
For sae I sat, and sae I sang,
And wist na o' my fate!
That sings beside thy mate:
For sae I sat, and sae I sang,
And wist na o' my fate!
IV.
Aft hae I rov'd by bonie Doon
To see the woodbine twine,
And ilka bird sang o' its luve,
And sae did I o' mine.
To see the woodbine twine,
And ilka bird sang o' its luve,
And sae did I o' mine.
V.
Wi' lightsome heart I pu'd a rose
Frae aff its thorny tree,
And my fause luver staw my rose,
But left the thorn wi' me.
Frae aff its thorny tree,
And my fause luver staw my rose,
But left the thorn wi' me.
14. A Red, Red Rose.
I.
O, my luve is like a red, red rose,
That's newly sprung in June.
O, my luve is like the melodie,
That's sweetly play'd in tune.
That's newly sprung in June.
O, my luve is like the melodie,
That's sweetly play'd in tune.
II.
As fair art thou, my bonie lass,
So deep in luve am I,
And I will luve thee still, my dear,
Till a' the seas gang dry.
So deep in luve am I,
And I will luve thee still, my dear,
Till a' the seas gang dry.
III.
Till a' the seas gang dry, my dear,
And the rocks melt wi' the sun!
And I will luve thee still, my dear,
While the sands o' life shall run.
And the rocks melt wi' the sun!
And I will luve thee still, my dear,
While the sands o' life shall run.
IV.
And fare the weel, my only luve,
And fare the weel a while!
And I will come again, my luve,
Tho' it were ten thousand mile!
And fare the weel a while!
And I will come again, my luve,
Tho' it were ten thousand mile!
15. Mary Morison.
I.
O Mary, at thy window be!
It is the wish'd, the trysted hour.
Those smiles and glances let me see,
That make the miser's treasure poor.
How blythely wad I bide the stoure,
A weary slave frae sun to sun,
Could I the rich reward secure—
The lovely Mary Morison!
It is the wish'd, the trysted hour.
Those smiles and glances let me see,
That make the miser's treasure poor.
How blythely wad I bide the stoure,
A weary slave frae sun to sun,
Could I the rich reward secure—
The lovely Mary Morison!
II.
Yestreen, when to the trembling string
The dance gaed thro' the lighted ha',
To thee my fancy took its wing,
I sat, but neither heard or saw:
Tho' this was fair, and that was braw,
And yon the toast of a' the town,
I sigh'd and said amang them a':—
"Ye are na Mary Morison!"
The dance gaed thro' the lighted ha',
To thee my fancy took its wing,
I sat, but neither heard or saw:
Tho' this was fair, and that was braw,
And yon the toast of a' the town,
I sigh'd and said amang them a':—
"Ye are na Mary Morison!"
III.
O Mary, canst thou wreck his peace
Wha for thy sake wad gladly die?
Or canst thou break that heart of his
Whase only faut is loving thee?
If love for love thou wilt na gie,
At least be pity to me shown:
A thought ungentle canna be
The thought o' Mary Morison.
Wha for thy sake wad gladly die?
Or canst thou break that heart of his
Whase only faut is loving thee?
If love for love thou wilt na gie,
At least be pity to me shown:
A thought ungentle canna be
The thought o' Mary Morison.
Henderson and Henley's Text.
LORD BYRON.
LORD BYRON.
16. She Walks in Beauty.
I.
She walks in Beauty, like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meet in her aspect and her eyes:
Thus mellowed to that tender light
Which Heaven to gaudy day denies.
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meet in her aspect and her eyes:
Thus mellowed to that tender light
Which Heaven to gaudy day denies.
II.
One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express,
How pure, how dear their dwelling-place.
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express,
How pure, how dear their dwelling-place.
III.
And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!
17. Oh! Snatched Away in Beauty's Bloom.
I.
Oh! snatched away in beauty's bloom,
On thee shall press no ponderous tomb;
But on thy turf shall roses rear
Their leaves, the earliest of the year;
And the wild cypress wave in tender gloom:
On thee shall press no ponderous tomb;
But on thy turf shall roses rear
Their leaves, the earliest of the year;
And the wild cypress wave in tender gloom:
II.
And oft by yon blue gushing stream
Shall Sorrow lean her drooping head,
And feed deep thought with many a dream,
And lingering pause and lightly tread;
Fond wretch! as if her step disturbed the dead!
Shall Sorrow lean her drooping head,
And feed deep thought with many a dream,
And lingering pause and lightly tread;
Fond wretch! as if her step disturbed the dead!
III.
Away! we know that tears are vain,
That Death nor heeds nor hears distress:
Will this unteach us to complain?
Or make one mourner weep the less?
And thou—who tell'st me to forget,
Thy looks are wan, thine eyes are wet.
That Death nor heeds nor hears distress:
Will this unteach us to complain?
Or make one mourner weep the less?
And thou—who tell'st me to forget,
Thy looks are wan, thine eyes are wet.
18. Song from "The Corsair."
I.
Deep in my soul that tender secret dwells,
Lonely and lost to light for evermore,
Save when to thine my heart responsive swells,
Then trembles into silence as before.
