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One of the ancients,once said that poetry is "the mirror of the perfect soul." Instead of simply writing down travel notes or, not really thinking about the consequences, expressing your thoughts, memories or on paper, the poetic soul needs to seriously work hard to clothe the perfect content in an even more perfect poetic form.
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Reading books RomanceThe unity of form and content is what distinguishes poetry from other areas of creativity. However, this is precisely what titanic work implies.
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440
Or dress'd for pleasing wonder, or serene
In Beauty's rosy smile. It now remains,
Through various being's fair proportion'd scale,
To trace the rising lustre of her charms,
From their first twilight, shining forth at length
To full meridian splendour. Of degree
The least and lowliest, in the effusive warmth
Of colours mingling with a random blaze,
Doth Beauty dwell. Then higher in the line
And variation of determined shape, 450
Where Truth's eternal measures mark the bound
Of circle, cube, or sphere. The third ascent
Unites this varied symmetry of parts
With colour's bland allurement; as the pearl
Shines in the concave of its azure bed,
And painted shells indent their speckled wreath.
Then more attractive rise the blooming forms
Through which the breath of Nature has infused
Her genial power to draw with pregnant veins
Nutritious moisture from the bounteous earth, 460
In fruit and seed prolific: thus the flowers
Their purple honours with the Spring resume;
And such the stately tree which Autumn bends
With blushing treasures. But more lovely still
Is Nature's charm, where to the full consent
Of complicated members, to the bloom
Of colour, and the vital change of growth,
Life's holy flame and piercing sense are given,
And active motion speaks the temper'd soul:
So moves the bird of Juno; so the steed 470
With rival ardour beats the dusty plain,
And faithful dogs with eager airs of joy
Salute their fellows. Thus doth Beauty dwell
There most conspicuous, even in outward shape,
Where dawns the high expression of a mind:
By steps conducting our enraptured search
To that eternal origin, whose power,
Through all the unbounded symmetry of things,
Like rays effulging from the parent sun,
This endless mixture of her charms diffused. 480
Mind, mind alone, (bear witness, earth and heaven!)
The living fountains in itself contains
Of beauteous and sublime: here hand in hand,
Sit paramount the Graces; here enthroned,
Celestial Venus, with divinest airs,
Invites the soul to never-fading joy.
Look then abroad through nature, to the range
Of planets, suns, and adamantine spheres
Wheeling unshaken through the void immense;
And speak, O man! does this capacious scene 490
With half that kindling majesty dilate
Thy strong conception, as when Brutus rose [Endnote G]
Refulgent from the stroke of Caesar's fate,
Amid the crowd of patriots; and his arm
Aloft extending, like eternal Jove
When guilt brings down the thunder, call'd aloud
On Tully's name, and shook his crimson steel,
And bade the father of his country, hail!
For lo! the tyrant prostrate on the dust,
And Rome again is free! Is aught so fair 500
In all the dewy landscapes of the Spring,
In the bright eye of Hesper, or the morn,
In Nature's fairest forms, is aught so fair
As virtuous friendship? as the candid blush
Of him who strives with fortune to be just?
The graceful tear that streams for others' woes?
Or the mild majesty of private life,
Where Peace with ever blooming olive crowns
The gate; where Honour's liberal hands effuse
Unenvied treasures, and the snowy wings 510
Of Innocence and Love protect the scene?
Once more search, undismay'd, the dark profound
Where Nature works in secret; view the beds
Of mineral treasure, and the eternal vault
That bounds the hoary ocean; trace the forms
Of atoms moving with incessant change
Their elemental round; behold the seeds
Of being, and the energy of life
Kindling the mass with ever-active flame;
Then to the secrets of the working mind 520
Attentive turn; from dim oblivion call
Her fleet, ideal band; and bid them, go!
Break through time's barrier, and o'ertake the hour
That saw the heavens created: then declare
If aught were found in those external scenes
To move thy wonder now. For what are all
The forms which brute, unconscious matter wears,
Greatness of bulk, or symmetry of parts?
Not reaching to the heart, soon feeble grows
The superficial impulse; dull their charms, 530
And satiate soon, and pall the languid eye.
Not so the moral species, nor the powers
Of genius and design; the ambitious mind
There sees herself: by these congenial forms
Touch'd and awaken'd, with intenser act
She bends each nerve, and meditates well pleased
Her features in the mirror. For, of all
The inhabitants of earth, to man alone
Creative Wisdom gave to lift his eye
To Truth's eternal measures; thence to frame 540
The sacred laws of action and of will,
Discerning justice from unequal deeds,
And temperance from folly. But beyond
This energy of Truth, whose dictates bind
Assenting reason, the benignant Sire,
To deck the honour'd paths of just and good,
Has added bright Imagination's rays:
Where Virtue, rising from the awful depth
Of Truth's mysterious bosom, [Endnote H] doth forsake
The unadorn'd condition of her birth; 550
And dress'd by Fancy in ten thousand hues,
Assumes a various feature, to attract,
With charms responsive to each gazer's eye,
The hearts of men. Amid his rural walk,
The ingenuous youth, whom solitude inspires
With purest wishes, from the pensive shade
Beholds her moving, like a virgin muse
That wakes her lyre to some indulgent theme
Of harmony and wonder: while among
The herd of servile minds, her strenuous form 560
Indignant flashes on the patriot's eye,
And through the rolls of memory appeals
To ancient honour; or in act serene,
Yet watchful, raises the majestic sword
Of public Power, from dark Ambition's reach
To guard the sacred volume of the laws.

