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Reading books RomanceReading books romantic stories you will plunge into the world of feelings and love. Most of the time the story ends happily. Very interesting and informative to read books historical romance novels to feel the atmosphere of that time.
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Critics will say that romance is too predictable. That if you know how it ends, there’s no point in reading it. Sorry, but no. It’s okay to choose between genres to get what you need from your books. But in romance the happy ending is a feature.It’s so romantic to describe the scene when you have found your True Love like in “fairytale love story.”




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Read books online » Romance » A Sicilian Romance by Ann Ward Radcliffe (first e reader .TXT) 📖

Book online «A Sicilian Romance by Ann Ward Radcliffe (first e reader .TXT) 📖». Author Ann Ward Radcliffe



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him no more, I would impart to you a secret which lies heavy at my heart, and which makes my last moments dreadful, as they are without hope.’

‘Be comforted,’ said madame, who was affected by the energy of his manner, ‘we are taught to believe that forgiveness is never denied to sincere repentance.’ ‘You, madam, are ignorant of the enormity of my crime, and of the secret—the horrid secret which labours at my breast. My guilt is beyond remedy in this world, and I fear will be without pardon in the next; I therefore hope little from confession even to a priest. Yet some good it is still in my power to do; let me disclose to you that secret which is so mysteriously connected with the southern apartments of this castle.’—‘What of them!’ exclaimed madame, with impatience. Vincent returned no answer; exhausted by the effort of speaking, he had fainted. Madame rung for assistance, and by proper applications, his senses were recalled. He was, however, entirely speechless, and in this state he remained till he expired, which was about an hour after he had conversed with madame.

The perplexity and astonishment of madame, were by the late scene heightened to a very painful degree. She recollected the various particulars relative to the southern division of the castle, the many years it had stood uninhabited—the silence which had been observed concerning it—the appearance of the light and the figure—the fruitless search for the keys, and the reports so generally believed; and thus remembrance presented her with a combination of circumstances, which served only to increase her wonder, and heighten her curiosity. A veil of mystery enveloped that part of the castle, which it now seemed impossible should ever be penetrated, since the only person who could have removed it, was no more.

The marquis arrived on the day after that on which Vincent had expired. He came attended by servants only, and alighted at the gates of the castle with an air of impatience, and a countenance expressive of strong emotion. Madame, with the young ladies, received him in the hall. He hastily saluted his daughters, and passed on to the oak parlour, desiring madame to follow him. She obeyed, and the marquis enquired with great agitation after Vincent. When told of his death, he paced the room with hurried steps, and was for some time silent. At length seating himself, and surveying madame with a scrutinizing eye, he asked some questions concerning the particulars of Vincent’s death.

She mentioned his earnest desire to see the marquis, and repeated his last words. The marquis remained silent, and madame proceeded to mention those circumstances relative to the southern division of the castle, which she thought it of so much importance to discover. He treated the affair very lightly, laughed at her conjectures, represented the appearances she described as the illusions of a weak and timid mind, and broke up the conversation, by going to visit the chamber of Vincent, in which he remained a considerable time.

On the following day Emilia and Julia dined with the marquis. He was gloomy and silent; their efforts to amuse him seemed to excite displeasure rather than kindness; and when the repast was concluded, he withdrew to his own apartment, leaving his daughters in a state of sorrow and surprise.

Vincent was to be interred, according to his own desire, in the church belonging to the convent of St Nicholas. One of the servants, after receiving some necessary orders concerning the funeral, ventured to inform the marquis of the appearance of the lights in the south tower.

He mentioned the superstitious reports that prevailed amongst the household, and complained that the servants would not cross the courts after it was dark. ‘And who is he that has commissioned you with this story?’ said the marquis, in a tone of displeasure; ‘are the weak and ridiculous fancies of women and servants to be obtruded upon my notice? Away—appear no more before me, till you have learned to speak what it is proper for me to hear.’ Robert withdrew abashed, and it was some time before any person ventured to renew the subject with the marquis.

The majority of young Ferdinand now drew near, and the marquis determined to celebrate the occasion with festive magnificence at the castle of Mazzini. He, therefore, summoned the marchioness and his son from Naples, and very splendid preparations were ordered to be made.

Emilia and Julia dreaded the arrival of the marchioness, whose influence they had long been sensible of, and from whose presence they anticipated a painful restraint. Beneath the gentle guidance of Madame de Menon, their hours had passed in happy tranquillity, for they were ignorant alike of the sorrows and the pleasures of the world. Those did not oppress, and these did not inflame them. Engaged in the pursuits of knowledge, and in the attainment of elegant accomplishments, their moments flew lightly away, and the flight of time was marked only by improvement. In madame was united the tenderness of the mother, with the sympathy of a friend; and they loved her with a warm and inviolable affection.

