If I Stay by Gayle Forman (free children's online books txt) 📖

while, this little buzz was building inside me. I thought of the tuning fork I used to adjust my cello. Hitting it sets off vibrations in the note of A—vibrations that keep growing, and growing, until the harmonic pitch fills up the room. That’s what Adam’s grin was doing to me during dinner.

After the meal, Adam took a quick peek at Teddy’s fossil finds, and then we went upstairs to my room and closed the door. Kim is not allowed to be alone in her house with boys—not that the opportunity ever came up. My parents had never mentioned any rules on this issue, but I had a feeling that they knew what was happening with Adam and me, and even though Dad liked to play it all Father Knows Best, in reality, he and Mom were suckers when it came to love.

Adam lay down on my bed, stretching his arms above his head. His whole face was grinning—eyes, nose, mouth. “Play me,” he said.

“What?”

“I want you to play me like a cello.”

I started to protest that this made no sense, but then I realized it made perfect sense. I went to my closet and grabbed one of my spare bows. “Take off your shirt,” I said, my voice quavering.

Adam did. As thin as he was, he was surprisingly built. I could’ve spent twenty minutes staring at the contours and valleys of his chest. But he wanted me closer. I wanted me closer.

I sat down next to him on the bed so his long body was stretched out in front of me. The bow trembled as I placed it on the bed. I reached with my left hand and caressed Adam’s head as if it were the scroll of my cello. He smiled again and closed his eyes. I relaxed a little. I fiddled with his ears as though they were the string pegs and then I playfully tickled him as he laughed softly. I placed two fingers on his Adam’s apple. Then, taking a deep breath for courage, I plunged into his chest. I ran my hands up and down the length of his torso, focusing on the sinews in his muscles, assigning each one a string—A, G, C, D. I traced them down, one at a time, with the tip of my fingers. Adam got quiet then, as if he were concentrating on something.

I reached for the bow and brushed it across his hips, where I imagined the bridge of the cello would be. I played lightly at first and then with more force and speed as the song now playing in my head increased in intensity. Adam lay perfectly still, little groans escaping from his lips. I looked at the bow, looked at my hands, looked at Adam’s face, and felt this surge of love, lust, and an unfamiliar feeling of power. I had never known that I could make someone feel this way.

When I finished, he stood up and kissed me long and deep. “My turn,” he said. He pulled me to my feet and started by slipping the sweater over my head and edging down my jeans. Then he sat down on the bed and laid me across his lap. At first Adam did nothing except hold me. I closed my eyes and tried to feel his eyes on my body, seeing me as no one else ever had.

Then he began to play.

He strummed chords across the top of my chest, which tickled and made me laugh. He gently brushed his hands, moving farther down. I stopped giggling. The tuning fork intensified—its vibrations growing every time Adam touched me somewhere new.

After a while he switched to more of a Spanish-style, fingerpicking type of playing. He used the top of my body as the fret board, caressing my hair, my face, my neck. He plucked at my chest and my belly, but I could feel him in places his hands were nowhere near. As he played on, the energy magnified; the tuning fork going crazy now, firing off vibrations all over, until my entire body was humming, until I was left breathless. And when I felt like I could not take it one more minute, the swirl of sensations hit a dizzying crescendo, sending every nerve ending in my body on high alert.

 

I opened my eyes, savoring the warm calm that was sweeping over me. I started to laugh. Adam did, too. We kissed for a while longer until it was time for him to go home.

As I walked him out to his car, I wanted to tell him that I loved him. But it seemed like such a cliché after what we’d just done. So I waited and told him the next day. “That’s a relief. I thought you might just be using me for sex,” he joked, smiling.

After that, we still had our problems, but being overly polite with each other wasn’t one of them.

Chapter 5

 

4:39 P.M.

I have quite the crowd now. Gran and Gramps. Uncle Greg. Aunt Diane. Aunt Kate. My cousins Heather and John and David. Dad is one of five kids, so there are still lots more relatives out there. Nobody is talking about Teddy, which leads me to believe that he’s not here. He’s probably still at the other hospital, being taken care of by Willow.

The relatives gather in the hospital waiting room. Not the little one on the surgical floor where Gran and Gramps were during my operation, but a larger one on the hospital’s main floor that is tastefully decorated in shades of mauve and has comfy chairs and sofas and magazines that are almost current. Everyone still talks in hushed tones, as if being respectful of the other people waiting, even though it’s only my family in the waiting room. It’s all so serious, so ominous. I go back into the hallway to get a break.

