Sketches by Benjamin Disraeli (best love story novels in english .TXT) 📖

that Egyptian sphinxes are either _andro_ or _crio_ sphinxes, the one formed by the union of the lion with the man, and the other of the lion with the ram. Their mystery is at length penetrated. They are male and never female. They are male and they are monarchs. This great avenue, extending from Luxor to Karnak, was raised by the two immediate successors of the great Rameses, and represents their long line of ancestry.

All the marvels of the world sink before the first entrance into Karnak. It may vie with the Alps and the Andes. The obelisks of Luxor may be unrivalled, the sculptures of Medcenet Habu more exquisite, the colossus of Memnonion more gigantic, the paintings of the royal tombs more curious and instructive, but criticism ceases before the multifarious wonders of the halls and courts of Karnak and the mind is open only to one general impression of colossal variety.

I well remember the morning I stood before the propylon, or chief entrance of Karnak. The silver stars were still shining in the cold blue heaven, that afforded a beautiful relief to the mighty structure, built of a light yellow stone, and quite unstained by the winds of three thousand years. The front of this colossal entrance is very much broader than the front of our cathedral of St. Paul's, and its height exceeds that of the Trajan column. It is entirely without sculptures, a rare omission, and doubtless intended, that the unity of the effect should not be broken. The great door in the centre is sixty-four feet in height.

Through this you pass into columned courts, which, in any other place, would command undivided attention, until you at length arrive in front of a second propylon. Ascending a flight of steps, you enter the great hall of Karnak. The area of this hall is nearly fifty-eight thousand square feet, and it has recently been calculated that four such churches as our St. Martin's-in-the-Fields might stand side by side in this unrivalled chamber without occupying the whole space. The roof, formed of single stones, compared with which the masses at Stonehenge would appear almost bricks, has fallen in; but the one hundred and thirty-four colossal columns which supported it, and which are considerably above thirty feet in circumference, still remain, and, with the walls and propyla, are completely covered with sculptured forms. I shall not attempt to describe any other part of Karnak. The memory aches with the effort; there are many buildings attached to it, larger than most temples; there are an infinite number of gates, and obelisks, and colossi; but the imagination cannot refrain from calling up some sacred or heroic procession, moving from Luxor to Karnak, in melodious pomp, through the great avenue of sphinxes, and ranging themselves in glorious groups around the gigantic columns of this sublime structure. What feudal splendour, and what Gothic ceremonies, what tilts and tournaments, and what ecclesiastic festivals, could rival the vast, the beautiful, and solemn magnificence of the old Egyptians?

Crossing the river to Western Thebes, we arrive at the two seated colossi, one of which I have already noticed as the musical Memnon. These doubtless once guarded the entrance of some temple more ancient than any remaining, for they were raised by Amunoph the Second, a predecessor, by some generations, of the great Rameses. They were, doubtless, once seated on each side of a propylon, as at Luxor, and in all probability were flanked by obelisks. Whether the temple were destroyed for materials, for more recent structures, or whether it has sunk under the accumulations of the slimy soil, may be decided by the future excavator.

We arrive at the Memnonion. This temple was raised by Rameses the Great. In the colossal Caryatides we recognise the same genius that excavated the rocks of Ipsambul, and supported a cavern temple upon the heads of giants. From the Memnonion came the statue that is now in the British Museum. But this figure, though a fine specimen of Egyptian sculpture, sinks, so far as magnitude is concerned, into insignificance when compared with the statue of Rameses himself, which, broken off at the waist, now lies prostrate in the precincts of the sanctuary. This is probably the most huge colossus that the Egyptians ever constructed. The fragment is of red granite, and of admirable workmanship. Unfortunately the face is entirely obliterated. The statue lies upon its back, and in its fall has destroyed all the temple within reach. It measures more than sixty feet round the shoulders, the breadth of the instep is nearly seven feet, and the hieroglyphical figures engraven on the arm are large enough for a man to walk in.

Perhaps the most interesting group of ruins at Thebes is the quarter of Medcenet Habu. Most of the buildings are of the time of Rameses the Third.

The sculptured walls of the great temples, covered with battles, chariots, captives, and slaves, have been worthily described by the vivid pen of Mr. Hamilton. They celebrate the victorious campaigns of the monarch. Here also the Third Rameses raised his palace. And it is curious, among other domestic subjects, that we find represented on the walls, in a very admirable style, Rameses playing chess with his Queen. Chess is, probably, a most ancient Oriental game. Rameses the Third lived before the Trojan war, to which the Greeks, as usual, ascribe the invention of chess.

The sepulchres of Thebes still remain to be described, a theme more fertile in interest and instruction than even its palaces and temples. The arts of the Egyptians must be studied in their tombs, and to learn how this remarkable people lived, we must even go where they were buried. To cite no other instances in a sketch which is already too long, it is from a painting in a tomb near Beni-hassan that we learn how the Egyptians procured from the distant quarries of Nubia those masses of stone and granite with which they raised the columns of Karnak and the obelisks of Luxor.

