Complete Maupassant Original Short Stories by Guy de Maupassant (book recommendations website .TXT) 📖

in that large, chilly room under the roof.

"That draws the blood from your throat," she said to me.

She told me stories, whilst mending the linen with her long crooked nimble fingers; her eyes behind her magnifying spectacles, for age had impaired her sight, appeared enormous to me, strangely profound, double.

She had, as far as I can remember the things which she told me and by which my childish heart was moved, the large heart of a poor woman. She told me what had happened in the village, how a cow had escaped from the cow-house and had been found the next morning in front of Prosper Malet's windmill, looking at the sails turning, or about a hen's egg which had been found in the church belfry without any one being able to understand what creature had been there to lay it, or the story of Jean-Jean Pila's dog, who had been ten leagues to bring back his master's breeches which a tramp had stolen whilst they were hanging up to dry out of doors, after he had been in the rain. She told me these simple adventures in such a manner, that in my mind they assumed the proportions of never-to-be -forgotten dramas, of grand and mysterious poems; and the ingenious stories invented by the poets which my mother told me in the evening, had none of the flavor, none of the breadth or vigor of the peasant woman's narratives.

Well, one Tuesday, when I had spent all the morning in listening to Mother Clochette, I wanted to go upstairs to her again during the day after picking hazelnuts with the manservant in the wood behind the farm. I remember it all as clearly as what happened only yesterday.

On opening the door of the linen-room, I saw the old seamstress lying on the ground by the side of her chair, with her face to the ground and her arms stretched out, but still holding her needle in one hand and one of my shirts in the other. One of her legs in a blue stocking, the longer one, no doubt, was extended under her chair, and her spectacles glistened against the wall, as they had rolled away from her.

I ran away uttering shrill cries. They all came running, and in a few minutes I was told that Mother Clochette was dead.

I cannot describe the profound, poignant, terrible emotion which stirred my childish heart. I went slowly down into the drawing-room and hid myself in a dark corner, in the depths of an immense old armchair, where I knelt down and wept. I remained there a long time, no doubt, for night came on. Suddenly somebody came in with a lamp, without seeing me, however, and I heard my father and mother talking with the medical man, whose voice I recognized.

He had been sent for immediately, and he was explaining the causes of the accident, of which I understood nothing, however. Then he sat down and had a glass of liqueur and a biscuit.

He went on talking, and what he then said will remain engraved on my mind until I die! I think that I can give the exact words which he used.

"Ah!" said he, "the poor woman! She broke her leg the day of my arrival here, and I had not even had time to wash my hands after getting off the diligence before I was sent for in all haste, for it was a bad case, very bad.

"She was seventeen, and a pretty girl, very pretty! Would any one believe it? I have never told her story before, and nobody except myself and one other person who is no longer living in this part of the country ever knew it. Now that she is dead, I may be less discreet.

"Just then a young assistant-teacher came to live in the village; he was a handsome, well-made fellow, and looked like a non-commissioned officer. All the girls ran after him, but he paid no attention to them, partly because he was very much afraid of his superior, the schoolmaster, old Grabu, who occasionally got out of bed the wrong foot first.

"Old Grabu already employed pretty Hortense who has just died here, and who was afterwards nicknamed Clochette. The assistant master singled out the pretty young girl, who was, no doubt, flattered at being chosen by this impregnable conqueror; at any rate, she fell in love with him, and he succeeded in persuading her to give him a first meeting in the hay- loft behind the school, at night, after she had done her day's sewing.

"She pretended to go home, but instead of going downstairs when she left the Grabus' she went upstairs and hid among the hay, to wait for her lover. He soon joined her, and was beginning to say pretty things to her, when the door of the hay-loft opened and the schoolmaster appeared, and asked: 'What are you doing up there, Sigisbert?' Feeling sure that he would be caught, the young schoolmaster lost his presence of mind and replied stupidly: 'I came up here to rest a little amongst the bundles of hay, Monsieur Grabu.'

"The loft was very large and absolutely dark, and Sigisbert pushed the frightened girl to the further end and said: 'Go over there and hide yourself. I shall lose my position, so get away and hide yourself.'

"When the schoolmaster heard the whispering, he continued: 'Why, you are not by yourself?' 'Yes, I am, Monsieur Grabu!' 'But you are not, for you are talking.' 'I swear I am, Monsieur Grabu.' 'I will soon find out,' the old man replied, and double locking the door, he went down to get a light.