I’m so happy when Kim arrives; happy to see the familiar sight of her long black hair in a single braid. She wears the braid every day and always, by lunchtime, the curls and ringlets of her thick mane have managed to escape in rebellious little tendrils. But she refuses to surrender to that hair of hers, and every morning, it goes back into the braid.

Kim’s mother is with her. She doesn’t let Kim drive long distances, and I guess that after what’s happened, there’s no way she’d make an exception today. Mrs. Schein is red-faced and blotchy, like she’s been crying or is about to cry. I know this because I have seen her cry many times. She’s very emotional. “Drama queen,” is how Kim puts it. “It’s the Jewish-mother gene. She can’t help it. I suppose I’ll be like that one day, too,” Kim concedes.

Kim is so the opposite of that, so droll and funny in a low-key way that she’s always having to say “just kidding” to people who don’t get her sarcastic sense of humor, that I cannot imagine her ever being like her mother. Then again, I don’t have much basis for comparison. There are not a lot of Jewish mothers in our town or that many Jewish kids at our school. And the kids who are Jewish are usually only half, so all it means is that they have a menorah alongside their Christmas trees.

But Kim is really Jewish. Sometimes I have Friday-night dinner with her family when they light candles, eatbraided bread, and drink wine (the only time I can imagine neurotic Mrs. Schein allowing Kim to drink). Kim’s expected to only date Jewish guys, which means she doesn’t date. She jokes that this is the reason her family moved here, when in fact it was because her father was hired to run a computer-chip plant. When she was thirteen, she had a bat mitzvah at a temple in Portland, and during the candlelighting ceremony at the reception, I got called up to light one. Every summer, she goes to Jewish sleepaway camp in New Jersey. It’s called Camp Torah Habonim, but Kim calls it Torah Whore, because all the kids do all summer is hook up.

“Just like band camp,” she joked, though my summer conservatory program is nothing like American Pie.

Right now I can see Kim is annoyed. She’s walking fast, keeping a good ten feet between her and her mother as they march down the halls. Suddenly her shoulders go up like a cat that’s just spied a dog. She swerves to face her mother.

“Stop it!” Kim demands. “If I’m not crying, there’s no f**king way you’re allowed to.”

Kim never curses. So this shocks me.

“But,” Mrs. Schein protests, “how can you be so . . .” —sob—“so calm when—”

“Cut it out!” Kim interjects. “Mia is still here. So I’m not losing it. And if I don’t lose it, you don’t get to!”

Kim stalks off in the direction of the waiting room, her mother following limply behind. When they reach the waiting room and see my assembled family, Mrs. Schein starts sniffling.

Kim doesn’t curse this time. But her ears go pink, which is how I know she’s still furious. “Mother. I am going to leave you here. I’m taking a walk. I’ll be back later.”

I follow her back out into the corridor. She wanders around the main lobby, loops around the gift shop, visits the cafeteria. She looks at the hospital directory. I think I know where she’s headed before she does.

There’s a small chapel in the basement. It’s hushed in there, a library kind of quiet. There are plush chairs like the kind you find at a movie theater, and a muted soundtrack playing some New Agey-type music.

Kim slumps back in one of the chairs. She takes off her coat, the one that is black and velvet and that I have coveted since she bought it at some mall in New Jersey on a trip to visit her grandparents.

“I love Oregon,” she says with a hiccup attempt at a laugh. I can tell by her sarcastic tone that it’s me she’s talking to, not God. “This is the hospital’s idea of nondenominational.” She points around the chapel. There is a crucifix mounted on the wall, a flag of a cross draped over the lectern, and a few paintings of the Madonna and Child hanging in the back. “We have a token Star of David,” she says, gesturing to the six-pointed star on the wall. “But what about the Muslims? No prayer rugs or symbol to show which way is east toward Mecca? And what about the Buddhists? Couldn’t they spring for a gong? I mean there are probably more Buddhists than Jews in Portland anyway.”

I sit down in a chair beside her. It feels so natural the way that Kim is talking to me like she always does. Other than the paramedic who told me to hang in there and the nurse who keeps asking me how I’m doing, no one has talked to me since the accident. They talk about me.

I’ve never actually seen Kim pray. I mean, she prayed at her bat mitzvah and she does the blessings at Shabbat dinner, but that is because she has to. Mostly, she makes light of her religion. But after she talks to me for a while, she closes