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puzzle. My young friend thought his attempt was "near enough" to be correct; but if he bought a penny apple with a sixpence he probably would not have thought it "near enough" if he had been given only fourpence change. As the reader advances he will realize the importance of this question of exactitude.

In these cutting-out puzzles it is necessary not only to get the directions of the cutting lines as correct as possible, but to remember that these lines have no width. If after cutting up one of the crosses in a manner indicated in these articles you find that the pieces do not exactly fit to form a square, you may be certain that the fault is entirely your own. Either your cross was not exactly drawn, or your cuts were not made quite in the right directions, or (if you used wood and a fret-saw) your saw was not sufficiently fine. If you cut out the puzzles in paper with scissors, or in cardboard with a penknife, no material is lost; but with a saw, however fine, there is a certain loss. In the case of most puzzles this slight loss is not sufficient to be appreciable, if the puzzle is cut out on a large scale, but there have been instances where I have found it desirable to draw and cut out each part separately—not from one diagram—in order to produce a perfect result.

Now for another puzzle. If you have cut out the five pieces indicated in Fig. 14, you will find that these can be put together so as to form the curious cross shown in Fig. 23. So if I asked you to cut Fig. 24 into five pieces to form either a square or two equal Greek crosses you would know how to do it. You would make the cuts as in Fig. 23, and place them together as in Figs. 14 and 15. But I want something better than that, and it is this. Cut Fig. 24 into only four pieces that will fit together and form a square.

The solution to the puzzle is shown in Figs. 25 and 26. The direction of the cut dividing A and C in the first diagram is very obvious, and the second cut is made at right angles to it. That the four pieces should fit together and form a square will surprise the novice, who will do well to study the puzzle with some care, as it is most instructive.

I will now explain the beautiful rule by which we determine the size of a square that shall have the same area as a Greek cross, for it is applicable, and necessary, to the solution of almost every dissection puzzle that we meet with. It was first discovered by the philosopher Pythagoras, who died 500 B.C., and is the 47th proposition of Euclid. The young reader who knows nothing of the elements of geometry will get some idea of the fascinating character of that science. The triangle ABC in Fig. 27 is what we call a right-angled triangle, because the side BC is at right angles to the side AB. Now if we build up a square on each side of the triangle, the squares on AB and BC will together be exactly equal to the square on the long side AC, which we call the hypotenuse. This is proved in the case I have given by subdividing the three squares into cells of equal dimensions.

It will be seen that 9 added to 16 equals 25, the number of cells in the large square. If you make triangles with the sides 5, 12 and 13, or with 8, 15 and 17, you will get similar arithmetical proofs, for these are all "rational" right-angled triangles, but the law is equally true for all cases. Supposing we cut off the lower arm of a Greek cross and place it to the left of the upper arm, as in Fig. 28, then the square on EF added to the square on DE exactly equals a square on DF. Therefore we know that the square of DF will contain the same area as the cross. This fact we have proved practically by the solutions of the earlier puzzles of this series. But whatever length we give to DE and EF, we can never give the exact length of DF in numbers, because the triangle is not a "rational" one. But the law is none the less geometrically true.

Now look at Fig. 29, and you will see an elegant method for cutting a piece of wood of the shape of two squares (of any relative dimensions) into three pieces that will fit together and form a single square. If you mark off the distance ab equal to the side cd the directions of the cuts are very evident. From what we have just been considering, you will at once see why bc must be the length of the side of the new square. Make the experiment as often as you like, taking different relative proportions for the two squares, and you will find the rule always come true. If you make the two squares of exactly the same size, you will see that the diagonal of any square is always the side of a square that is twice the size. All this, which is so simple that anybody can understand it, is very essential to the solving of cutting-out puzzles. It is in fact the key to most of them. And it is all so beautiful that it seems a pity that it should not be familiar to everybody.

