The Country of the Blind by H. G. Wells (top rated books of all time .txt) 📖

wind of my sudden movement, and immediately the two remaining candles followed. But there was light still in the room, a red light that staved off the shadows from me. The fire! Of course I could still thrust my candle between the bars and relight it!

I turned to where the flames were still dancing between the glowing coals, and splashing red reflections upon the furniture, made two steps towards the grate, and incontinently the flames dwindled and vanished, the glow vanished, the reflections rushed together and vanished, and as I thrust the candle between the bars darkness closed upon me like the shutting of an eye, wrapped about me in a stifling embrace, sealed my vision, and crushed the last vestiges of reason from my brain. The candle fell from my hand. I flung out my arms in a vain effort to thrust that ponderous blackness away from me, and, lifting up my voice, screamed with all my might—once, twice, thrice. Then I think I must have staggered to my feet. I know I thought suddenly of the moonlit corridor, and, with my head bowed and my arms over my face, made a run for the door.

But I had forgotten the exact position of the door, and struck myself heavily against the corner of the bed. I staggered back, turned, and was either struck or struck myself against some other bulky furniture. I have a vague memory of battering myself thus, to and fro in the darkness, of a cramped struggle, and of my own wild crying as I darted to and fro, of a heavy blow at last upon my forehead, a horrible sensation of falling that lasted an age, of my last frantic effort to keep my footing, and then I remember no more.

I opened my eyes in daylight. My head was roughly bandaged, and the man with the withered arm was watching my face. I looked about me, trying to remember what had happened, and for a space I could not recollect. I rolled my eyes into the corner, and saw the old woman, no longer abstracted, pouring out some drops of medicine from a little blue phial into a glass. "Where am I?" I asked; "I seem to remember you, and yet I cannot remember who you are."

They told me then, and I heard of the haunted Red Room as one who hears a tale. "We found you at dawn," said he, "and there was blood on your forehead and lips."

It was very slowly I recovered my memory of my experience. "You believe now," said the old man, "that the room is haunted?" He spoke no longer as one who greets an intruder, but as one who grieves for a broken friend.

"Yes," said I; "the room is haunted."

"And you have seen it. And we, who have lived here all our lives, have never set eyes upon it. Because we have never dared… Tell us, is it truly the old earl who——"

"No," said I; "it is not."

"I told you so," said the old lady, with the glass in her hand. "It is his poor young countess who was frightened——"

"It is not," I said. "There is neither ghost of earl nor ghost of countess in that room, there is no ghost there at all; but worse, far worse——"

"Well?" they said.

"The worst of all the things that haunt poor mortal man," said I; "and that is, in all its nakedness—Fear that will not have light nor sound, that will not bear with reason, that deafens and darkens and overwhelms. It followed me through the corridor, it fought against me in the room——"

I stopped abruptly. There was an interval of silence. My hand went up to my bandages.

Then the man with the shade sighed and spoke. "That is it," said he. "I knew that was it. A power of darkness. To put such a curse upon a woman! It lurks there always. You can feel it even in the daytime, even of a bright summer's day, in the hangings, in the curtains, keeping behind you however you face about. In the dusk it creeps along the corridor and follows you, so that you dare not turn. There is Fear in that room of hers—black Fear, and there will be—so long as this house of sin endures."

XVII. THE PURPLE PILEUS

Mr. Coombes was sick of life. He walked away from his unhappy home, and, sick not only of his own existence but of everybody else's, turned aside down Gaswork Lane to avoid the town, and, crossing the wooden bridge that goes over the canal to Starling's Cottages, was presently alone in the damp pine woods and out of sight and sound of human habitation. He would stand it no longer. He repeated aloud with blasphemies unusual to him that he would stand it no longer.

He was a pale-faced little man, with dark eyes and a fine and very black moustache. He had a very stiff, upright collar slightly frayed, that gave him an illusory double chin, and his overcoat (albeit shabby) was trimmed with astrachan. His gloves were a bright brown with black stripes over the knuckles, and split at the finger ends. His appearance, his wife had said once in the dear, dead days beyond recall—before he married her, that is—was military. But now she called him—it seems a dreadful thing to tell of between husband and wife, but she called him "a little grub." It wasn't the only thing she had called him, either.

The row had arisen about that beastly Jennie again. Jennie was his wife's friend, and, by no invitation of Mr. Coombes, she came in every blessed Sunday to dinner, and made a shindy all the afternoon. She was a big, noisy girl, with a taste for loud colours and a strident laugh; and this Sunday she had outdone all her previous intrusions by bringing in a fellow with her, a chap as showy as herself. And Mr. Coombes, in a starchy, clean collar and his Sunday frock-coat, had sat dumb and wrathful at his own table, while his wife and her guests talked foolishly and undesirably, and laughed aloud. Well, he stood that, and after dinner (which, "as usual," was late), what must Miss Jennie do but go to the piano and play banjo tunes, for all the world as if it were a week-day! Flesh and blood could not endure such goings on. They would hear next door, they would hear in the road, it was a public announcement of their disrepute. He had to speak.

