Complete Maupassant Original Short Stories by Guy de Maupassant (book recommendations website .TXT) 📖

monstrous columns, unequally high and, undoubtedly, in the past the supports of some tremendous, some fearful iron edifice.

The balloon was lying in the courtyard and had the appearance of a cake made of yellow cloth, flattened on the ground under a rope. That is called placing a balloon in a sweep-net, and, in fact, it appeared like an enormous fish.

Two or three hundred people were looking at it, sitting or standing, and some were examining the basket, a nice little square basket for a human cargo, bearing on its side in gold letters on a mahogany plate the words: Le Horla.

Suddenly the people began to stand back, for the gas was beginning to enter into the balloon through a long tube of yellow cloth, which lay on the soil, swelling and undulating like an enormous worm. But another thought, another picture occurs to every mind. It is thus that nature itself nourishes beings until their birth. The creature that will rise soon begins to move, and the attendants of Captain Jovis, as Le Horla grew larger, spread and put in place the net which covers it, so that the pressure will be regular and equally distributed at every point.

The operation is very delicate and very important, for the resistance of the cotton cloth of which the balloon is made is figured not in proportion to the contact surface of this cloth with the net, but in proportion to the links of the basket.

Le Horla, moreover, has been designed by M. Mallet, constructed under his own eyes and made by himself. Everything had been made in the shops of M. Jovis by his own working staff and nothing was made outside.

We must add that everything was new in this balloon, from the varnish to the valve, those two essential parts of a balloon. Both must render the cloth gas-proof, as the sides of a ship are waterproof. The old varnishes, made with a base of linseed oil, sometimes fermented and thus burned the cloth, which in a short time would tear like a piece of paper.

The valves were apt to close imperfectly after being opened and when the covering called "cataplasme" was injured. The fall of M. L'Hoste in the open sea during the night proved the imperfection of the old system.

The two discoveries of Captain Jovis, the varnish principally, are of inestimable value in the art of ballooning.

The crowd has begun to talk, and some men, who appear to be specialists, affirm with authority that we shall come down before reaching the fortifications. Several other things have been criticized in this novel type of balloon with which we are about to experiment with so much pleasure and success.

It is growing slowly but surely. Some small holes and scratches made in transit have been discovered, and we cover them and plug them with a little piece of paper applied on the cloth while wet. This method of repairing alarms and mystifies the public.

While Captain Jovis and his assistants are busy with the last details, the travellers go to dine in the canteen of the gas-works, according to the established custom.

When we come out again the balloon is swaying, enormous and transparent, a prodigious golden fruit, a fantastic pear which is still ripening, covered by the last rays of the setting sun. Now the basket is attached, the barometers are brought, the siren, which we will blow to our hearts' content, is also brought, also the two trumpets, the eatables, the overcoats and raincoats, all the small articles that can go with the men in that flying basket.

As the wind pushes the balloon against the gasometers, it is necessary to steady it now and then, to avoid an accident at the start.

Captain Jovis is now ready and calls all the passengers.

Lieutenant Mallet jumps aboard, climbing first on the aerial net between the basket and the balloon, from which he will watch during the night the movements of Le Horla across the skies, as the officer on watch, standing on starboard, watches the course of a ship.

M. Etierine Beer gets in after him, then comes M. Paul Bessand, then M. Patrice Eyries and I get in last.

But the basket is too heavy for the balloon, considering the long trip to be taken, and M. Eyries has to get out, not without great regret.

M. Joliet, standing erect on the edge of the basket, begs the ladies, in very gallant terms, to stand aside a little, for he is afraid he might throw sand on their hats in rising. Then he commands:

"Let it loose," and, cutting with one stroke of his knife the ropes that hold the balloon to the ground, he gives Le Horla its liberty.

In one second we fly skyward. Nothing can be heard; we float, we rise, we fly, we glide. Our friends shout with glee and applaud, but we hardly hear them, we hardly see them. We are already so far, so high! What? Are we really leaving these people down there? Is it possible? Paris spreads out beneath us, a dark bluish patch, cut by its streets, from which rise, here and there, domes, towers, steeples, then around it the plain, the country, traversed by long roads, thin and white, amidst green fields of a tender or dark green, and woods almost black.

The Seine appears like a coiled snake, asleep, of which we see neither head nor tail; it crosses Paris, and the entire field resembles an immense basin of prairies and forests dotted here and there by mountains, hardly visible in the horizon.

