The unity of form and content is what distinguishes poetry from other areas of creativity. However, this is precisely what titanic work implies. The Iliad of Homer by Homer (ebook reader online free .TXT) 📖
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This speech of Agamemnon over his wounded brother, is full of noble power and touching eloquence. The Trojans have violated a truce sanctioned by a solemn sacrifice to the gods. The reflection that such perjury cannot pass with impunity, but that Jove will, sooner or later, punish it, occurs first to the mind of the warrior. In the excitement of the moment, he predicts that the day will surely come when sacred Troy shall fall. From this impetuous feeling his mind suddenly returns to the condition of his brother, and imagines with much pathos, the consequences that will follow from his death, and ends with the wish, that the earth may open before him when that time shall come.—Felton.
The poet here changes the narration, and apostrophises the reader. Critics commend this figure, as the reader then becomes a spectator, and his mind is kept fixed on the action.
In the following review of the army, we see the skill of an accomplished general as well as the characters of the leaders whom Agamemnon addresses. He begins with an address to the army in general, and then turns to individuals. To the brave he urges their secure hopes of conquest, since the gods must punish perjury; to the timid, their inevitable destruction if the enemy should burn their ships. After this he flies from rank to rank, skilfully addressing each ally, and presents a lively picture of a great mind in the highest emotion.
The ancients usually in their feasts divided to the guests in equal portions, except they took particular occasion to show distinction. It was then considered the highest mark of honor to be allotted the best portion of meat and wine, and to be allowed an exemption from the laws of the feast in drinking wine unmingled and without measure. This custom was much more ancient than the time of the Trojan war, and we find it practised in the banquet given by Joseph to his brethren.
[Diverse interpretations are given of this passage. I have adopted that which to me appeared most plausible. It seems to be a caution against the mischiefs that might ensue, should the horses be put under the management of a driver with whom they were unacquainted.—The scholium by Villoisson much countenances this solution.—Tr.]
[Here Nestor only mentions the name of Ereuthalion, knowing the present to be an improper time for story-telling; in the seventh book he relates his fight and victory at length. This passage may serve to confute those who charge Nestor with indiscriminate loquacity.—Tr.]
The first Theban war, previously alluded to, took place twenty-seven years before the war of Troy. Sthenelus here speaks of the second, which happened ten years after the first. For an account of these wars see Grecian and Roman Mythology.
This is a most animated description. The onset, the clashing of spears, the shield pressed to shield, the tumult of the battle, the shouts and groans of the slayer and the dying—all are described in words, the very sound of which conveys the terrible meaning. Then come the exploits performed by individual heroes. The student must bear in mind, that the battles of the heroic age depended in a great measure upon the prowess of single chieftains. Hence the appropriateness of the following enumeration.—Felton.
So called from the river Simoïs, near which he was born. It was an eastern custom to name children from the most remarkable accident of their birth. The Scriptures furnish many examples. In the Old Testament princes were also compared to trees, and Simöisius is here resembled to a poplar.
Homer occasionally puts his readers in mind of Achilles, and finds occasion to celebrate his valor with the highest praise. Apollo here tells the Trojans they have nothing to fear, since Achilles fights not.
[Ακροκομοι. They wore only a lock of hair on the crown of the head.]
Footnotes for Book V:
In each battle there is one prominent person who may be called the hero of the day. This arrangement preserves unity, and helps to fix the attention of the reader. The gods sometimes favor one hero, and sometimes another. In this book we have the exploits of Diomede. Assisted by Minerva, he is eminent both for prudence and valor.
Sirius. This comparison, among many others, shows how constantly the poet's attention was directed to the phenomena of nature.—Felton.
Ηιοεντι.
The chariots were probably very low. We frequently find in the Iliad that a person standing in a chariot is killed (and sometimes by a stroke on the head) by a foot soldier with a sword. This may farther appear from the ease with which they mount or alight, to facilitate which, the chariots were made open behind. That the wheels were small, may be supposed from their custom of taking them off and putting them on. Hebe puts on the wheels of Juno's chariot, when he called for it in battle. It may be in allusion to the same custom, that it is said in Ex., ch. xiv.: "The Lord took off their chariot wheels, so that they drove them heavily." That it was very small and light, is evident from a passage in the tenth Il., where Diomede debates whether he shall draw the chariot of Rhesus out of the way, or carry it on his shoulders to a place of safety.
[Meges, son of Phyleus.]
This whole passage is considered by critics as very beautiful. It describes the hero carried by an enthusiastic valor into the midst of his enemies, and mingling in the ranks indiscriminately. The simile thoroughly illustrates this fury, proceeding as it did from an extraordinary infusion of courage from Heaven.
[Apollo.]