The purposed visit of their brother, whom they had not seen for several years, gave them great pleasure. Although their minds retained no very distinct remembrance of him, they looked forward with eager and delightful expectation to his virtues and his talents; and hoped to find in his company, a consolation for the uneasiness which the presence of the marchioness would excite. Neither did Julia contemplate with indifference the approaching festival. A new scene was now opening to her, which her young imagination painted in the warm and glowing colours of delight. The near approach of pleasure frequently awakens the heart to emotions, which would fail to be excited by a more remote and abstracted observance. Julia, who, in the distance, had considered the splendid gaieties of life with tranquillity, now lingered with impatient hope through the moments which withheld her from their enjoyments. Emilia, whose feelings were less lively, and whose imagination was less powerful, beheld the approaching festival with calm consideration, and almost regretted the interruption of those tranquil pleasures, which she knew to be more congenial with her powers and disposition.

In a few days the marchioness arrived at the castle. She was followed by a numerous retinue, and accompanied by Ferdinand, and several of the Italian noblesse, whom pleasure attracted to her train. Her entrance was proclaimed by the sound of music, and those gates which had long rusted on their hinges, were thrown open to receive her. The courts and halls, whose aspect so lately expressed only gloom and desolation, now shone with sudden splendour, and echoed the sounds of gaiety and gladness. Julia surveyed the scene from an obscure window; and as the triumphal strains filled the air, her breast throbbed; her heart beat quick with joy, and she lost her apprehensions from the marchioness in a sort of wild delight hitherto unknown to her. The arrival of the marchioness seemed indeed the signal of universal and unlimited pleasure. When the marquis came out to receive her, the gloom that lately clouded his countenance, broke away in smiles of welcome, which the whole company appeared to consider as invitations to joy.

The tranquil heart of Emilia was not proof against a scene so alluring, and she sighed at the prospect, yet scarcely knew why. Julia pointed out to her sister, the graceful figure of a young man who followed the marchioness, and she expressed her wishes that he might be her brother. From the contemplation of the scene before them, they were summoned to meet the marchioness. Julia trembled with apprehension, and for a few moments wished the castle was in its former state. As they advanced through the saloon, in which they were presented, Julia was covered with blushes; but Emilia, tho’ equally timid, preserved her graceful dignity. The marchioness received them with a mingled smile of condescension and politeness, and immediately the whole attention of the company was attracted by their elegance and beauty. The eager eyes of Julia sought in vain to discover her brother, of whose features she had no recollection in those of any of the persons then present. At length her father presented him, and she perceived, with a sigh of regret, that he was not the youth she had observed from the window. He advanced with a very engaging air, and she met him with an unfeigned welcome. His figure was tall and majestic; he had a very noble and spirited carriage; and his countenance expressed at once sweetness and dignity. Supper was served in the east hall, and the tables were spread with a profusion of delicacies. A band of music played during the repast, and the evening concluded with a concert in the saloon.

CHAPTER II

The day of the festival, so long and so impatiently looked for by Julia, was now arrived. All the neighbouring nobility were invited, and the gates of the castle were thrown open for a general rejoicing.

A magnificent entertainment, consisting of the most luxurious and expensive dishes, was served in the halls. Soft music floated along the vaulted roofs, the walls were hung with decorations, and it seemed as if the hand of a magician had suddenly metamorphosed this once gloomy fabric into the palace of a fairy. The marquis, notwithstanding the gaiety of the scene, frequently appeared abstracted from its enjoyments, and in spite of all his efforts at cheerfulness, the melancholy of his heart was visible in his countenance.

In the evening there was a grand ball: the marchioness, who was still distinguished for her beauty, and for the winning elegance of her manners, appeared in the most splendid attire. Her hair was ornamented with a profusion of jewels, but was so disposed as to give an air rather of voluptuousness than of grace, to her figure. Although conscious of her charms, she beheld the beauty of Emilia and Julia with a jealous eye, and was compelled secretly to acknowledge, that the simple elegance with which they were adorned, was more enchanting than all the studied artifice of splendid decoration. They were dressed alike in light Sicilian habits, and the beautiful luxuriance of their flowing hair was restrained only by bandellets of pearl. The ball was opened by Ferdinand and the lady Matilda Constanza. Emilia danced with the young Marquis della Fazelli, and acquitted herself with the ease and dignity so natural to her. Julia experienced a various emotion of pleasure and fear when the Count de Vereza, in whom she recollected the cavalier she had observed from the window, led her forth. The grace of her step, and the elegant symmetry of her figure, raised in the assembly a gentle murmur of applause, and the soft blush which now stole over her cheek, gave an additional charm to her appearance. But when the music changed, and she danced to the soft Sicilian measure, the airy grace of her movement, and the unaffected tenderness of her air, sunk attention into silence, which continued for some time after the dance had ceased. The marchioness observed the general admiration with seeming pleasure, and secret uneasiness. She had suffered a very painful solicitude, when the Count de Vereza selected her for his partner in the dance, and she pursued him through the evening with an eye of jealous scrutiny. Her bosom, which before glowed only with love, was now torn by the agitation of other passions more violent and destructive. Her thoughts were restless, her mind wandered from the scene before her, and it required all her address to preserve an apparent ease. She saw, or fancied she saw, an impassioned air in the count, when he addressed himself to Julia, that corroded her heart with jealous fury.

At twelve the gates of the castle were thrown open, and the company quitted it for the woods,

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