The sun, which we could no longer see down below, now reappears as though it were about to rise again, and our balloon seems to be lighted; it must appear like a star to the people who are looking up. M. Mallet every few seconds throws a cigarette paper into-space and says quietly: "We are rising, always rising," while Captain Jovis, radiant with joy, rubs his hands together and repeats: "Eh? this varnish? Isn't it good?"

In fact, we can see whether we are rising or sinking only by throwing a cigarette paper out of the basket now and then. If this paper appears to fall down like a stone, it means that the balloon is rising; if it appears to shoot skyward the balloon is descending.

The two barometers mark about five hundred meters, and we gaze with enthusiastic admiration at the earth we are leaving and to which we are not attached in any way; it looks like a colored map, an immense plan of the country. All its noises, however, rise to our ears very distinctly, easily recognizable. We hear the sound of the wheels rolling in the streets, the snap of a whip, the cries of drivers, the rolling and whistling of trains and the laughter of small boys running after one another. Every time we pass over a village the noise of children's voices is heard above the rest and with the greatest distinctness. Some men are calling us; the locomotives whistle; we answer with the siren, which emits plaintive, fearfully shrill wails like the voice of a weird being wandering through the world.

We perceive lights here and there, some isolated fire in the farms, and lines of gas in the towns. We are going toward the northwest, after roaming for some time over the little lake of Enghien. Now we see a river; it is the Oise, and we begin to argue about the exact spot we are passing. Is that town Creil or Pontoise--the one with so many lights? But if we were over Pontoise we could see the junction of the Seine and the Oise; and that enormous fire to the left, isn't it the blast furnaces of Montataire? So then we are above Creil. The view is superb; it is dark on the earth, but we are still in the light, and it is now past ten o'clock. Now we begin to hear slight country noises, the double cry of the quail in particular, then the mewing of cats and the barking of dogs. Surely the dogs have scented the balloon; they have seen it and have given the alarm. We can hear them barking all over the plain and making the identical noise they make when baying at the moon. The cows also seem to wake up in the barns, for we can hear them lowing; all the beasts are scared and moved before the aerial monster that is passing.

The delicious odors of the soil rise toward us, the smell of hay, of flowers, of the moist, verdant earth, perfuming the air-a light air, in fact, so light, so sweet, so delightful that I realize I never was so fortunate as to breathe before. A profound sense of well-being, unknown to me heretofore, pervades me, a well-being of body and spirit, composed of supineness, of infinite rest, of forgetfulness, of indifference to everything and of this novel sensation of traversing space without any of the sensations that make motion unbearable, without noise, without shocks and without fear.

At times we rise and then descend. Every few minutes Lieutenant Mallet, suspended in his cobweb of netting, says to Captain Jovis: "We are descending; throw down half a handful." And the captain, who is talking and laughing with us, with a bag of ballast between his legs, takes a handful of sand out of the bag and throws it overboard.

Nothing is more amusing, more delicate, more interesting than the manoeuvring of a balloon. It is an enormous toy, free and docile, which obeys with surprising sensitiveness, but it is also, and before all, the slave of the wind, which we cannot control. A pinch of sand, half a sheet of paper, one or two drops of water, the bones of a chicken which we had just eaten, thrown overboard, makes it go up quickly.

A breath of cool, damp air rising from the river or the wood we are traversing makes the balloon descend two hundred metres. It does not vary when passing over fields of ripe grain, and it rises when it passes over towns.

The earth sleeps now, or, rather, men sleep on the earth, for the beasts awakened by the sight of our balloon announce our approach everywhere. Now and then the rolling of a train or the whistling of a locomotive is plainly distinguishable. We sound our siren as we pass over inhabited places; and the peasants, terrified in their beds, must surely tremble and ask themselves if the Angel Gabriel is not passing by.

A strong and continuous odor of gas can be plainly observed. We must have encountered a current of warm air, and the balloon expands, losing its invisible blood by the escape-valve, which is called the appendix, and which closes of itself as soon as the expansion ceases.

We are rising. The earth no longer gives back the echo of our trumpets; we have risen almost two thousand feet. It is not light enough for us to consult the instruments; we only know that the rice paper falls from us like dead butterflies, that we are rising, always rising. We can no longer see the earth; a light mist separates us from it; and above our head twinkles a world of stars.

A silvery light appears before us and makes the sky turn pale, and suddenly, as if it were rising from unknown depths behind the horizon below us rises the moon on the edge of a cloud. It seems to be coming from below, while we are