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that since that time my ship has journeyed over earthly waters. So I--who only wanted to live in my own mountains--travel on after my death through all the countries of the earth."

"And have you no share in the world beyond?" asked the burgomaster wrinkling his brow.

The hunter answered, "I am always on the immense staircase leading up to it. I roam around on this infinitely wide flight of steps, sometimes up, sometimes down, sometimes to the right, sometimes to the left, always in motion. From being a hunter I've become a butterfly. Don't laugh."

"I'm not laughing," answered the burgomaster.

"That's very considerate of you," said the hunter. "I am always moving. But when I go through the greatest upward motion and the door is shining right above me, I wake up on my old ship, still drearily stranded in some earthly stretch of water. The basic mistake of my earlier death grins at me in my cabin. Julia, the wife of the helmsman, knocks and brings to me on the bier the morning drink of the country whose coast we are sailing by at the time. I lie on a wooden plank bed, wearing--I'm no delight to look at--a filthy shroud, my hair and beard, black and gray, are inextricably intertangled, my legs covered by a large silk women's scarf, with a floral pattern and long fringes. At my head stands a church candle which illuminates me. On the wall opposite me is a small picture, evidently of a bushman aiming his spear at me and concealing himself as much as possible behind a splendidly painted shield. On board ship one comes across many stupid pictures, but this is one of the stupidest. Beyond that my wooden cage is completely empty. Through a hole in the side wall the warm air of the southern nights comes in, and I hear the water lapping against the old boat.

I have been lying here since the time when I--the still living hunter Gracchus--was pursuing a chamois to its home in the Black Forest and fell. Everything took place as it should. I followed, fell down, bled to death in a ravine, was dead, and this boat was supposed to carry me to the other side. I still remember how happily I stretched myself out here on the planking for the first time. The mountains have never heart me singing the way these four still shadowy walls did then.

I had been happy to be alive and was happy to be dead. Before I came on board, I gladly threw away my rag-tag collection of guns and bags, even the hunting rifle which I had always carried so proudly, and slipped into the shroud like a young girl into her wedding dress. There I lay down and waited. Then the accident happened."

"A nasty fate," said the burgomaster, raising his hand in a gesture of depreciation, "and you are not to blame for it in any way?"

"No," said the hunter. "I was a hunter. Is there any blame in that? I was raised to be a hunter in the Black Forest, where at that time there were still wolves. I lay in wait, shot, hit the target, removed the skin--is there any blame in that? My work was blessed. 'The great hunter of the Black Forest'--that's what they called me. Is that something bad?"

"It not up to me to decide that," said the burgomaster, "but it seems to me as well that there's no blame there. But then who is to blame?"

"The boatman," said the hunter. "No one will read what I write here, no one will come to help me. If people were assigned the task of helping me, all the doors of all the houses would remain closed, all the windows would be shut, they would all lie in bed, with sheets thrown over their heads, the entire earth would be a hostel for the night. And that makes good sense, for no one knows of me, and if he did, he would have no idea of where I was staying, and if he knew that, he would still not know how to keep me there, and so he would not know how to help me. The thought of wanting to help me is a sickness and has to be cured with bed rest.

"I know that, and so I do not cry out to summon help, even if at moments when I have no self-control, for example right now, I do think about that very seriously. But to get rid of such ideas I need only look around and recall where I am and where--and this I can assert with full confidence--I have lived for centuries.

"That's extraordinary," said the burgomaster, "extraordinary. And now are you intending to remain with us in Riva?"

"I have no intentions," said the hunter with a smile and, to make up for his mocking tone, laid a hand on the burgomaster's knee. "I am here. I don't know any more than that. There's nothing more I can do. My boat is without a helm--it journeys with the wind which blows in the deepest regions of death."

Up in the Gallery

If some frail tubercular lady circus rider were to be driven in circles around and around the arena for months and months without interruption in front of a tireless public on a swaying horse by a merciless whip-wielding master of ceremonies, spinning on the horse, throwing kisses and swaying at the waist, and if this performance, amid the incessant roar of the orchestra and the ventilators, were to continue into the ever-expanding, gray future, accompanied by applause, which died down and then swelled up again, from hands which were really steam hammers, perhaps then a young visitor to the gallery might rush down the long stair case through all the levels, burst into the ring, and cry "Stop!" through the fanfares of the constantly adjusting orchestra.

