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when the end cometh, we shall see how it hath all gone. When, then, wilt thou ride?'

'To-morrow, an' it please you, sir. I should fight but evil with the knowledge that I had left my best battle-friend in the hands of the Philistines, nor sent even a cry after her.'

'What boots it, Richard? If she be within Raglan walls, they yield her not again. Bide thy time; and when thou meetest thy foe on thy friend's back, woe betide him!'

'Amen, sir!' said Richard. 'But with your leave I will not go to-day. I give you my promise I will go to-morrow.'

'Be it so, then. Stopchase, let the men be ready at this hour on the morrow. The rest of the day is their own.'

So saying, Roger Heywood turned away, in no small distress, although he concealed it, both at the loss of the mare and his son's grief over it. Betaking himself to his study, he plunged himself straightway deep in the comfort of the last born and longest named of Milton's tracts.

The moment he was gone, Richard, who had now made up his mind as to his first procedure, sent Stopchase away, saddled Oliver, rode slowly out of the yard, and struck across the fields. After a half-hour's ride he stopped at a lonely cottage at the foot of a rock on the banks of the Usk. There he dismounted, and having fastened his horse to the little gate in front, entered a small garden full of sweet-smelling herbs mingled with a few flowers, and going up to the door, knocked, and then lifted the latch.


CHAPTER XXVI.

THE WITCH'S COTTAGE.


Richard was met on the threshold by mistress Rees, in the same old- fashioned dress, all but the hat, which I have already described. On her head she wore a widow's cap, with large crown, thick frill, and black ribbon encircling it between them. She welcomed him with the kindness almost of an old nurse, and led the way to the one chair in the room-beside the hearth, where a fire of peat was smouldering rather than burning beneath the griddle, on which she was cooking oat-cake. The cottage was clean and tidy. From the smoky rafters hung many bunches of dried herbs, which she used partly for medicines, partly for charms.

To herself, the line dividing these uses was not very clearly discernible.

'I am in trouble, mistress Rees,' said Richard, as he seated himself.

'Most men do be in trouble most times, master Heywood,' returned the old woman. 'Dost find thou hast taken the wrong part, eh?-There be no need to tell what aileth thee. 'Tis a bit easier to cast off a maiden than to forget her-eh?'

'No, mistress Rees. I came not to trouble thee concerning what is past and gone,' said Richard with a sigh. 'It is a taste of thy knowledge I want rather than of thy skill.'

'What skill I have is honest,' said the old woman.

'Far be it from thee to say otherwise, mother Rees. But I need it not now. Tell me, hast thou not been once and again within the great gates of Raglan castle?'

'Yes, my son-oftener than I can tell thee,' answered the old woman. 'It is but a se'night agone that I sat a talking with my son Thomas Rees in the chimney corner of Raglan kitchen, after the supper was served and the cook at rest. It was there my lad was turnspit once upon a time, for as great a man as he is now with my lord and all the household. Those were hard times after my good man left me, master Heywood. But the cream will to the top, and there is my son now-who but he in kitchen and hall? Well, of all places in the mortal world, that Raglan passes!'

'They tell strange things of the stables there, mistress Rees: know you aught of them?'

'Strange things, master? They tell nought but good of the stables that tell the truth. As to the armoury, now-well it is not for such as mother Rees to tell tales out of school.'

'What I heard, and wanted to ask thee about, mother, was that they are under ground. Thinkest thou horses can fare well under ground? Thou knowest a horse as well as a dog, mother.'

Ere she replied, the old woman took her cake from the griddle, and laid it on a wooden platter, then caught up a three-legged stool, set it down by Richard, seated herself at his knee, and assumed the look of mystery wherewith she was in the habit of garnishing every bit of knowledge, real or fancied, which it pleased her to communicate.

'Hear me, and hold thy peace, master Richard Heywood,' she said. 'As good horses as ever stamped in Redware stables go down into Raglan vaults; but yet they eat their oats and their barley, and when they lift their heads they look out to the ends of the world. Whether it be by the skill of the mason or of such as the hidden art of my lord Herbert knows best how to compel, let them say that list to make foes where it were safer to have friends. But this I am free to tell thee-that in the pitched court, betwixt the antechamber to my lord's parlour that hath its windows to the moat, and the great bay window of the hall that looks into that court, there goeth a descent, as it seemeth of stairs only; but to him that knoweth how to pull a certain tricker, as of an harquebus or musquetoon, the whole thing turneth around, and straightway from a stair passeth into an easy matter of a sloping way by the which horses go up and down. And Thomas he telleth me also that at the further end of the vaults to which it leads, the which vaults pass under the marquis's oak parlour, and under all the breadth of the fountain court, as they do call the other court of the castle, thou wilt come to a great iron door in the foundations of one of the towers, in which my lord hath contrived stabling for a hundred and more horses, and that, mark my words, my son, not in any vault or underground dungeon, but in the uppermost chamber of all.'

