The Indian Drum by William MacHarg (read dune .TXT) 📖

and looked out. The roar of the water and the wind, which had come loudly, increased, and with it the wood noises. The woman was not looking about now, Constance realized; she was listening. Constance arose and went to the door too. The Drum! Blood prickled in her face and forehead; it prickled in her finger tips. The Drum was heard only, it was said, in time of severest storm; for that reason it was heard most often in winter. It was very seldom heard by any one in summer; and she was of the summer people. Sounds were coming from the woods now. Were these reverberations the roll of the Drum which beat for the dead? Her voice was uncontrolled as she asked the woman:

"Is that the Drum?"

The woman shook her head. "That's the trees."

Constance's shoulders shook convulsively together. When she had thought about the Drum—and when she had spoken of it with others who, themselves, never had heard it—they always had said that, if there were such a sound, it was trees. She herself had heard those strange wood noises, terrifying sometimes until their source was known—wailings like the cry of some one in anguish, which were caused by two crossed saplings rubbing together; thunderings, which were only some smaller trees beating against a great hollow trunk when a strong wind veered from a certain direction. But this Indian woman must know all such sounds well; and to her the Drum was something distinct from them. The woman specified that now.

"You'll know the Drum when you hear it."

Constance grew suddenly cold. For twenty lives, the woman said, the Drum had beat; that meant to her, and to Constance too now, that seven were left. Indefinite, desperate denial that all from the ferry must be dead—that denial which had been strengthened by the news that at least one boat had been adrift near Beaver—altered in Constance to conviction of a boat with seven men from the ferry, seven dying, perhaps, but not yet dead. Seven out of twenty-seven! The score were gone; the Drum had beat for them in little groups as they had died. When the Drum beat again, would it beat beyond the score?

The woman drew back and closed the door; the water was hot now, and she made the tea and poured a cup for Constance. As she drank it, Constance was listening for the Drum; the woman too was listening. Having finished the tea, Constance returned to the door and reopened it; the sounds outside were the same. A solitary figure appeared moving along the edge of the ice—the figure of a tall man, walking on snowshoes; moonlight distorted the figure, and it was muffled too in a great coat which made it unrecognizable. He halted and stood looking out at the lake and then, with a sudden movement, strode on; he halted again, and now Constance got the knowledge that he was not looking; he was listening as she was. He was not merely listening; his body swayed and bent to a rhythm—he was counting something that he heard. Constance strained her ears; but she could hear no sound except those of the waters and the wind.

"Is the Drum sounding now?" she asked the woman.

"No."

Constance gazed again at the man and found his motion quite unmistakable; he was counting—if not counting something that he heard, or thought he heard, he was recounting and reviewing within himself something that he had heard before—some irregular rhythm which had become so much a part of him that it sounded now continually within his own brain; so that, instinctively, he moved in cadence to it. He stepped forward again now, and turned toward the house.

Her breath caught as she spoke to the woman. "Mr. Spearman is coming here now!"

Her impulse was to remain where she was, lest he should think she was afraid of him; but realization came to her that there might be advantage in seeing him before he knew that she was there, so she reclosed the door and drew back into the cabin.

CHAPTER XX THE SOUNDING OF THE DRUM

Noises of the wind and the roaring of the lake made inaudible any sound of his approach to the cabin; she heard his snowshoes, however, scrape the cabin wall as, after taking them off, he leaned them beside the door. He thrust the door open then and came in; he did not see her at first and, as he turned to force the door shut again against the wind, she watched him quietly. She understood at once why the Indian woman had been afraid of him. His face was bloodless, yellow, and swollen-looking, his eyes bloodshot, his lips strained to a thin, straight line.

He saw her now and started and, as though sight of her confused him, he looked away from the woman and then back to Constance before he seemed certain of her.

"Hello!" he said tentatively. "Hello!"

"I'm here, Henry."

"Oh; you are! You are!" He stood drawn up, swaying a little as he stared at her; whiskey was upon his breath, and it became evident in the heat of the room; but whiskey could not account for this condition she witnessed in him. Neither could it conceal that condition; some turmoil and strain within him made him immune to its effects.

She had realized on her way up here what, vaguely, that strain within him must be. Guilt—guilt of some awful sort connected him, and had connected Uncle Benny, with the Miwaka—the lost ship for which the Drum had beaten the roll of the dead. Now dread of revelation of that guilt had brought him here near to the Drum; he had been alone upon the beach twelve hours, the woman had said—listening, counting the beating of the Drum for another ship, fearing the survival of some one from that ship. Guilt was in his thought now—racking, tearing at him. But there was something more than that; what she had seen in him when he first caught sight of her was fear—fear of her, of Constance Sherrill.

