My Friend The Murderer by Arthur Conan Doyle (the top 100 crime novels of all time .txt) đź“–
- Author: Arthur Conan Doyle
- Performer: -
Book online «My Friend The Murderer by Arthur Conan Doyle (the top 100 crime novels of all time .txt) 📖». Author Arthur Conan Doyle
It seemed to me that there was something in what he said, though he had a nasty way of putting it. For some days back I’d been feeling a sort of homesick. The ways of the people weren’t my ways. They stared at me in the street; and if I dropped into a bar, they’d stop talking and edge away a bit, as if I was a wild beast. I’d sooner have had a pint of old Stringybark, too, than a bucketful of their rot-gut liquors. There was too much damned propriety. What was the use of having money if you couldn’t dress as you liked, nor bust in properly? There was no sympathy for a man if he shot about a little when he was half-over, I’ve seen a man dropped at Nelson many a time with less row than they’d make over a broken window-pane. The thing was slow, and I was sick of it.
“You want me to go back?” I said.
“I’ve my order to stick fast to you until you do,” he answered.
“Well,” I said, “I don’t care if I do. All I bargain is that you keep your mouth shut and don’t let on who I am, so that I may have a fair start when I get there.”
He agreed to this, and we went over to Southampton the very next day, where he saw me safely off once more. I took a passage round to Adelaide, where no one was likely to know me; and there I settled, right under the nose of the police. I’d been there ever since, leading a quiet life, but for little difficulties like the one I’m in for now, and for that devil, Tattooed Tom, of Hawkesbury. I don’t know what made me tell you all this, doctor, unless it is that being lonely makes a man inclined to jaw when he gets a chance. Just you take warning from me, though. Never put yourself out to serve your country; for your country will do precious little for you. Just you let them look after their own affairs; and if they find difficulty in hanging a set of scoundrels, never mind chipping in, but let them alone to do as best they can. Maybe they’ll remember how they treated me after I’m dead, and be sorry for neglecting me, I was rude to you when you came in, and swore a trifle promiscuous: but don’t you mind me, it’s only my way. You’ll allow, though, that I have cause to be a bit touchy now and again when I think of all that’s passed. You’re not going, are you? Well, if you must, you must; but I hope you will look me up at odd times when you are going your rounds. Oh, I say, you’ve left the balance of that cake of tobacco behind you, haven’t you? No; it’s in your pocket—that’s all right. Thank ye, doctor, you’re a good sort, and as quick at a hint as any man I’ve met.
A couple of months after narrating his experiences, Wolf Tone Maloney finished his term, and was released. For a long time I neither saw him nor heard of him, and he had almost slipped from my memory, until I was reminded, in a somewhat tragic manner, of his existence. I had been attending a patient some distance off in the country, and was riding back, guiding my tired horse among the boulders which strewed the pathway, and endeavoring to see my way through the gathering darkness, when I came suddenly upon a little wayside inn. As I walked my horse up toward the door, intending to make sure of my bearings before proceeding further, I heard the sound of a violent altercation within the little bar.
There seemed to be a chorus of expostulation or remonstrance, above which two powerful voices rang out loud and angry. As I listened, there was a momentary hush, two pistol shots sounded almost simultaneously, and with a crash the door burst open and a pair of dark figures staggered out into the moonlight. They struggled for a moment in a deadly wrestle, and then went down together among the loose stones. I had sprung off my horse, and, with the help of half a dozen rough fellows from the bar, dragged them away from one another.
A glance was sufficient to convince me that one of them was dying fast. He was a thick-set burly fellow, with a determined cast of countenance. The blood was welling from a deep stab in his throat, and it was evident that an important artery had been divided. I turned away from him in despair, and walked over to where his antagonist was lying. He was shot through the lungs, but managed to raise himself up on his hand as I approached, and peered anxiously up into my face. To my surprise, I saw before me the haggard features and flaxen hair of my prison acquaintance, Maloney.
“Ah, doctor!” he said, recognizing me. “How is he? Will he die?”
He asked the question so earnestly that I imagined he had softened at the last moment, and feared to leave the world with another homicide upon his conscience. Truth, however, compelled me to shake my head mournfully, and to intimate that the wound would prove a mortal one.
Maloney gave a wild cry of triumph, which brought the blood welling out from between his lips. “Here, boys,” he gasped to the little group around him. “There’s money in my inside pocket. Damn the expense! Drinks round. There’s nothing mean about me. I’d drink with you, but I’m going. Give the doc my share, for he’s as good—” Here his head fell back with a thud, his eye glazed, and the soul of Wolf Tone Maloney, forger, convict, ranger, murderer, and government peach, drifted away into the Great Unknown.
I cannot conclude without borrowing the account of the fatal quarrel which appeared in the column of the West Australian Sentinel. The curious will find it in the issue of October 4,1881:
Montrose, and proprietor of the Yellow Boy gambling saloon,
has met with his death under rather painful circumstances.
Mr. Maloney was a man who had led a checkered existence, and
whose past history is replete with interest. Some of our
readers may recall the Lena Valley murders, in which he
figured as the principal criminal. It is conjectured that
during the seven months that he owned a bar in that region,
from twenty to thirty travelers were hocussed and made away
with. He succeeded, however, in evading the vigilance of
the officers of the law, and allied himself with the
bushrangers of Bluemansdyke, whose heroic capture and
subsequent execution are matters of history. Maloney
extricated himself from the fate which awaited him by
turning Queen’s evidence. He afterward visited Europe, but
returned to West Australia, where he has long played a
prominent part in local matters. On Friday evening he
encountered an old enemy, Thomas Grimthorpe, commonly known
as Tattooed Tom, of Hawkesbury.
“Shots were exchanged, and both were badly wounded, only
surviving a few minutes. Mr. Maloney had the reputation of
being not only the most wholesale murderer that ever lived,
but also of having a finish and attention to detail in
matters of evidence which has been unapproached by any
European criminal. Sic transit gloria mundi!”
End of Project Gutenberg’s My Friend The Murderer, by A. Conan Doyle
*** END OF THIS PROJECT GUTENBERG EBOOK MY FRIEND THE MURDERER ***
***** This file should be named 23059-h.htm or 23059-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/3/0/5/23059/
Produced by David Widger
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence,
Comments (0)