'And how do they get up there, mother?' asked Richard, who listened with all his ears.

'Why, they go round and round, and ever the rounder the higher, as a fly might crawl up a corkscrew. And there is a stair also in the same screw, as it were, my Thomas do tell me, by which the people of the house do go up and down, and know nothing of the way for the horses within, neither of the stalls at the top of the tower, where they stand and see the country. Yet do they often marvel at the sounds of their hoofs, and their harness, and their cries, and their chumping of their corn. And that is how Raglan can send forth so many horseman for the use of the king. But alack, master Heywood! is it for a wise woman like myself to forget that thou art of the other part, and that these are secrets of state which scarce another in the castle but my son Thomas knoweth aught concerning! What will become of me that I have told them to a Heywood, being, as is well known, myself no more of a royalist than another?'

And she regarded him a little anxiously.

'What should it signify, mother,'' said Richard, 'so long as neither you nor I believe a word of it? Horses go up a tower to bed forsooth! Yet for the matter of that, I will engage to ride my mare up any corkscrew wide enough to turn her forelock and tail in-ay, and down again too, which is another business with most horses. But come now, mother Rees, confess this all a fable of thine own contriving to make a mock of a farm-bred lad like me.'

'In good sooth, master Heywood,' answered the old woman, 'I tell the tale as 'twas told to me. I avouch it not for certain, knowing that my son Thomas hath a seething brain and loveth a joke passing well, nor heedeth greatly upon whom he putteth it, whether his master or his mother; but for the stair by the great hall window, that stair have I seen with mine own eyes, though for the horses to come and go thereby, that truly have I not seen. And for the rest I only say it may well be, for there is nothing of it all which the wise man, my lord Herbert, could not with a word-and that a light one for him to speak, though truly another might be torn to pieces in saying it.'

'I would I might see the place!' murmured Richard.

'An' it were not thou art such a-! But it boots not talking, master Heywood. Thou art too well known for a puritan-roundhead they call thee; and thou hast given them and theirs too many hard knocks, my son, to look they should be willing to let thee gaze on the wonders of their great house. Else, being that I am a friend to thee and thine, I would gladly-. But, as I say, it boots nothing-although I have a son, who being more of the king's part than I am-.'

'Hast thou not then art enough, mother, to set me within Raglan walls for an hour or two after midnight? I ask no more,' said Richard, who, although he was but leading the way to quite another proposal, nor desired aid of art black or white, yet could not help a little tremor at making the bare suggestion of the unhallowed idea.

'An' I had, I dared not use it,' answered the old woman; 'for is not my lord Herbert there? Were it not for him-well-. But I dare not, as I say, for his art is stronger than mine, and from his knowledge I could hide nothing. And I dare not for thy sake either, my young master. Once inside those walls of stone, those gates of oak, and those portcullises of iron, and thou comes not out alive again, I warrant thee.'

'I should like to try once, though,' said Richard. 'Couldst thou not disguise me, mother Rees, and send me with a message to thy son?'

'I tell thee, young master, I dare not,' answered the old woman, with utmost solemnity. 'And if I did, thy speech would presently bewray thee.'

'I would then I knew that part of the wall a man might scramble over in the dark,' said Richard.

'Thinks thou my lord marquis hath been fortifying his castle for two years that a young Heywood, even if he be one of the godly, and have long legs to boot, should make a vaulting horse of it? I know but one knows the way over Raglan walls, and thou wilt hardly persuade him to tell thee,' said mother Rees, with a grim chuckle.

As she spoke she rose, and went towards her sleeping chamber. Then first Richard became aware that for some time he had been hearing a scratching and whining. She opened the door, and out ran a wretched-looking dog, huge and gaunt, with the red marks of recent wounds all over his body, and his neck swathed in a discoloured bandage. He went straight to Richard, and began fawning upon him and licking his hands. Miserable and most disreputable as he looked, he recognised in him
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