Phantastes, A Faerie Romance by George MacDonald (best fantasy books to read .txt) 📖
- Author: George MacDonald
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“In Fairy Land, Anodos.”
I turned, but saw no one. I closed the secretary, and went to my own room, and to bed.
All this I recalled as I lay with half-closed eyes. I was soon to find the truth of the lady’s promise, that this day I should discover the road into Fairy Land.
“`Where is the stream?’ cried he, with tears. `Seest thou its not in blue waves above us?’ He looked up, and lo! the blue stream was flowing gently over their heads.”
—NOVALIS, Heinrich von Ofterdingen.
While these strange events were passing through my mind, I suddenly, as one awakes to the consciousness that the sea has been moaning by him for hours, or that the storm has been howling about his window all night, became aware of the sound of running water near me; and, looking out of bed, I saw that a large green marble basin, in which I was wont to wash, and which stood on a low pedestal of the same material in a corner of my room, was overflowing like a spring; and that a stream of clear water was running over the carpet, all the length of the room, finding its outlet I knew not where. And, stranger still, where this carpet, which I had myself designed to imitate a field of grass and daisies, bordered the course of the little stream, the grass-blades and daisies seemed to wave in a tiny breeze that followed the water’s flow; while under the rivulet they bent and swayed with every motion of the changeful current, as if they were about to dissolve with it, and, forsaking their fixed form, become fluent as the waters.
My dressing-table was an old-fashioned piece of furniture of black oak, with drawers all down the front. These were elaborately carved in foliage, of which ivy formed the chief part. The nearer end of this table remained just as it had been, but on the further end a singular change had commenced. I happened to fix my eye on a little cluster of ivy-leaves. The first of these was evidently the work of the carver; the next looked curious; the third was unmistakable ivy; and just beyond it a tendril of clematis had twined itself about the gilt handle of one of the drawers. Hearing next a slight motion above me, I looked up, and saw that the branches and leaves designed upon the curtains of my bed were slightly in motion. Not knowing what change might follow next, I thought it high time to get up; and, springing from the bed, my bare feet alighted upon a cool green sward; and although I dressed in all haste, I found myself completing my toilet under the boughs of a great tree, whose top waved in the golden stream of the sunrise with many interchanging lights, and with shadows of leaf and branch gliding over leaf and branch, as the cool morning wind swung it to and fro, like a sinking sea-wave.
After washing as well as I could in the clear stream, I rose and looked around me. The tree under which I seemed to have lain all night was one of the advanced guard of a dense forest, towards which the rivulet ran. Faint traces of a footpath, much overgrown with grass and moss, and with here and there a pimpernel even, were discernible along the right bank.
“This,” thought I, “must surely be the path into Fairy Land, which the lady of last night promised I should so soon find.” I crossed the rivulet, and accompanied it, keeping the footpath on its right bank, until it led me, as I expected, into the wood.
Here I left it, without any good reason: and with a vague feeling that I ought to have followed its course, I took a more southerly direction.
“Man doth usurp all space, Stares thee, in rock, bush, river, in the face.
Never thine eyes behold a tree; ‘Tis no sea thou seest in the sea, ‘Tis but a disguised humanity.
To avoid thy fellow, vain thy plan; All that interests a man, is man.”
HENRY SUTTON.
The trees, which were far apart where I entered, giving free passage to the level rays of the sun, closed rapidly as I advanced, so that ere long their crowded stems barred the sunlight out, forming as it were a thick grating between me and the East. I seemed to be advancing towards a second midnight.
In the midst of the intervening twilight, however, before I entered what appeared to be the darkest portion of the forest, I saw a country maiden coming towards me from its very depths. She did not seem to observe me, for she was apparently intent upon a bunch of wild flowers which she carried in her hand. I could hardly see her face; for, though she came direct towards me, she never looked up. But when we met, instead of passing, she turned and walked alongside of me for a few yards, still keeping her face downwards, and busied with her flowers. She spoke rapidly, however, all the time, in a low tone, as if talking to herself, but evidently addressing the purport of her words to me.
