International Short Stories: French by - (young adult books to read .TXT) 📖

It is true that all the money and all the jewels have been taken away; but at least the house belongs to you, and you have not lost everything. I have been running about for an hour, not knowing what had become of you, and I hope, my dear master, that you will now be wise enough to take a reasonable course.”

“What course do you wish me to take?”

“Sell this house, sir, it is all your fortune. It will bring you about thirty thousand francs. With that at any rate you will not die of hunger; and what is to prevent you from buying a little stock in trade, and starting business for yourself? You would surely prosper.”

“We shall see about this,” answered Croisilles, as he hurried to the street where his home was. He was eager to see the paternal roof again. But when he arrived there so sad a spectacle met his gaze, that he had scarcely the courage to enter. The shop was in utter disorder, the rooms deserted, his father’s alcove empty. Everything presented to his eyes the wretchedness of utter ruin. Not a chair remained; all the drawers had been ransacked, the till broken open, the chest taken away; nothing had escaped the greedy search of creditors and lawyers; who, after having pillaged the house, had gone, leaving the doors open, as though to testify to all passers-by how neatly their work was done.

“This, then,” exclaimed Croisilles, “is all that remains after thirty years of work and a respectable life,—and all through the failure to have ready, on a given day, money enough to honor a signature imprudently given!”

While the young man walked up and down given over to the saddest thoughts, Jean seemed very much embarrassed. He supposed that his master was without ready money, and that he might perhaps not even have dined. He was therefore trying to think of some way to question him on the subject, and to offer him, in case of need, some part of his savings. After having tortured his mind for a quarter of an hour to try and hit upon some way of leading up to the subject, he could find nothing better than to come up to Croisilles, and ask him, in a kindly voice:

“Sir, do you still like roast partridges?”

The poor man uttered this question in a tone at once so comical and so touching, that Croisilles, in spite of his sadness, could not refrain from laughing.

“And why do you ask me that?” said he.

“My wife,” replied Jean, “is cooking me some for dinner, sir, and if by chance you still liked them—”

Croisilles had completely forgotten till now the money which he was bringing back to his father. Jean’s proposal reminded him that his pockets were full of gold.

“I thank you with all my heart,” said he to the old man, “and I accept your dinner with pleasure; but, if you are anxious about my fortune, be reassured. I have more money than I need to have a good supper this evening, which you, in your turn, will share with me.”

Saying this, he laid upon the mantel four well-filled purses, which he emptied, each containing fifty louis.

“Although this sum does not belong to me,” he added, “I can use it for a day or two. To whom must I go to have it forwarded to my father?”

“Sir,” replied Jean, eagerly, “your father especially charged me to tell you that this money belongs to you, and, if I did not speak of it before, it was because I did not know how your affairs in Paris had turned out. Where he has gone your father will want for nothing; he will lodge with one of your correspondents, who will receive him most gladly; he has moreover taken with him enough for his immediate needs, for he was quite sure of still leaving behind more than was necessary to pay all his just debts. All that he has left, sir, is yours; he says so himself in his letter, and I am especially charged to repeat it to you. That gold is, therefore, legitimately your property, as this house in which we are now. I can repeat to you the very words your father said to me on embarking: ‘May my son forgive me for leaving him; may he remember that I am still in the world only to love me, and let him use what remains after my debts are paid as though it were his inheritance.’ Those, sir, are his own expressions; so put this back in your pocket, and, since you accept my dinner, pray let us go home.”

The honest joy which shone in Jean’s eyes, left no doubt in the mind of Croisilles. The words of his father had moved him to such a point that he could not restrain his tears; on the other hand, at such a moment, four thousand francs were no bagatelle. As to the house, it was not an available resource, for one could realize on it only by selling it, and that was both difficult and slow. All this, however, could not but make a considerable change in the situation the young man found himself in; so he felt suddenly moved—shaken in his dismal resolution, and, so to speak, both sad and, at the same time, relieved of much of his distress. After having closed the shutters of the shop, he left the house with Jean, and as he once more crossed the town, could not help thinking how small a thing our affections are, since they sometimes serve to make us find an unforeseen joy in the faintest ray of hope. It was with this thought that he sat down to dinner beside his old servant, who did not fail, during the repast, to make every effort to cheer him.