But we must conclude. We have touched a virgin subject rich with delightful knowledge, and if our readers be not wearied with wandering on the banks of the Nile, we may perhaps again introduce them to the company of the Pharaohs.


SHOUBRA

ORIENTAL palaces, except perhaps in the great Indian peninsula, do not realise the dreams and glittering visions of the Arabian Nights, or indeed the authentic histories written in the flush and fullness of the success of the children of the desert, the Tartar and the Saracen. Commerce once followed in the train of the conquerors of Asia, and the vast buildings which they hastily threw up of slight and perishing materials, were filled, not only with the plunder of the East, but furnished with all the productions of art and curious luxury, which the adventurous spirit of man brought from every quarter of the globe to Samarcand and Bagdad. The site of these mighty capitals is almost erased from the map of the modern traveller; but tribute and traffic have also ceased to sustain even the dilapidated serail of the once omnipotent Stamboul, and, until very recently, all that remained of the splendour of the Caliphs of Egypt was the vast Necropolis, which still contains their palatial sepulchres.

How the bold Roumelian peasant who in our days has placed himself on the ancient throne of the Pharaohs and the Ptolemies, as Napoleon on the seat of the Merovingian kings, usurping political power by military prowess, lodged and contented himself in the valley of the Nile, was not altogether an uninteresting speculation; and it was with no common curiosity that some fifteen years ago, before he had conquered Syria and scared Constantinople, I made one morning a visit to Shoubra, the palace of Mehemet Ali.

Nothing can be conceived more animated and picturesque than Cairo during the early morning or at night. It seems the most bustling and populous city in the world. The narrow streets, abounding with bazaars, present the appearance of a mob, through which troops of richly dressed cavaliers force with difficulty their prancing way, arrested often in their course by the procession of a harem returning from the bath, the women enveloped in inscrutable black garments, and veils and masks of white linen, and borne along by the prettiest donkeys in the world. The attendant eunuchs beat back the multitude; even the swaggering horsemen, with their golden and scarlet jackets, rich shawls and scarfs, and shining arms, trampling on those around, succeed in drawing aside; but all efforts are vain, for at the turning of the street appears the first still solemn visage of a long string of tall camels bearing provisions to the citadel, a Nubian astride on the neck of the leader, and beating a wild drum, to apprise the people of his approach. The streets, too, in which these scenes occur are in themselves full of variety and architectural beauty. The houses are lofty and latticed, abounding in balconies; fountains are frequent and vast and as richly adorned as Gothic shrines; sometimes the fortified palace of one of the old Mamlouks, now inhabited by a pasha, still oftener the exquisite shape of an Arabian mosque. The temples of Stamboul cannot vie with the fanes of Cairo. Their delicate domes and airy cupolas, their lofty minarets covered with tracery, and the flowing fancy of their arabesques recalled to me the glories of the Alhambra, the fantastic grace of the Alcazars and the shrines of Seville and Cordova.

At night the illuminated coffee-houses, the streaming population, each person carrying a lantern, in an atmosphere warmer and softer than our conservatories, and all the innocent amusements of an out-door life--the Nubian song, the Arabian tale, the Syrian magic--afford a different, but not less delightful scene.

It was many hours before noon, however, that I made my first visit to Shoubra, beneath a sky as cloudless as it remained during the whole six months I was in Egypt, during which time I have no recollection that we were favoured by a single drop of rain; and yet the ever-living breeze on the great river, and the excellent irrigation of the earth, produce a freshness in the sky and soil, which are missed in other Levantine regions, where there is more variety of the seasons.

Shoubra is about four or five miles from the metropolis. It rises on the banks of the Nile, and the road to it from Cairo is a broad but shady avenue, formed of sycamores, of noble growth and colour; on one side delightful glimpses of the river, with its palmy banks and sparkling villages, and on the other, after a certain tract of vivid vegetation, the golden sands of the desert, and the shifting hillocks which it forms; or, perhaps, the grey peaks of some chain of pyramids.

The palace of Shoubra is a pile of long low buildings looking to the river--moderate in its character, and modest in its appointments; but clean, orderly, and in a state of complete repair; and, if we may use such an epithet with reference to oriental life, comfortable. It possesses all the refined conveniences of European manners, of which the pasha at the time I am referring to was extremely proud. Most of these had been the recent gift of the French government, and his highness occasionally amused his guests--some sheikh from Arabia, or some emir from the Lebanon--by the exhibition of some scientific means of domestic accommodation with which use has made us familiar, but which I was assured had sensibly impressed the magnates of the desert and the mountain with the progress of modern civilisation.

The gardens of Shoubra, however, are vast, fanciful, and kept in admirable order. They appeared to me in their character also entirely oriental. You enter them by long,