Read Romance books for free


A big variety of genres offers in worldlibraryebook.com. Today we will discuss romance as one of the types books, which are very popular and interesting first of all for girls. They like to dream about their romantic future rendezvous, about kisses under the stars and many flowers. Girls are gentle, soft and sweet. In their minds everything is perfect. The ocean, white sand, burning sun….He and she are enjoying each other.
Nowadays we are so lacking in love and romantic deeds. This electronic library will fill our needs with books by different authors.


What is Romance?


Reading books RomanceReading books romantic stories you will plunge into the world of feelings and love. Most of the time the story ends happily. Very interesting and informative to read books historical romance novels to feel the atmosphere of that time.
In this genre the characters can be both real historical figures and the author's imagination. Thanks to such historical romantic novels, you can see another era through the eyes of eyewitnesses.
Critics will say that romance is too predictable. That if you know how it ends, there’s no point in reading it. Sorry, but no. It’s okay to choose between genres to get what you need from your books. But in romance the happy ending is a feature.It’s so romantic to describe the scene when you have found your True Love like in “fairytale love story.”




Read romance online


On our website you can read books romance online without registration. Every day spent some time to find your new favourite book in the coolest library. Tablets and smartphones are the most-used devices to read electronic books. Our website is very easy to use. No need for registration. Access around the clock.
Let your romantic story begin with our electronic library.

Read books online » Romance » Dear Enemy by Jean Webster (best large ebook reader TXT) 📖

Book online «Dear Enemy by Jean Webster (best large ebook reader TXT) 📖». Author Jean Webster



1 ... 26 27 28 29 30 31 32 33 34 35
Go to page:
human beings, both endowed with fair powers of speech, can manage to convey nothing of their psychological processes to each other?

I haven't understood his mental attitude from the first, and he even yet doesn't understand mine. This grim reticence that we Northern people struggle so hard to maintain! I don't know after all but that the excitable Southern safety valve method is the best.

But, Judy, such a dreadful thing—do you remember last year when he visited that psychopathic institution, and stayed ten days, and I made such a silly fuss about it? Oh, my dear, the impossible things I do! He went to attend his wife's funeral. She died there in the institution. Mrs. McGurk knew it all the time, and might have added it to the rest of her news, but she didn't.

He told me all about her, very sweetly. The poor man for years and years has undergone a terrible strain, and I fancy her death is a blessed relief. He confesses that he knew at the time of his marriage that he ought not to marry her, he knew all about her nervous instability; but he thought, being a doctor, that he could overcome it, and she was beautiful! He gave up his city practice and came to the country on her account. And then after the little girl's birth she went all to pieces, and he had to "put her away," to use Mrs. McGurk's phrase. The child is six now, a sweet, lovely little thing to look at, but, I judge from what he said, quite abnormal. He has a trained nurse with her always. Just think of all that tragedy looming over our poor patient good doctor, for he is patient, despite being the most impatient man that ever lived!

Thank Jervis for his letter. He's a dear man, and I'm glad to see him getting his deserts. What fun we are going to have when you get back to Shadywell, and we lay our plans for a new John Grier! I feel as though I had spent this past year learning, and am now just ready to begin. We'll turn this into the nicest orphan asylum that ever lived. I'm so absurdly happy at the prospect that I start in the morning with a spring, and go about my various businesses singing inside.

The John Grier Home sends its blessing to the two best friends it ever had!

ADDIO! SALLIE. THE JOHN GRIER HOME,

Saturday at half-past six in the morning!

My dearest Enemy:

"Some day soon something nice is going to happen."

Weren't you surprised when you woke up this morning and remembered the truth? I was! I couldn't think for about two minutes what made me so happy.

It's not light yet, but I'm wide awake and excited and having to write to you. I shall despatch this note by the first to-be-trusted little orphan who appears, and it will go up on your breakfast tray along with your oatmeal.

I shall follow VERY PROMPTLY at four o'clock this afternoon. Do you think Mrs. McGurk will ever countenance the scandal if I stay two hours, and no orphan for a chaperon?

It was in all good faith, Sandy, that I promised not to kiss your hand or drip tears on the counterpane, but I'm afraid I did both—or worse! Positively, I didn't suspect how much I cared for you till I crossed the threshold and saw you propped up against the pillows, all covered with bandages, and your hair singed off. You are a sight! If I love you now, when fully one third of you is plaster of Paris and surgical dressing, you can imagine how I'm going to love you when it's all you!

