The Horror in the Museum by H. P. Lovecraft (ereader android .TXT) 📖

once been—some morbid and exotic form of actual life.

The thing in the picture squatted or was balanced on what appeared to be a clever reproduction of the monstrously carved throne in the other curious photograph. To describe it with any ordinary vocabulary would be impossible, for nothing even roughly corresponding to it has ever come within the imagination of sane mankind. It represented something meant perhaps to be roughly connected with the vertebrates of this planet—though one could not be too sure of that. Its bulk was cyclopean, for even squatted it towered to almost twice the height of Orabona, who was shown beside it. Looking sharply, one might trace its approximations toward the bodily features of the higher vertebrates.

There was an almost globular torso, with six long, sinuous limbs terminating in crab-like claws. From the upper end a subsidiary globe bulged forth bubble-like; its triangle of three staring, fishy eyes, its foot-long and evidently flexible proboscis, and a distended lateral system analogous to gills, suggesting that it was a head. Most of the body was covered with what at first appeared to be fur, but which on closer examination proved to be a dense growth of dark, slender tentacles or sucking filaments, each tipped with a mouth suggesting the head of an asp. On the head and below the proboscis the tentacles tended to be longer and thicker, marked with spiral stripes—suggesting the traditional serpent-locks of Medusa. To suggest that such a thing could have an expression seems paradoxical; yet Jones felt that that triangle of bulging fish eyes and that obliquely poised proboscis all bespoke a blend of hate, greed and sheer cruelty incomprehensible to mankind because it was mixed with other emotions not of the world or this solar system. Into this bestial abnormality, he reflected, Rogers must have poured at once all his malignant insanity and all his uncanny sculptural genius. The thing was incredible—and yet the photograph proved that it existed.

Rogers interrupted his reveries.

“Well—what do you think of It? Now do you wonder what crushed the dog and sucked it dry with a million mouths? It needed nourishment—and It will need more. It is a god, and I am the first priest of Its latter-day hierarchy. I�! Shub-Niggurath! The Goat with a Thousand Young!”

Jones lowered the photograph in disgust and pity.

“See here, Rogers, this won’t do. There are limits, you know. It’s a great piece of work, and all that, but it isn’t good for you. Better not see it any more—let Orabona break it up, and try to forget about it. And let me tear this beastly picture up, too.”

With a snarl, Rogers snatched the photograph and returned it to the desk.

“Idiot—you—and you still think It’s a fraud! You still think I made It, and you still think my figures are nothing but lifeless wax! Why, damn you, you’re going to know. Not just now, for It is resting after the sacrifice—but later. Oh, yes—you will not doubt the power of It then.”

As Rogers glanced toward the padlocked inner door Jones retrieved his hat and stick from a near-by bench.

“Very well, Rogers, let it be later. I must be going now, but I’ll call round tomorrow afternoon. Think my advice over and see if it doesn’t sound sensible. Ask Orabona what he thinks, too.”

Rogers bared his teeth in wild-beast fashion.

“Must be going now, eh? Afraid, after all! Afraid, for all your bold talk! You say the effigies are only wax, and yet you run away when I begin to prove that they aren’t. You’re like the fellows who take my standing bet that they daren’t spend the night in the museum—they come boldly enough, but after an hour they shriek and hammer to get out! Want me to ask Orabona, eh? You two—always against me! You want to break down the coming earthly reign of It!”

Jones preserved his calm.

“No, Rogers—there’s nobody against you. And I’m not afraid of your figures, either, much as I admire your skill. But we’re both a bit nervous tonight, and I fancy some rest will do us good.”

Again Rogers checked his guest’s departure.

“Not afraid, eh?—then why are you so anxious to go? Look here—do you or don’t you dare to stay alone here in the dark? What’s your hurry if you don’t believe in It?”

Some new idea seemed to have struck Rogers, and Jones eyed him closely.

“Why, I’ve no special hurry—but what would be gained by my staying here alone? What would it prove? My only objection is that it isn’t very comfortable for sleeping. What good would it do either of us?”

This time it was Jones who was struck with an idea. He continued in a tone of conciliation.

“See here, Rogers—I’ve just asked you what it would prove if I stayed, when we both knew. It would prove that your effigies are just effigies, and that you oughtn’t to let your imagination go the way it’s been going lately. Suppose I do stay. If I stick it out till morning, will you agree to take a new view of things—go on a vacation for three months or so and let Orabona destroy that new thing of yours? Come, now—isn’t that fair?”

The expression on the showman’s face was hard to read. It was obvious that he was thinking quickly, and that of sundry conflicting emotions, malign triumph was getting the upper hand. His voice held a choking quality as he replied.

“Fair enough! If you do stick it out, I’ll take your advice. We’ll go out for dinner and come back. I’ll lock you in the display room and go home. In the morning I’ll come down ahead of Orabona—he comes half an hour before the rest—and see how you are. But don’t try it unless you are very sure of your skepticism. Others have backed out—you have that chance. And I suppose a pounding on the outer door would always bring a constable. You may not like it so well after a while—you’ll be in the same building, though not in the same room with It.”

