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MARSHALL, HENRY R.
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INDEX
Abercrombie, Lascelles Accent Adams, F. P., free verse parody by Aesthetics, and poetry Alden, R. M.
Introduction to Poetry Aldington, Richard Alexander, Hartley B.
Poetry and the Individual Alliteration Andrews, C. E.
Writing and Reading of Verse Angellier, Auguste Anglo-Saxon lyrical verse Aristotle
Poetics
definition of Tragedy Arnold, Matthew
“The Strayed Reveller” Artistic imagination Artistic production
the impulse to Asbury, Samuel Assonance
Babbitt, Irving
New Laokoon Ballad, the Baumgarten, A. G. Beauty Beddoes, Thomas Lovell Blake, William Blunt, Wilfrid
sonnet on Gibraltar Boethius
De Consolatione Philosophiae Bosanquet, Bernard
History of AEsthetic Bradley, A. C. Bridges, Robert Brooke, Stopford Brownell, Baker Browning, Robert
The Ring and the Book Bryant, F. E. Burns, Robert Butcher, S. H.
Aristotle’s Theory of Poetry and Fine Art Bynner, Witter Byron
“ottava rima”
Calverley, C. S.
parody of Browning Campion, Thomas Carlyle, Thomas Chase, W. M. Chaucer, Geoffrey Chaucerian stanza, the Child, F. J.
English and Scottish Popular Ballads Chinese lyrics Chopin, Fr�d�ric Church music Clark, A. C.
Prose Rhythm in English Cleghorn, Sarah N.
“Come, Captain Age” Colcord, Lincoln Coleridge, S. T.
Biographia Literaria
Kubla Khan
Christabel Colvin, Sidney, “The Fine Arts,” Content and form Coquelin, E. H. A. Corson, Hiram Counsel upon the Reading of Books Courthope, W. J., History of English Poetry Cowley, Abraham, Pindaric ode in English Cranmer-Byng, L., The Lute of Jade Creative imagination Croce, B. Croll, Morris W.
Dances and poetry Daniel, Samuel Debussy, Claude Dickens, Charles Dickinson, Emily Dolmetsch, Arnold Drama
lyrical element in
dramatic monologue Drinkwater, John Dryden, John Duran, Carolus
Ear, the, appeal to Eastman, Max, Enjoyment of Poetry Elizabethan lyric, the Elton, Oliver W. Emerson, R. W. Enjoyment of Verse Erskine, John Euphuism “Eye-minded” or “ear-minded,”
Fairchild, A. H. R., Making of Poetry Feeling, and imagination
conveyed by words Feet, in verse Feminine rhymes Figures of speech Fine arts
“form” and “signficance” in
the man in Firkins, O. W. FitzGerald, Edward Fletcher, John Gould Form, in the arts Fort, Paul Free verse
four types of French song in England Fromentin, E. Frost, Robert Futurist poets
Gardiner, J. H. Gates, Lewis E. Genius and inspiration Giovanitti, Arturo Gluck, C. W., opera Goethe Goodell, T. D. Gosse, Edmund, definition of the ode Graphic arts and the lyric Gray, Thomas Greek poetry Gummere, F. B., Handbook of Poetics
Hamilton, Sir W. R., quaternions Hamlet Hardy, Thomas Hawthorne, Nathaniel
Wonder-Book
Scarlet Letter Hearn, Lafcadio Hebrew lyric, the Hebrew poetry Henley, W. E. Herford, C. H. Hexameters
English Holmes, Edmond, What is Poetry? Holmes, Justice Oliver Wendell Horace Horatian ode, English Hudson, W. H. Hugo, Victor
Images, verbal
selection and control of
visual
auditory
tactile
motor Imagination, or imaginations
the poet’s
and feeling
creative and artistic
poetic
lyric Imagist poets Imagist verse In Memoriam stanza, the Individualism in poetry Ingersoll, Robert G. Inspiration
James, Henry James, William
an illustration from Japanese lyrics Japanese prints Johnson, Samuel Jonson, Ben
Keats, John Kipling, Rudyard
La Farge, John, Considerations on Painting Lamb, Charles Landor, Walter Savage Lang, Andrew Lanier, Sidney, musical theory of verse
