Short Story
Read books online » Short Story » ''And That's How It Was, Officer'' by Ralph Sholto (mobi reader .TXT) 📖

Book online «''And That's How It Was, Officer'' by Ralph Sholto (mobi reader .TXT) 📖». Author Ralph Sholto



1 2 3 4 5 6 7
Go to page:
Peter! I won't allow it. You must stay here and face the music."

"The music is in Tibet, Homer. That's one of the reasons I'm going there. To a monastery high in Himalayas. There are some wonderful men there I've always wanted to meet—yogis who have such control over natural laws that they can walk on water and move straight through solid walls."

"But, Uncle Peter! If you want to go to Tibet, you should have thought of it before. It's too late now. You've committed murder."

"Bosh! I haven't killed anyone. The serum I discovered is one of transition, not murder. It causes the stepping-up of the human physical structure into an infinitely higher rate of vibration. Two controls are distilled into it. One is a timer that sets off the catalysis, and the other is a directive element based upon higher mathematics which allows the creator of the serum to direct the higher vibratory residue of the physical form to be put down at any prearranged point on the globe before the reforming element takes effect."

Joy said, "Oh, my painted G-string!"

I strove to absorb all this. "You mean those people weren't destroyed?"

Joy was quicker on the reaction. "Of course. I couldn't picture Uncle Peter as a killer somehow. He merely picked them up here and set them down in Tibet. Can't you understand? He just explained it to you."

Of course I didn't want to admit my mental haziness to Joy, so I skipped hastily over it and pointed an accusing finger at Uncle Peter. "But why couldn't you have conducted your experiments on a higher plane. Why did you have to consort with law-breakers?"

Joy had apparently lost interest. She planted a wifely kiss on my cheek and started toward the door. "I'm going back to Joe's Tavern," she said. "It's more fun there. When you get all this straightened out, come on over."

I moved to protest but she waved me down. "Never mind. I'll take a cab." She smiled at me sweetly. "And don't stay too long, darling. I'm sure Cora is anxious to get her clothes off."

Cora distinctly pronounced an unprintable name but Joy did not hear it. She was already gone.

I turned to Uncle Peter. "You did not answer my question."

"It's very simple. Even one of your limited brain power should be able to understand it. You see, with finishing my experiments I was not averse to doing the city a favor. Why not, I asked myself, perform them upon persons undesirable to our law-abiding populace? Cora was acquainted with Hands McCaffery and it was through him that I learned who the really undesirable people were."

"But why did you invite them to my wedding reception? I'd think you could find a more appropriate place to carry out your—"

"It was an ideal place to get the Zinsky mob together. Like your Aunt Gretchen, Mr. Zinsky has social ambitions, and he anticipated no danger at the reception."

"I can see your point."

"Also, I wanted to get back at your Aunt Gretchen. She's been very niggardly with funds lately and I wanted to highlight my displeasure in a way she would remember."

I had a fairly clear picture of things now. But I still felt Uncle Peter should be upbraided on a last point. "Uncle Peter, I think it was shameful of you to inflict those hoodlums on the monks in that monastery in Tibet. They'll be in panic."

"No. I was careful to send along two policemen to keep them in hand."

"So you're leaving for Tibet?"

"Of course. I've got to follow up and check on the success of my serum, though there is really no doubt as to its potency. Also I'll be able to achieve a life-long ambition—that of meeting the yogis from whom I should learn a great deal."

I glanced at Cora. "Are you taking her with you?"

"Of course."

"But yogis are above things of the flesh."

Uncle Peter looked me straight in the eye. "Maybe the yogis are, but I'm not."

There seemed nothing else to discuss, so I left Uncle Peter's chambers and went back to Joe's Tavern. My mind, now at ease, was filled again with thought of the honeymoon to come. I would pick up Joy and we would be off to pink-tinted lands.

But there was a slight hitch. When I arrived at Joe's Tavern, Joy was gone.

I inquired of the barkeep and he brought me up to date. "That screwy dame that can throw a guy around? Sure, she was here. She had a few drinks and then left again. She said something about having to help a friend find some bells he lost. I don't know what kind of bells they was but that dame can locate them if anybody can."

As I was about to leave the tavern, it occurred to me you would want to know the truth of what's been going on, so I'm now in the backroom writing this report which I will drop into the nearest mailbox. Then I will go out and find my bride and start upon a well-earned honeymoon. If you have any questions, they'll have to wait until I get back.

Yours truly,
Homer Nicholas.

THE END

Transcriber's Note:

This etext was produced from If: Worlds of Science Fiction July 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note.






End of Project Gutenberg's "And That's How It Was, Officer", by Ralph Sholto

*** END OF THIS PROJECT GUTENBERG EBOOK "AND THAT'S HOW IT WAS, OFFICER" ***

***** This file should be named 32562-h.htm or 32562-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/3/2/5/6/32562/

Produced by Greg Weeks, Stephen Blundell and the Online
Distributed Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the
1 2 3 4 5 6 7
Go to page:

Free ebook «''And That's How It Was, Officer'' by Ralph Sholto (mobi reader .TXT) 📖» - read online now

Comments (0)

There are no comments yet. You can be the first!
Add a comment