Lonely and lost to light for evermore,
Save when to thine my heart responsive swells,
Then trembles into silence as before.
II.
There, in its centre, a sepulchral lamp
Burns the slow flame, eternal—but unseen;
Which not the darkness of Despair can damp,
Though vain its ray as it had never been.
Burns the slow flame, eternal—but unseen;
Which not the darkness of Despair can damp,
Though vain its ray as it had never been.
III.
Remember me—Oh! pass not thou my grave
Without one thought whose relics there recline:
The only pang my bosom dare not brave
Must be to find forgetfulness in thine.
Without one thought whose relics there recline:
The only pang my bosom dare not brave
Must be to find forgetfulness in thine.
IV.
My fondest—faintest—latest accents hear—
Grief for the dead not Virtue can reprove;
Then give me all I ever asked—a tear,
The first—last—sole reward of so much love!
Grief for the dead not Virtue can reprove;
Then give me all I ever asked—a tear,
The first—last—sole reward of so much love!
19. Song from "Don Juan."
I.
The Isles of Greece, the Isles of Greece!
Where burning Sappho loved and sung,
Where grew the arts of War and Peace,
Where Delos rose, and Phœbus sprung!
Eternal summer gilds them yet,
But all, except their Sun, is set.
Where burning Sappho loved and sung,
Where grew the arts of War and Peace,
Where Delos rose, and Phœbus sprung!
Eternal summer gilds them yet,
But all, except their Sun, is set.
II.
The Scian and the Teian muse,
The Hero's harp, the Lover's lute,
Have found the fame your shores refuse:
Their place of birth alone is mute
To sounds which echo further west
Than your Sires' "Islands of the Blest."
The Hero's harp, the Lover's lute,
Have found the fame your shores refuse:
Their place of birth alone is mute
To sounds which echo further west
Than your Sires' "Islands of the Blest."
III.
The mountains look on Marathon—
And Marathon looks on the sea;
And musing there an hour alone,
I dreamed that Greece might still be free;
For standing on the Persians' grave,
I could not deem myself a slave.
And Marathon looks on the sea;
And musing there an hour alone,
I dreamed that Greece might still be free;
For standing on the Persians' grave,
I could not deem myself a slave.
IV.
A King sate on the rocky brow
Which looks o'er sea-born Salamis;
And ships, by thousands, lay below,
And men in nations;—all were his!
He counted them at break of day—
And, when the Sun set, where were they?
Which looks o'er sea-born Salamis;
And ships, by thousands, lay below,
And men in nations;—all were his!
He counted them at break of day—
And, when the Sun set, where were they?
V.
And where are they? and where art thou,
My Country? On thy voiceless shore
The heroic lay is tuneless now—
The heroic bosom beats no more!
And must thy Lyre, so long divine,
Degenerate into hands like mine?
My Country? On thy voiceless shore
The heroic lay is tuneless now—
The heroic bosom beats no more!
And must thy Lyre, so long divine,
Degenerate into hands like mine?
VI.
'Tis something, in the dearth of Fame,
Though linked among a fettered race,
To feel at least a patriot's shame,
Even as I sing, suffuse my face;
For what is left the poet here?
For Greeks a blush—for Greece a tear.
Though linked among a fettered race,
To feel at least a patriot's shame,
Even as I sing, suffuse my face;
For what is left the poet here?
For Greeks a blush—for Greece a tear.
VII.
Must we but weep o'er days more blest?
Must we but blush?—Our fathers bled.
Earth! render back from out thy breast
A remnant of our Spartan dead!
Of the three hundred grant but three,
To make a new Thermopylæ!
Must we but blush?—Our fathers bled.
Earth! render back from out thy breast
A remnant of our Spartan dead!
Of the three hundred grant but three,
To make a new Thermopylæ!
VIII.
What, silent still? and silent all?
Ah! no;—the voices of the dead
Sound like a distant torrent's fall,
And answer, "Let one living head,
But one arise,—we come, we come!"
'Tis but the living who are dumb.
Ah! no;—the voices of the dead
Sound like a distant torrent's fall,
And answer, "Let one living head,
But one arise,—we come, we come!"
'Tis but the living who are dumb.
IX.
In vain—in vain: strike other chords;
Fill high the cup with Samian wine!
Leave battles to the Turkish hordes,
And shed the blood of Scio's vine!
Hark! rising to the ignoble call—
How answers each bold Bacchanal!
Fill high the cup with Samian wine!
Leave battles to the Turkish hordes,
And shed the blood of Scio's vine!
Hark! rising to the ignoble call—
How answers each bold Bacchanal!
X.
You have the Pyrrhic dance as yet,
Where is the Pyrrhic phalanx gone?
Of two such lessons, why forget
The nobler and the manlier one?
You have the letters Cadmus gave—
Think ye he meant them for a slave?
Where is the Pyrrhic phalanx gone?
Of two such lessons, why forget
The nobler and the manlier one?
You have the letters Cadmus gave—
Think ye he meant them for a slave?
XI.
Fill high the
Free ebook «The Hundred Best English Poems by - (e book reader online .txt) 📖» - read online now
Add a comment
Comments (0)