He was fully aware, she now understood, that he had in a measure betrayed himself to her in Chicago; and he had hoped to cover up and to dissemble that betrayal with her. For that reason she was the last person in the world whom he wished to find here now.

"The point is," he said heavily, "why are you here?"

"I decided to come up last night."

"Obviously." He uttered the word slowly and with care. "Unless you came in a flying machine. Who came with you?"

"No one; I came alone. I expected to find father at Petoskey; he hadn't been there, so I came on here."

"After him?"

"No; after you, Henry."

"After me?" She had increased the apprehension in him, and he considered and scrutinized her before he ventured to go on. "Because you wanted to be up here with me, eh, Connie?"

"Of course not!"

"What's that?"

"Of course not!"

"I knew it!" he moved menacingly. She watched him quite without fear; fear was for him, she felt, not her. Often she had wished that she might have known him when he was a young man; now, she was aware that, in a way, she was having that wish. Under the surface of the man whose strength and determination she had admired, all the time had been this terror—this guilt. If Uncle Benny had carried it for a score of years, Henry had had it within him too. This had been within him all the time!

"You came up here about Ben Corvet?" he challenged.

"Yes—no!"

"Which do you mean?"

"No."

"I know then. For him, then—eh. For him!"

"For Alan Conrad? Yes," she said.

"I knew it!" he repeated. "He's been the trouble between you and me all the time!"

She made no denial of that; she had begun to know during the last two days that it was so.

"So you came to find him?" Henry went on.

"Yes, Henry. Have you any news?"

"News?"

"News of the boats?"

"News!" he iterated. "News to-night! No one'll have more'n one news to-night!"

From his slow, heavy utterance, a timbre of terrible satisfaction betrayed itself; his eyes widened a little as he saw it strike Constance, then his lids narrowed again. He had not meant to say it that way; yet, for an instant, satisfaction to him had become inseparable from the saying, before that was followed by fright—the fright of examination of just what he had said or of what she had made of it.

"He'll be found!" she defied him.

"Be found?"

"Some are dead," she admitted, "but not all. Twenty are dead; but seven are not!"

She looked for confirmation to the Indian woman, who nodded: "Yes." He moved his head to face the woman, but his eyes, unmoving, remained fixed on Constance.

"Seven?" he echoed. "You say seven are not! How do you know?"

"The Drum has been beating for twenty, but not for more!" Constance said. Thirty hours before, when she had told Henry of the Drum, she had done it without belief herself, without looking for belief in him. But now, whether or not she yet believed or simply clung to the superstition for its shred of hope, it gave her a weapon to terrify him; for he believed—believed with all the unreasoning horror of his superstition and the terror of long-borne and hidden guilt.

"The Drum, Henry!" she repeated. "The Drum you've been listening to all day upon the beach—the Indian Drum that sounded for the dead of the Miwaka; sounded, one by one, for all who died! But it didn't sound for him! It's been sounding again, you know; but, again, it doesn't sound for him, Henry, not for him!"

"The Miwaka! What do you mean by that? What's that got to do with this?" His swollen face was thrust forward at her; there was threat against her in his tense muscles and his bloodshot eyes.

She did not shrink back from him, or move; and now he was not waiting for her answer. Something—a sound—had caught him about. Once it echoed, low in its reverberation but penetrating and quite distinct. It came, so far as direction could be assigned to it, from the trees toward the shore; but it was like no forest sound. Distinct too was it from any noise of the lake. It was like a Drum! Yet, when the echo had gone, it was a sensation easy to deny—a hallucination, that was all. But now, low and distinct it came again; and, as before, Constance saw it catch Henry and hold him. His lips moved, but he did not speak; he was counting. "Two," she saw his lips form.

The Indian woman passed them and opened the door, and now the sound, louder and more distinct, came again.

"The Drum!" she whispered, without looking about. "You hear? Three, I've heard. Now four! It will beat twenty; then we will know if more are dead!"

The door blew from the woman's hand, and snow, swept up from the drifts of the slope, swirled into the room; the draft blew the flame of the lamp in a smoky streak up the glass chimney and snuffed it out. The moonlight painted a rectangle on the floor; the moonlight gave a green, shimmering world without. Hurried spots of cloud shuttered away the moon for moments, casting shadows which swept raggedly up the slope from the shore. The woman seized the door and, tugging it about against the gale, she slammed it shut. She did not try at once to relight the lamp.

The sound of the Drum was continuing, the beats a few seconds apart. The opening of the door outside had seemed to Constance to make the beats come louder and more distinct; but the closing of the door did not muffle them again. "Twelve," Constance counted to herself. The beats had seemed to be quite measured and regular at first; but now Constance knew that this was only roughly true; they beat rather in rhythm than at regular intervals. Two came close together and there was a longer wait before the