Genius of ancient Greece! whose faithful steps
Well pleased I follow through the sacred paths
Of Nature and of Science; nurse divine
Of all heroic deeds and fair desires! 570
Oh! let the breath of thy extended praise
Inspire my kindling bosom to the height
Of this untempted theme. Nor be my thoughts
Presumptuous counted, if, amid the calm
That soothes this vernal evening into smiles,
I steal impatient from the sordid haunts
Of strife and low ambition, to attend
Thy sacred presence in the sylvan shade,
By their malignant footsteps ne'er profaned.
Descend, propitious, to my favour'd eye! 580
Such in thy mien, thy warm, exalted air,
As when the Persian tyrant, foil'd and stung
With shame and desperation, gnash'd his teeth
To see thee rend the pageants of his throne;
And at the lightning of thy lifted spear
Crouch'd like a slave. Bring all thy martial spoils,
Thy palms, thy laurels, thy triumphal songs,
Thy smiling band of art, thy godlike sires
Of civil wisdom, thy heroic youth
Warm from the schools of glory. Guide my way 590
Through fair Lyceum's [Endnote I] walk, the green retreats
Of Academus, [Endnote J] and the thymy vale,
Where oft enchanted with Socratic sounds,
Ilissus [Endnote K] pure devolved his tuneful stream
In gentler murmurs. From the blooming store
Of these auspicious fields, may I unblamed
Transplant some living blossoms to adorn
My native clime: while far above the flight
Of Fancy's plume aspiring, I unlock
The springs of ancient wisdom! while I join 600
Thy name, thrice honour'd! with the immortal praise
Of Nature; while to my compatriot youth
I point the high example of thy sons,
And tune to Attic themes the British lyre.


BOOK II.


ARGUMENT.

The separation of the works of Imagination from Philosophy, the cause of their abuse among the moderns. Prospect of their reunion under the influence of public Liberty. Enumeration of accidental pleasures, which increase the effect of objects delightful to the Imagination. The pleasures of sense. Particular circumstances of the mind. Discovery of truth. Perception of contrivance and design. Emotion of the passions. All the natural passions partake of a pleasing sensation; with the final cause of this constitution illustrated by an allegorical vision, and exemplified in sorrow, pity, terror, and indignation.

When shall the laurel and the vocal string
Resume their honours? When shall we behold
The tuneful tongue, the Promethean band
Aspire to ancient praise? Alas! how faint,
How slow the dawn of Beauty and of
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