The deities are often invoked because of the agency ascribed to them and not from any particular religious usage. And just as often the heroes are protected by the gods who are worshipped by their own tribes and families—Muller.
This fiction of Homer, says Dacier, is founded upon an important truth of religion, not unknown to the Pagans: viz. that God only can open the eyes of men, and enable them to see what they cannot otherwise discover. The Old Testament furnishes examples. God opens the eyes of Hagar, that she may see the fountain. "The Lord opened the eyes of Baalam, and he saw the angel," etc. This power of sight was given to Diomede only for the present occasion. In the 6th Book, on meeting Glaucus, he is ignorant whether he is a god, a hero, or a man.
[Or collar-bone.]
The belief of those times, in regard to the peace and happiness of the soul after death, made the protection of the body a matter of great importance. For a full account of these rites, see the articles Charon and Pluto, Gr. & Rom. Mythology.
The physician of the gods. Homer says nothing of his origin. He seems to be considered as distinct from Apollo, though perhaps originally identical with him.
From the fact that so few mystical myths are introduced in the Iliad, Müller infers that the mystical element of religion could not have predominated among the Grecian people for whom Homer sang. Otherwise, his poems in which that element is but little regarded, would not have afforded universal pleasure and satisfaction. He therefore takes but a passing notice of Demeter. Müller also remarks, that in this we cannot but admire the artistic skill of Homer, and the feeling for what is right and fitting that was innate with the Greeks.
[Vide Samson to Harapha in the Agonistes. There the word is used in the same sense.—Tr.]
[This is a construction ofλευκ ελεφαντι given by some of the best commentators, and that seems the most probable.—Tr.]
This slow and orderly retreat of the Greeks, with their front constantly turned to the enemy, is a fine encomium on their courage and discipline. This manner of retreating was customary among the Lacedæmonians, as were many other martial customs described by Homer. The practice arose from the apprehension of being killed by a wound in the back, which was not only punished with infamy, but a person bearing the mark was denied the rites of burial.
[This, according to Porphyrius as quoted by Clarke, is the true meaning ofαιολομιτρης.—Tr.]
The chariots of the gods were formed of various metals, and drawn through the air, or upon the surface of the sea, by horses of celestial breed. These chariots were used by the deities only on occasion of a long journey, or when they wished to appear with state and magnificence. Ordinarily they were transported from place to place by the aid of their golden sandals, with the exception of the "silver-footed Thetis," to whom they seem to have been superfluous. When at home, the gods were barefoot, according to the custom of the age, as we see from various representations of antique art.
[These which I have called crescents, were a kind of hook of a semicircular form, to which the reins were occasionally fastened.—Tr.]
The Greeks borrowed the vest and shield of Minerva from the Lybians, only with this difference: the Lybian shield was fringed with thongs of leather, and the Grecian with serpents.—Herodotus.
This expression (the gates of Heaven) is in the eastern manner, and common in the Scriptures.
[Αρεα τονδε.]
Every thing that enters the dark empire of Hades disappears, and is seen no more; hence the figurative expression, to put on Pluto's helmet; that is to become invisible.
Footnotes for Book VI:
The Simoïs and Xanthus were two rivers of the Troad, which form a junction before they reached the Hellespont. The Simoïs rose in Mt. Ida, and the Xanthus had its origin near Troy.—Felton.
Ajax commences his exploits immediately on the departure of the gods from the battle. It is observed of this hero, that he is never assisted by the deities.
Axylus was distinguished for his hospitality. This trait was characteristic of the Oriental nations, and is often alluded to by ancient writers. The rite of hospitality often united families belonging to different and hostile nations, and was even transmitted from father to son. This description is a fine tribute to the generosity of Axylus.—Felton
[Euryalus.]
Agamemnon's taking the life of the Trojan whom Menelaus had pardoned, was according to the custom of the times. The historical books of the Old Testament abound in instances of the like cruelty to conquered enemies.
This important maxim of war is very naturally introduced, upon Menelaus being ready to spare an enemy for the sake of a ransom. According to Dacier, it was for such lessons as these that Alexander so much esteemed Homer and studied his poem.
The custom of making donations to the gods is found among the ancients, from the earliest times of which we have any record down to the introduction of Christianity; and even after that period it was observed by the Christians during the middle ages. Its origin seems to have been the same as that of sacrifices: viz. the belief that the gods were susceptible of influence in their conduct towards men. These gifts were sometimes very costly, but often nothing more than locks of hair cut from the head of the votary.
Diomede had knowingly wounded and insulted the deities; he therefore met Glaucus with a superstitious fear that he might be some deity in human shape. This feeling brought to his mind the story of Lycurgus.
It is said that Lycurgus caused most of the vines of his country to be rooted up, so that his subjects were obliged
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