Heedless people have a happy fault. They are easily cast down, but they have not even the trouble to console themselves, so changeable is their mind. It would be a mistake to think them, on that account, insensible or selfish; on the contrary they perhaps feel more keenly than others and are but too prone to blow their brains out in a moment of despair; but, this moment once passed, if they are still alive, they must dine, they must eat, they must drink, as usual; only to melt into tears again at bed-time. Joy and pain do not glide over them but pierce them through like arrows. Kind, hot-headed natures which know how to suffer, but not how to lie, through which one can clearly read,—not fragile and empty like glass, but solid and transparent like rock crystal.

After having clinked glasses with Jean, Croisilles, instead of drowning himself, went to the play. Standing at the back of the pit, he drew from his bosom Mademoiselle Godeau’s bouquet, and, as he breathed the perfume in deep meditation, he began to think in a calmer spirit about his adventure of the morning. As soon as he had pondered over it for awhile, he saw clearly the truth; that is to say, that the young lady, in leaving the bouquet in his hands, and in refusing to take it back, had wished to give him a mark of interest; for otherwise this refusal and this silence could only have been marks of contempt, and such a supposition was not possible. Croisilles, therefore, judged that Mademoiselle Godeau’s heart was of a softer grain than her father’s and he remembered distinctly that the young lady’s face, when she crossed the drawing-room, had expressed an emotion the more true that it seemed involuntary. But was this emotion one of love, or only of sympathy? Or was it perhaps something of still less importance,—mere commonplace pity? Had Mademoiselle Godeau feared to see him die—him, Croisilles—or merely to be the cause of the death of a man, no matter what man? Although withered and almost leafless, the bouquet still retained so exquisite an odor and so brave a look, that in breathing it and looking at it, Croisilles could not help hoping. It was a thin garland of roses round a bunch of violets. What mysterious depths of sentiment an Oriental might have read in these flowers, by interpreting their language! But after all, he need not be an Oriental in this case. The flowers which fall from the breast of a pretty woman, in Europe, as in the East, are never mute; were they but to tell what they have seen while reposing in that lovely bosom, it would be enough for a lover, and this, in fact, they do. Perfumes have more than one resemblance to love, and there are even people who think love to be but a sort of perfume; it is true the flowers which exhale it are the most beautiful in creation.

While Croisilles mused thus, paying very little attention to the tragedy that was being acted at the time, Mademoiselle Godeau herself appeared in a box opposite.

The idea did not occur to the young man that, if she should notice him, she might think it very strange to find the would-be suicide there after what had transpired in the morning. He, on the contrary, bent all his efforts towards getting nearer to her; but he could not succeed. A fifth-rate actress from Paris had come to play Mérope, and the crowd was so dense that one could not move. For lack of anything better, Croisilles had to content himself with fixing his gaze upon his lady-love, not lifting his eyes from her for a moment. He noticed that she seemed pre-occupied and moody, and that she spoke to every one with a sort of repugnance. Her box was surrounded, as may be imagined, by all the fops of the neighborhood, each of whom passed several times before her in the gallery, totally unable to enter the box, of which her father filled more than three-fourths. Croisilles noticed further that she was not using her opera-glasses, nor was she listening to the play. Her elbows resting on the balustrade, her chin in her hand, with her far-away look, she seemed, in all her sumptuous apparel, like some statue of Venus disguised en marquise. The display of her dress and her hair, her rouge, beneath which one could guess her paleness, all the splendor of her toilet, did but the more distinctly bring out the immobility of her countenance. Never had Croisilles seen her so beautiful. Having found means, between the acts, to escape from the crush, he hurried off to look at her from the passage leading to her box, and, strange to say, scarcely had he reached it, when Mademoiselle Godeau, who had not stirred for the last hour, turned round. She started slightly as she noticed him and only cast a glance at him; then she resumed her former attitude. Whether that glance expressed surprise, anxiety, pleasure or love; whether it meant “What, not dead!” or “God be praised! There you are, living!”—I do not pretend to explain. Be that as it may; at that glance, Croisilles inwardly swore to himself to die or gain her love.

IV

Of all the obstacles which hinder the smooth course of love, the greatest is, without doubt, what is called false shame, which is indeed a very potent obstacle.

Croisilles was not troubled with this unhappy failing, which both pride and timidity combine to produce; he was not one of those who, for whole months, hover round the woman they love, like a cat round a caged bird. As soon as he had given up the idea of drowning himself, he thought only of letting his dear Julie know that he lived solely for her. But how could he tell her so? Should he present himself a second time at the mansion of the fermier-général, it was but too certain that M. Godeau would have him ejected.

Julie, when she happened to take a walk, never went without her maid; it was