We will now go one step further and deal with the half-square. Take a square and cut it in half diagonally. Now try to discover how to cut this triangle into four pieces that will form a Greek cross. The solution is shown in Figs. 31 and 32. In this case it will be seen that we divide two of the sides of the triangle into three equal parts and the long side into four equal parts. Then the direction of the cuts will be easily found. It is a pretty puzzle, and a little more difficult than some of the others that I have given. It should be noted again that it would have been much easier to locate the cuts in the reverse puzzle of cutting the cross to form a half-square triangle.

Another ideal that the puzzle maker always keeps in mind is to contrive that there shall, if possible, be only one correct solution. Thus, in the case of the first puzzle, if we only require that a Greek cross shall be cut into four pieces to form a square, there is, as I have shown, an infinite number of different solutions. It makes a better puzzle to add the condition that all the four pieces shall be of the same size and shape, because it can then be solved in only one way, as in Figs. 8 and 9. In this way, too, a puzzle that is too easy to be interesting may be improved by such an addition. Let us take an example. We have seen in Fig. 28 that Fig. 33 can be cut into two pieces to form a Greek cross. I suppose an intelligent child would do it in five minutes. But suppose we say that the puzzle has to be solved with a piece of wood that has a bad knot in the position shown in Fig. 33—a knot that we must not attempt to cut through—then a solution in two pieces is barred out, and it becomes a more interesting puzzle to solve it in three pieces. I have shown in Figs. 33 and 34 one way of doing this, and it will be found entertaining to discover other ways of doing it. Of course I could bar out all these other ways by introducing more knots, and so reduce the puzzle to a single solution, but it would then be overloaded with conditions.

And this brings us to another point in seeking the ideal. Do not overload your conditions, or you will make your puzzle too complex to be interesting. The simpler the conditions of a puzzle are, the better. The solution may be as complex and difficult as you like, or as happens, but the conditions ought to be easily understood, or people will not attempt a solution.

If the reader were now asked "to cut a half-square into as few pieces as possible to form a Greek cross," he would probably produce our solution, Figs. 31-32, and confidently claim that he had solved the puzzle correctly. In this way he would be wrong, because it is not now stated that the square is to be divided diagonally. Although we should always observe the exact conditions of a puzzle we must not read into it conditions that are not there. Many puzzles are based entirely on the tendency that people have to do this.

The very first essential in solving a puzzle is to be sure that you understand the exact conditions. Now, if you divided your square in half so as to produce Fig. 35 it is possible to cut it into as few as three pieces to form a Greek cross. We thus save a piece.

I give another puzzle in Fig. 36. The dotted lines are added merely to show the correct proportions of the figure—a square of 25 cells with the four corner cells cut out. The puzzle is to cut this figure into five pieces that will form a Greek cross (entire) and a square.

The solution to the first of the two puzzles last given—to cut a rectangle of the shape of a half-square into three pieces that will form a Greek cross—is shown in Figs. 37 and 38. It will be seen that we divide the long sides of the oblong into six equal parts and the short sides into three equal parts, in order to get the points that will indicate the direction of the cuts. The reader should compare this solution with some of the previous illustrations. He will see, for example, that if we continue the cut that divides B and C in the cross, we get Fig. 15.

The other puzzle, like the one illustrated in Figs. 12 and 13, will show how useful a little arithmetic may sometimes prove to be in the solution of dissection puzzles. There are twenty-one of those little square cells into which our figure is subdivided, from which we have to form both a square and a Greek cross. Now, as the cross is built up of five squares, and 5 from 21 leaves 16—a square number—we ought easily to be led to the solution shown in Fig. 39. It will be seen that the cross is cut out entire, while the four remaining pieces form the square in Fig. 40.

Of course a half-square rectangle is the same as a double square, or two equal squares joined together. Therefore, if you want to solve the puzzle of cutting a Greek cross into four pieces to form two separate squares of the same size, all you have to do is to continue the short cut in Fig. 38 right across the cross, and you will have four pieces of the same size and shape. Now divide Fig. 37 into two equal squares by a horizontal cut midway and you will see the four pieces forming the two squares.

Cut a Greek cross into

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