She seemed afraid of being observed by some lurking foe. “Trust the Oak,” said she; “trust the Oak, and the Elm, and the great Beech. Take care of the Birch, for though she is honest, she is too young not to be changeable. But shun the Ash and the Alder; for the Ash is an ogre,—you will know him by his thick fingers; and the Alder will smother you with her web of hair, if you let her near you at night.” All this was uttered without pause or alteration of tone. Then she turned suddenly and left me, walking still with the same unchanging gait. I could not conjecture what she meant, but satisfied myself with thinking that it would be time enough to find out her meaning when there was need to make use of her warning, and that the occasion would reveal the admonition. I concluded from the flowers that she carried, that the forest could not be everywhere so dense as it appeared from where I was now walking; and I was right in this conclusion. For soon I came to a more open part, and by-and-by crossed a wide grassy glade, on which were several circles of brighter green. But even here I was struck with the utter stillness. No bird sang. No insect hummed. Not a living creature crossed my way. Yet somehow the whole environment seemed only asleep, and to wear even in sleep an air of expectation. The trees seemed all to have an expression of conscious mystery, as if they said to themselves, “we could, an’
if we would.” They had all a meaning look about them. Then I remembered that night is the fairies’ day, and the moon their sun; and I thought—Everything sleeps and dreams now: when the night comes, it will be different. At the same time I, being a man and a child of the day, felt some anxiety as to how I should fare among the elves and other children of the night who wake when mortals dream, and find their common life in those wondrous hours that flow noiselessly over the moveless deathlike forms of men and women and children, lying strewn and parted beneath the weight of the heavy waves of night, which flow on and beat them down, and hold them drowned and senseless, until the ebbtide comes, and the waves sink away, back into the ocean of the dark.
But I took courage and went on. Soon, however, I became again anxious, though from another cause. I had eaten nothing that day, and for an hour past had been feeling the want of food. So I grew afraid lest I should find nothing to meet my human necessities in this strange place; but once more I comforted myself with hope and went on.
Before noon, I fancied I saw a thin blue smoke rising amongst the stems of larger trees in front of me; and soon I came to an open spot of ground in which stood a little cottage, so built that the stems of four great trees formed its corners, while their branches met and intertwined over its roof, heaping a great cloud of leaves over it, up towards the heavens. I wondered at finding a human dwelling in this neighbourhood; and yet it did not look altogether human, though sufficiently so to encourage me to expect to find some sort of food. Seeing no door, I went round to the other side, and there I found one, wide open. A woman sat beside it, preparing some vegetables for dinner. This was homely and comforting. As I came near, she looked up, and seeing me, showed no surprise, but bent her head again over her work, and said in a low tone:
“Did you see my daughter?”
“I believe I did,” said I. “Can you give me something to eat, for I am very hungry?”
“With pleasure,” she replied, in the same tone; “but do not say anything more, till you come into the house, for the Ash is watching us.”
Having said this, she rose and led the way into the cottage; which, I now saw, was built of the stems of small trees set closely together, and was furnished with rough chairs and tables, from which even the bark had not been removed. As soon as she had shut the door and set a chair—
“You have fairy blood in you,” said she, looking hard at me.
“How do you know that?”
“You could not have got so far into this wood if it were not so; and I am trying to find out some trace of it in your countenance.
I think I see it.”
“What do you see?”
“Oh, never mind: I may be mistaken in that.”
“But how then do you come to live here?”
“Because I too have fairy blood in me.”
Here I, in my turn, looked hard at her, and thought I could perceive, notwithstanding the coarseness of her features, and especially the heaviness of her eyebrows, a something unusual—I could hardly call it grace, and yet it was an expression that strangely contrasted with the form of her features. I noticed too that her hands were delicately formed, though brown with work and exposure.
“I should be ill,” she continued, “if I did not live on the borders of the fairies’ country, and now and then eat of their food. And I see by your eyes that you are not quite free of the same need; though, from your education and the activity of your mind, you have felt it less than I. You may be further removed too from the fairy race.”
I remembered what the lady had said about my grandmothers.
Here she placed some bread and some milk before me, with a kindly apology for the homeliness of the fare, with which, however, I was in no humour to quarrel. I now thought it time to try to get some explanation of the strange words both of her daughter and herself.
“What did you mean by speaking so about the Ash?”
She rose and looked out
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