"Then the young man, who was a coward such as one frequently meets, lost his head, and becoming furious all of a sudden, he repeated: 'Hide yourself, so that he may not find you. You will keep me from making a living for the rest of my life; you will ruin my whole career. Do hide yourself!' They could hear the key turning in the lock again, and Hortense ran to the window which looked out on the street, opened it quickly, and then said in a low and determined voice: 'You will come and pick me up when he is gone,' and she jumped out.

"Old Grabu found nobody, and went down again in great surprise, and a quarter of an hour later, Monsieur Sigisbert came to me and related his adventure. The girl had remained at the foot of the wall unable to get up, as she had fallen from the second story, and I went with him to fetch her. It was raining in torrents, and I brought the unfortunate girl home with me, for the right leg was broken in three places, and the bones had come trough the flesh. She did not complain, and merely said, with admirable resignation: 'I am punished, well punished!'

"I sent for assistance and for the work-girl's relatives and told them a, made-up story of a runaway carriage which had knocked her down and lamed her outside my door. They believed me, and the gendarmes for a whole month tried in vain to find the author of this accident.

"That is all! And I say that this woman was a heroine and belonged to the race of those who accomplish the grandest deeds of history.

"That was her only love affair, and she died a virgin. She was a martyr, a noble soul, a sublimely devoted woman! And if I did not absolutely admire her, I should not have told you this story, which I would never tell any one during her life; you understand why."

The doctor ceased. Mamma cried and papa said some words which I did not catch; then they left the room and I remained on my knees in the armchair and sobbed, whilst I heard a strange noise of heavy footsteps and something knocking against the side of the staircase.

They were carrying away Clochette's body.

THE KISS

My Little Darling: So you are crying from morning until night and from night until morning, because your husband leaves you; you do not know what to do and so you ask your old aunt for advice; you must consider her quite an expert. I don't know as much as you think I do, and yet I am not entirely ignorant of the art of loving, or, rather, of making one's self loved, in which you are a little lacking. I can admit that at my age.

You say that you are all attention, love, kisses and caresses for him. Perhaps that is the very trouble; I think you kiss him too much.

My dear, we have in our hands the most terrible power in the world: LOVE.

Man is gifted with physical strength, and he exercises force. Woman is gifted with charm, and she rules with caresses. It is our weapon, formidable and invincible, but we should know how to use it.

Know well that we are the mistresses of the world! To tell the history of Love from the beginning of the world would be to tell the history of man himself: Everything springs from it, the arts, great events, customs, wars, the overthrow of empires.

In the Bible you find Delila, Judith; in fables we find Omphale, Helen; in history the Sabines, Cleopatra and many others.

Therefore we reign supreme, all-powerful. But, like kings, we must make use of delicate diplomacy.

Love, my dear, is made up of imperceptible sensations. We know that it is as strong as death, but also as frail as glass. The slightest shock breaks it, and our power crumbles, and we are never able to raise it again.

We have the power of making ourselves adored, but we lack one tiny thing, the understanding of the various kinds of caresses. In embraces we lose the sentiment of delicacy, while the man over whom we rule remains master of himself, capable of judging the foolishness of certain words. Take care, my dear; that is the defect in our armor. It is our Achilles' heel.

Do you know whence comes our real power? From the kiss, the kiss alone! When we know how to hold out and give up our lips we can become queens.

The kiss is only a preface, however, but a charming preface. More charming than the realization itself. A preface which can always be read over again, whereas one cannot always read over the book.

Yes, the meeting of lips is the most perfect, the most divine sensation given to human beings, the supreme limit of happiness: It is in the kiss alone that one sometimes seems to feel this union of souls after which we strive, the intermingling of hearts, as it were.

Do you remember the verses of Sully-Prudhomme:

Caresses are nothing but anxious bliss, Vain attempts of love to unite souls through a kiss.

One caress alone gives this deep sensation of two beings welded into one --it is the kiss. No violent delirium of complete possession is worth this trembling approach of the lips, this first moist and fresh contact, and then the long, lingering, motionless rapture.

Therefore, my dear, the kiss is our strongest weapon, but we must take care not to dull it. Do not forget that its value is only relative, purely conventional. It continually changes according to circumstances, the state of expectancy and the ecstasy of the mind. I will call attention to one example.

Another poet, Francois Coppee, has written a line which