He had felt himself go pale, and a kind of rigour had affected his respiration as he delivered himself. He had been sitting on one of the chairs by the window—the new guest had taken possession of the arm-chair. He turned his head. "Sun Day!" he said over the collar, in the voice of one who warns. "Sun Day!" What people call a "nasty" tone, it was.

Jennie had kept on playing, but his wife, who was looking through some music that was piled on the top of the piano, had stared at him. "What's wrong now?" she said; "can't people enjoy themselves?"

"I don't mind rational 'njoyment, at all," said little Coombes, "but I ain't a-going to have week-day tunes playing on a Sunday in this house."

"What's wrong with my playing now?" said Jennie, stopping and twirling round on the music-stool with a monstrous rustle of flounces.

Coombes saw it was going to be a row, and opened too vigorously, as is common with your timid, nervous men all the world over. "Steady on with that music-stool!" said he; "it ain't made for 'eavy-weights."

"Never you mind about weights," said Jennie, incensed. "What was you saying behind my back about my playing?"

"Surely you don't 'old with not having a bit of music on a Sunday, Mr. Coombes?" said the new guest, leaning back in the arm-chair, blowing a cloud of cigarette smoke and smiling in a kind of pitying way. And simultaneously his wife said something to Jennie about "Never mind 'im. You go on, Jinny."

"I do," said Mr. Coombes, addressing the new guest.

"May I arst why?" said the new guest, evidently enjoying both his cigarette and the prospect of an argument. He was, by-the-by, a lank young man, very stylishly dressed in bright drab, with a white cravat and a pearl and silver pin. It had been better taste to come in a black coat, Mr. Coombes thought.

"Because," began Mr. Coombes, "it don't suit me. I'm a business man. I 'ave to study my connection. Rational 'njoyment—"

"His connection!" said Mrs. Coombes scornfully. "That's what he's always a-saying. We got to do this, and we got to do that—"

"If you don't mean to study my connection," said Mr. Coombes, "what did you marry me for?"

"I wonder," said Jennie, and turned back to the piano.

"I never saw such a man as you," said Mrs. Coombes.

"You've altered all round since we were married. Before—"

Then Jennie began at the turn, turn, turn again.

"Look here!" said Mr. Coombes, driven at last to revolt, standing up and raising his voice. "I tell you I won't have that." The frock-coat heaved with his indignation.

"No vi'lence, now," said the long young man in drab, sitting up.

"Who the juice are you?" said Mr. Coombes fiercely.

Whereupon they all began talking at once. The new guest said he was Jennie's "intended," and meant to protect her, and Mr. Coombes said he was welcome to do so anywhere but in his (Mr. Coombes') house; and Mrs. Coombes said he ought to be ashamed of insulting his guests, and (as I have already mentioned) that he was getting a regular little grub; and the end was, that Mr. Coombes ordered his visitors out of the house, and they wouldn't go, and so he said he would go himself. With his face burning and tears of excitement in his eyes, he went into the passage, and as he struggled with his overcoat—his frock-coat sleeves got concertinaed up his arm—and gave a brush at his silk hat, Jennie began again at the piano, and strummed him insultingly out of the house. Turn, turn, turn. He slammed the shop door so that the house quivered. That, briefly, was the immediate making of his mood. You will perhaps begin to understand his disgust with existence.

As he walked along the muddy path under the firs,—it was late October, and the ditches and heaps of fir needles were gorgeous with clumps of fungi,—he recapitulated the melancholy history of his marriage. It was brief and commonplace enough. He now perceived with sufficient clearness that his wife had married him out of a natural curiosity and in order to escape from her worrying, laborious, and uncertain life in the workroom; and, like the majority of her class, she was far too stupid to realise that it was her duty to co-operate with him in his business. She was greedy of enjoyment, loquacious, and socially-minded, and evidently disappointed to find the restraints of poverty still hanging about her. His worries exasperated her, and the slightest attempt to control her proceedings resulted in a charge of "grumbling." Why couldn't he be nice— as he used to be? And Coombes was such a harmless little man, too, nourished mentally on Self-Help, and with a meagre ambition of self-denial and competition, that was to end in a "sufficiency." Then Jennie came in as a female Mephistopheles, a gabbling chronicle of "fellers," and was always wanting his wife to go to theatres, and "all that." And in addition were aunts of his wife, and cousins (male and female) to eat up capital, insult him personally, upset business arrangements, annoy good customers, and generally blight his life. It was not the first occasion by many that Mr. Coombes had fled his home in wrath and indignation, and something like fear, vowing furiously and even aloud that he wouldn't stand it, and so frothing away his energy along the line of least resistance. But never before had he been quite so sick of life as on this particular Sunday afternoon. The Sunday dinner may have had its share in his despair—and the greyness of the sky. Perhaps, too, he was beginning to realise his unendurable frustration as a business man as the consequence of his marriage. Presently bankruptcy, and after that—— Perhaps she might have reason to repent when it was too late. And destiny, as I have already intimated, had planted the path through the wood with evil-smelling fungi, thickly and variously planted it, not only on the right side, but on the left.

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