But my dear, dear Robin, what a foolish man you are! How should I ever have dreamed all those months that you were caring for me when you acted so abominably S C O T C H? With most men, behavior like yours would not be considered a mark of affection. I wish you had just given me a glimmering of an idea of the truth, and maybe you would have saved us both a few heartaches.

But we mustn't be looking back; we must look forward and be grateful. The two happiest things in life are going to be ours, a FRIENDLY marriage and work that we love.

Yesterday, after leaving you, I walked back to the asylum sort of dazed. I wanted to get by myself and THINK, but instead of being by myself, I had to have Betsy and Percy and Mrs. Livermore for dinner (already invited) and then go down and talk to the children. Friday night-social evening. They had a lot of new records for the victrola, given by Mrs. Livermore, and I had to sit politely and listen to them. And, my dear—you'll think this funny—the last thing they played was "John Anderson, my jo John," and suddenly I found myself crying! I had to snatch up the earnest orphan and hug her hard, with my head buried in her shoulder, to keep them all from seeing.

     John Anderson, my jo John,
     We clamb the hill thegither,
     And monie a canty day, John,
     We've had wi' ane anither;
     Now we maun totter down, John,
     But hand in hand we'll go,
     And sleep thegither at the foot,
     John Anderson, my jo.

I wonder, when we are old and bent and tottery, can you and I look back, with no regrets, on monie a canty day we've had wi' ane anither? It's nice to look forward to, isn't it—a life of work and play and little daily adventures side by side with somebody you love? I'm not afraid of the future any more. I don't mind growing old with you, Sandy. "Time is but the stream I go a-fishing in."

The reason I've grown to love these orphans is because they need me so, and that's the reason—at least one of the reasons—I've grown to love you. You're a pathetic figure of a man, my dear, and since you won't make yourself comfortable, you must be MADE comfortable.

We'll build a house on the hillside just beyond the asylum—how does a yellow Italian villa strike you, or preferably a pink one? Anyway, it won't be green. And it won't have a mansard roof. And we'll have a big cheerful living room, all fireplace and windows and view, and no McGURK. Poor old thing! won't she be in a temper and cook you a dreadful dinner when she hears the news! But we won't tell her for a long, long time—or anybody else. It's too scandalous a proceeding right on top of my own broken engagement. I wrote to Judy last night, and with unprecedented self-control I never let fall so much as a hint. I'm growing Scotch mysel'!

Perhaps I didn't tell you the exact truth, Sandy, when I said I hadn't known how much I cared. I think it came to me the night the John Grier burned. When you were up under that blazing roof, and for the half hour that followed, when we didn't know whether or not you would live, I can't tell you what agonies I went through. It seemed to me, if you did go, that I would never get over it all my life; that somehow to have let the best friend I ever had pass away with a dreadful chasm of misunderstanding between us—well—I couldn't wait for the moment when I should be allowed to see you and talk out all that I have been shutting inside me for five months. And then—you know that you gave strict orders to keep me out; and it hurt me dreadfully. How should I suspect that you really wanted to see me more than any of the others, and that it was just that terrible Scotch moral sense that was holding you back? You are a very good actor, Sandy. But, my dear, if ever in our lives again we have the tiniest little cloud of a misunderstanding, let's promise not to shut it up inside ourselves, but to TALK.

Last night, after they all got off,—early, I am pleased to say, since the chicks no longer live at home,—I came upstairs and finished my letter to Judy, and then I looked at the telephone and struggled with temptation. I wanted to call up 505 and say good night to you. But I didn't dare. I'm still quite respectably bashful! So, as the next best thing to talking with you, I got out Burns and read him for an hour. I dropped asleep with all those Scotch love songs running in my head, and here I am at daybreak writing them to you.

Good-by, Robin lad, I lo'e you weel.

SALLIE.






End of the Project Gutenberg EBook of Dear Enemy, by Jean Webster

*** END OF THIS PROJECT GUTENBERG EBOOK DEAR ENEMY ***

***** This file should be named 238-h.htm or 238-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/2/3/238/

Produced by Mike Lynch and David Widger

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to
1 ... 26 27 28 29 30 31 32 33 34 35
Go to page:

Free ebook «Dear Enemy by Jean Webster (best large ebook reader TXT) 📖» - read online now

Comments (0)

There are no comments yet. You can be the first!
Add a comment