Poem Outlines Latin poets Lee-Hamilton, Eugene Legouis, Emile, _D�fense de la Po�sie Fran�aise Leighton, Sir Frederick Lessing, Laokoon Lewis, C. M. Lindsay, Vachel
“The Congo,” “Literary” language Locke, John Lockwood, Laura E. Lopere, Frederic A. Lowell, Amy Lowes, J. L. Lyric, the field of
classification
definitions
general characteristics
objects of the lyric vision
imagination
expression
relationships and types of
lyrical element in drama
and narrative
and graphic arts
Japanese and Chinese
decay and survival
Hebrew
Greek and Roman
of Western Europe
the Elizabethan
the Romantic
present status of
objections to Macaulay, T. B. Marinetti, F. T. Marquis, Don Masculine rhymes Masefield, John Masters, Edgar Lee Matthews, Brander Meredith, George Metre, and rhythm Midsummer Night’s Dream Mill, John Stuart Millet, J. F. Milton, John Monroe, Harriet Moody, William Vaughn Moore, J. Robert Morris, William Moving picture Murray, Gilbert Music and poetry
Narrative poetry Neilson, W. A. Newbolt, Sir Henry Nonsense-verse
Ode, the Omond, T. S. Orpheus and Eurydice, myth of
Page, Walter H. Palgrave, F. T. “Parallelogram of Forces, The” Pattern-instinct, the Patterson, W. M., Rhythm of Prose Pattison, Mark Peacock, Thomas Love Persian carpet theory of painting Pindaric ode, English Plato Play-instinct, the Poe, Edgar Allan “Poet, the”
and other men
his imagination
his words Poetry
some potencies of
nature of
and aesthetics
an art
the province of
imagist
Hebrew
Greek
and music
three main types
and dances
of alien races
See also Lyric. Polyphonic prose Pope, Alexander Pound, Louise Prosody and enjoyment Puttenham, George, Arte of English Poesie
Quantity
Racial differences Raleigh, Prof. Walter Raymond, G. L. Real effects Reed, E. B., English Lyrical Poetry Renan, Ernest Rhyme, as a form of rhythm Rhys, Ernest Rhythm, and metre
nature of
measurement of
of prose
rhyme and Ribot, Th., Essay on the Creative Imagination Ripley, W. Z. Robinson, Edwin Arlington Romantic lyric, the Royce, Josiah Ruskin, John Russell, C. E., “Swinburne and Music,”
Saintsbury, George, History of English Prose Rhythm Santayana, George Schelling, F. E. Scherer, Edmond Scott, Sir Walter Sea, a quiet, in the arts Shackford, M. H. Shakspere, William Shelley, Percy Bysshe Sherman, Stuart P. Sidney, Sir Philip Significance, in the arts Size of poetic thoughts Smith, L. W. Snell, Ada F. Sonnet, the
Petrarchan
Shaksperean South, Robert Space-arts Spaced prose Spectra hoax, the Spencer, Herbert Spenser, Edmund, the “poet’s poet” Spenserian stanza, the Stanza Stanzaic law Stedman, E. C. Stevenson, R. L. Stewart, J. A., The Myths of Plato Story, W. W. Stress, in verse “Stressers,” Subjectivity and the lyric Swinburne, A. S. Syllabic principle of versification
Taine, H. A. Tasso Taylor, Henry Osborn Teasdale, Sara Technique Tennyson, Alfred Thinking without words Thompson, Francis Thoreau, H. D. Time-arts “Timers” Tolman, A. H. Tolstoy Tone-color Tone-feeling Tynan, Katharine, “Planting Bulbs”
Verbal images Voice-waves, photographs of
Walton, Isaac Watts, G. F. Watts-Dunton, Theodore Wells, Carolyn Whistler, James Whitefield, George Whitman, Walt Whitmore, C. E. Whitney, W. D. Whittling Wilkinson, Florence, New Voices Words, the poet’s
how they convey feeling
as current coin
an imperfect medium
unpoetic
embodiment of poetic feeling
sound-values and meaning-values Wordsworth, William Wyatt, Edith
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