Model Speeches for Practise by Grenville Kleiser (read the beginning after the end novel .TXT) 📖

You will think me very pedantic, gentlemen, but holiday tho it be, I have not the smallest interest in any holiday, except as it celebrates real and not pretended joys; and I think it just, in this time of gloom and commercial disaster, of affliction and beggary in these districts, that on these very accounts I speak of, you should not fail to keep your literary anniversary. I seem to hear you say that, for all that is come and gone, yet we will not reduce by one chaplet or one oak-leaf the braveries of our annual feast. For I must tell you, I was given to understand in my childhood that the British island, from which my forefathers came, was no lotus-garden, no paradise of serene sky and roses and music and merriment all the year round, no, but a cold, foggy, mournful country, where nothing grew well in the open air, but robust men and virtuous women and these of a wonderful fiber and endurance; that their best parts were slowly revealed; their virtues did not come out until they quarrelled; they did not strike twelve the first time; good lovers, good haters, and you could know little about them till you had seen them long, and little good of them till you had seen them in action; that in prosperity they were moody and dumpish, but in adversity they were grand.

Is it not true, sir, that the wise ancients did not praise the ship parting with flying colors from the port, but only that brave sailor which came back with torn sheets and battered sides, stript of her banners, but having ridden out the storm? And so, gentlemen, I feel in regard to this aged England, with the possessions, honors and trophies, and also with the infirmities of a thousand years gathering around her, irretrievably committed as she now is to many old customs which can not be suddenly changed; pressed upon by the transitions of trade, and new and all incalculable modes, fabrics, arts, machines and competing populations,—I see her not dispirited, not weak, but well remembering that she has seen dark days before; indeed with a kind of instinct that she sees a little better in a cloudy day, and that in storm of battle and calamity, she has a secret vigor and a pulse like a cannon. I see her in her old age, not decrepit, but young, and still daring to believe in her power of endurance and expansion. Seeing this, I say, All hail! mother of nations, mother of heroes, with strength still equal to the time; still wise to entertain and swift to execute the policy which the mind and heart of mankind require in the present hour, and thus only hospitable to the foreigner, and truly a home to the thoughtful and generous who are born in the soil. So be it! so be it! If it be not so, if the courage of England goes with the chances of a commercial crisis, I will go back to the capes of Massachusetts, and my own Indian stream, and say to my countrymen, the old race are all gone and the elasticity and hope of mankind must henceforth remain on the Alleghany ranges, or nowhere.

Mr. Chairman, Your Royal Highness, My Lords and Gentlemen:—I think no question can be raised as to the just claims of literature to stand upon the list of toasts at the Royal Academy, and the sentiment is one to which, upon any one of the numerous occasions of my attendance at your hospitable board, I have always listened with the greatest satisfaction until the present day arrived, when I am bound to say that that satisfaction is extremely qualified by the arrangement less felicitous, I think, than any which preceded it that refers to me the duty of returning thanks for Literature. However, obedience is the principle upon which we must proceed, and I have at least the qualification for discharging the duty you have been pleased to place in my hands—that no one has a deeper or more profound sense of the vital importance of the active and constant cultivation of letters as an essential condition of real progress and of the happiness of mankind, and here every one at once perceives that that sisterhood of which the poet spoke, whom you have quoted, is a real sisterhood, for literature and art are alike the votaries of beauty. Of these votaries I may thankfully say that as regards art I trace around me no signs of decay, and none in that estimation in which the Academy is held, unless to be sure, in the circumstance of your poverty of choice of one to reply to this toast.

During the present century the artists of this country have gallantly and nobly endeavored to maintain and to elevate their standard, and have not perhaps in that great task always received that assistance which could be desired from the public taste which prevails around them. But no one can examine even superficially the works which adorn these walls without perceiving that British art retains all its fertility of invention, and this year as much as in any year that I can remember, exhibits in the department of landscape, that fundamental condition of all excellence, intimate and profound sympathy with nature.

As regards literature one who is now beginning at any rate to descend the hill of life naturally looks backward as well as forward, and we must be becoming conscious that the early part of this century has witnessed in this and other countries what will be remembered in future times as a splendid literary age. The elder among us have lived in the lifetime of many great men who have passed to their rest—the younger have heard them familiarly spoken of and still have their works in their hands as I trust they will continue to be in the hands of all generations. I am afraid we can not hope for literature—it would be contrary to all the experience of former times were we to hope that it should be equally sustained at that extraordinarily high level which belongs, speaking roughly, to the first fifty years after the peace of 1815. That was a great period—a great period in England, a great period in Germany, a great period in France, and a great period, too, in Italy.

As I have said, I think we can hardly hope that it should continue on a perfect level at so high an elevation. Undoubtedly the cultivation of literature will ever be dear to the people of this country; but we must remember what is literature and what is not. In the first place we should be all agreed that bookmaking is not literature. The business of bookmaking I have no doubt may thrive and will be continued upon a constantly extending scale from year to year. But that we may put aside. For my own part if I am to look a little forward, what I anticipate for the remainder of the century is an age not so much of literature proper—not so much of great, permanent and splendid additions to those works in which beauty is embodied as an essential condition of production, but rather look forward to an age of research. This is an age of great research—of great research in science, great research in history—an age of research in all the branches of inquiry that throw light upon the former condition whether of our race, or of the world which it inhabits; and it may be hoped that, even if the remaining years of the century be not so brilliant as some of its former periods, in the production of works great in themselves, and immortal,—still they may add largely to the knowledge of mankind; and if they make such additions to the knowledge of mankind, they will be preparing the materials of a new tone and of new splendors in the realm of literature. There is a sunrise and sunset. There is a transition from the light of the sun to the gentler light of the moon. There is a rest in nature which seems necessary in all her great operations. And so with all the great operations of the human mind. But do not let us despond if we seem to see a diminished efficacy in the production of what is essentially and immortally great. Our sun is hidden only for a moment. It is like the day-star of Milton:—