As they left the rear door into the dingy courtyard, Rogers took with him the piece of burlap—weighted with a gruesome burden. Near the center of the court was a manhole, whose cover the showman lifted quietly, and with a shuddersome suggestion of familiarity. Burlap and all, the burden went down to the oblivion of a cloacal labyrinth. Jones shuddered, and almost shrank from the gaunt figure at his side as they emerged into the street.

By unspoken mutual consent, they did not dine together, but agreed to meet in front of the museum at eleven.

Jones hailed a cab, and breathed more freely when he had crossed Waterloo Bridge and was approaching the brilliantly lighted Strand. He dined at a quite caf�, and subsequently went to his home in Portland Place to bathe and get a few things. Idly he wondered what Rogers was doing. He had heard that the man had a vast, dismal house in the Walworth Road, full of obscure and forbidden books, occult paraphernalia, and wax images which he did not choose to place on exhibition. Orabona, he understood, lived in separate quarters in the same house.

At eleven Jones found Rogers waiting by the basement door in Southwark Street. Their words were few, but each seemed taut with a menacing tension. They agreed that the vaulted exhibition room alone should form the scene of the vigil, and Rogers did not insist that the watcher sit in the special adult alcove of supreme horrors. The showman, having extinguished all the lights with switches in the workroom, locked the door of that crypt with one of the keys on his crowded ring. Without shaking hands he passed out the street door, locked it after him, and passed up the worn steps to the sidewalk outside. As his tread receded, Jones realized that the long, tedious vigil had commenced.

2

Later, in the utter blackness of the great arched cellar, Jones cursed the childish na�vet� which had brought him there. For the first half-hour he had kept flashing his pocket-light at intervals, but now just sitting in the dark on one of the visitor’s benches had become a more nerve-wracking thing. Every time the beam shot out it lighted up some morbid, grotesque object—a guillotine, a nameless hybrid monster, a pasty-bearded face crafty with evil, a body with red torrents streaming from a severed throat. Jones knew that no sinister reality was attached to these things, but after that first half-hour he preferred not to see them.

Why he had bothered to humor that madman he could scarcely imagine. It would have been much simpler merely to have let him alone, or to have called in a mental specialist. Probably, he reflected, it was the fellow-feeling of one artist for another. There was so much genius in Rogers that he deserved every possible chance to be helped quietly out of his growing mania. Any man who could imagine and construct the incredibly life-like things that he had produced was not far from actual greatness. He had the fancy of a Sime or a Dor� joined to the minute, scientific craftsmanship of a Blatschka. Indeed, he had done for the world of nightmare what the Blatschkas with their marvelously accurate plant models of finely wrought and coloured glass had done for the world of botany.

At midnight the strokes of a distant clock filtered through the darkness, and Jones felt cheered by the message from a still-surviving outside world. The vaulted museum chamber was like a tomb—ghastly in its utter solitude. Even a mouse would be cheering company; yet Rogers had once boasted that—for “certain reasons,” as he said—no mice or even insects ever came near the place. That was very curious, yet it seemed to be true. The deadness and silence were virtually complete. If only something would make a sound! He shuffled his feet, and the echoes came spectrally out of the absolute stillness. He coughed, but there was something mocking in the staccato reverberations. He could not, he vowed, begin talking to himself. That meant nervous disintergration. Time seemed to pass with abnormal and disconcerting slowness. He could have sworn that hours had elapsed since he last flashed the light on his watch, yet here was only the stroke of midnight.

He wished that his senses were not so preternaturally keen. Something in the darkness and stillness seemed to have sharpened them, so that they responded to faint intimations hardly strong enough to be called true impressions. His ears seemed at times to catch a faint, elusive susurrus which could not quite be identified with the nocturnal hum of the squalid streets outside, and he thought of vague, irrelevant things like the music of the spheres and the unknown, inaccessible life of alien dimensions pressing on our own. Rogers often speculated about such things.

The floating specks of light in his blackness-drowned eyes seemed inclined to take on curious symmetries of pattern and motion. He had often wondered about those strange rays from the unplumbed abyss which scintillate before us in the absence of all earthly illumination, but he had never known any that behaved just as these were behaving. They lacked the restful aimlessness of ordinary light-specks—suggesting some will and purpose remote from any terrestrial conception.

Then there was that suggestion of odd stirrings. Nothing was open, yet in spite of the general draftlessness Jones felt that the air was not uniformly quiet. There were intangible variations in pressure—not quite decided enough to suggest the loathsome pawings of unseen elementals. It was abnormally chilly, too. He did not like any of this. The air tested salty, as if it were mixed with the brine of dark subterrene waters, and there was a bare hint of some odor of ineffable mustiness. In the daytime he