But since things are not like that--since a beautiful woman, in white and red, flies in through curtains which proud men in livery open in front of her, since the director, devotedly seeking her eyes, breathes in her direction, behaving like an animal, and, as a precaution, lifts her up on the dapple-gray horse, as if she were his grand daughter, the one he loved more than anything else, as she starts a dangerous journey, but he cannot decide to give the signal with his whip and finally, controlling himself, gives it a crack, runs right beside the horse with his mouth open, follows the rider's leaps with a sharp gaze, hardly capable of comprehending her skill, tries to warn her by calling out in English, furiously castigating the grooms holding hoops, telling them to pay the most scrupulous attention, and begs the orchestra, with upraised arms, to be quiet before the great jump, finally lifts the small woman down from the trembling horse, kisses her on both cheeks, considers no public tribute adequate, while she herself, leaning on him, high on the tips of her toes, with dust swirling around her, arms outstretched and head thrown back, wants to share her luck with the entire circus--since this is how things are, the visitor to the gallery puts his face on the railing and, sinking into the final march as if into a difficult dream, weeps, without realizing it.

An Imperial Message

The Emperor--so they say--has sent a message, directly from his death bed, to you alone, his pathetic subject, a tiny shadow which has taken refuge at the furthest distance from the imperial sun. He ordered the herald to kneel down beside his bed and whispered the message in his ear. He thought it was so important that he had the herald speak it back to him. He confirmed the accuracy of verbal message by nodding his head. And in front of the entire crowd of those witnessing his death--all the obstructing walls have been broken down, and all the great ones of his empire are standing in a circle on the broad and high soaring flights of stairs--in front of all of them he dispatched his herald. The messenger started off at once, a powerful, tireless man. Sticking one arm out and then another, he makes his way through the crowd. If he runs into resistence, he points to his breast where there is a sign of the sun. So he moves forwards easily, unlike anyone else. But the crowd is so huge; its dwelling places are infinite. If there were an open field, how he would fly along, and soon you would hear the marvellous pounding of his fist on your door. But instead of that, how futile are all his efforts. He is still forcing his way through the private rooms of the innermost palace. Never will he win his way through. And if he did manage that, nothing would have been achieved. He would have to fight his way down the steps, and, if he managed to do that, nothing would have been achieved. He would have to stride through the courtyards, and after the courtyards through the second palace encircling the first, and, then again, through stairs and courtyards, and then, once again, a palace, and so on for thousands of years. And if he finally burst through the outermost door--but that can never, never happen--the royal capital city, the centre of the world, is still there in front of him, piled high and full of sediment. No one pushes his way through here, certainly not someone with a message from a dead man. But you sit at your window and dream of that message when evening comes.

Jackals and Arabs

We were camping in the oasis. My companions were asleep. An Arab, tall and dressed in white, went past me. He had been tending to his camels and was going to his sleeping place.

I threw myself on my back into the grass. I wanted to sleep. I couldn't. The howling of a jackal in the distance--I sat up straight again. And what had been so far away was suddenly close by. A swarming pack of jackals around me, their eyes flashing dull gold and going out, slender bodies moving in a quick, coordinated manner, as if responding to a whip.

One of them came from behind, pushed himself under my arm, right against me, as if it needed my warmth, then stepped in front of me and spoke, almost eye to eye with me.

"I'm the oldest jackal for miles around. I'm happy I'm still able to welcome you here. I had already almost given up hope, for we've been waiting for you an infinitely long time. My mother waited, and her mother, and all her mothers, right back to the mother of all jackals. Believe me!"

"That surprises me," I said, forgetting to light the pile of wood which lay ready to keep the jackals away with its smoke, "I'm very surprised to hear that. I've come from the high north merely by chance and am in the middle of a short trip. What do you jackals want then?"

As if encouraged by this conversation, which was perhaps too friendly, they drew their circle more closely around me, all panting and snarling.

"We know," the oldest began, "that you come from the north. Our hope rests on that very

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