Author's e-books - Africa. Page - 1
The Tortoise is the most popular character of all the varied characters that abound in the folklore of the Nigerian peoples. The exploits of the Tortoise, whether in all-animal stories or in stories that have an animal-human mix, are without compare in all of the folklore that originates from The Federal Republic of Nigeria.
"Joseph was not fond of the river. He was from a forest tribe – he feared the river god. It seemed so large and powerful, sliding darkly along. Tombe laughed at Joseph's fears - and dreams. Because one night Joseph had a dream; he dreamt the river god rose up and took Tombe away. Joseph awoke in a sweat, but on the bunk below him Tombe was safe.
The next day at break time Joseph took a small path out of the plantation into the nearby forest. The familiar forest sounds enveloped him – the singing of insect wings, the screeks and whistles of birds and the scuffling of leaves as a small mammal moved through the undergrowth"
The Tortoise is the most popular character of all the varied characters that abound in the folklore of the Nigerian peoples. The exploits of the Tortoise, whether in all-animal stories or in stories that have an animal-human mix, are without compare in all of the folklore that originates from The Federal Republic of Nigeria.
The Tortoise is the most popular character of all the varied characters that abound in the folklore of the Nigerian peoples. The exploits of the Tortoise, whether in all-animal stories or in stories that have an animal-human mix, are without compare in all of the folklore that originates from The Federal Republic of Nigeria.
Sylvia Soong, a young Chinese woman, finds herself in a rusty-tin roof town of West Africa, where the jungle meets the savannah and spirits cavort in baobab trees. In 1972, she marries Winston Soong, an aid worker on his way to Africa.
But life in Africa is not the adventure she imagined. Instead, Sylvia spends her days in their white tiled house trapped behind compound walls. Even though she longs for companionship, it arrives in an unwelcome form. She soon discovers she is not alone: spirit children prey on her newborn's life, and when her daughter is bitten by a snake, she meets Ayo, an African-English doctor who provides a window into a world previously out of reach.
While Sylvia is increasingly drawn to Ayo, Winston travels the countryside bearing miracle seeds that promise to triple harvests. Yet as he works with village farmers, he begins to wonder if the seeds do more harm than good. When a juju witch casts a spell on Winston's life, he is caught in a trap, and the forest canopy suddenly seems claustrophobic. As the country becomes increasingly violent, dangerous forces threaten all of their lives.
Set against the troubled and mesmerizing landscape of Nigeria, SEEDS OF PLENTY paints a vivid portrait of a country in transformation, rooted in a magical and menacing past full of bush-souls, python-mermaid spirits, military coups, juju black magic, airport pirates, and sacred forests. Chinese and West African spiritual beliefs collide in this richly imagined story about love that crosses oceans, identity that spans continents, and well-intentioned development aid gone wrong.
These nine stories are first and foremost autobiographical. They are also true. In the early 1970's my parents decided to leave England in search of a more interesting life; fueled by a lifetime of adventure stories my father was desperate to see the world, to experience adventure and to see what little remained of real cultures before the bland cookie-cutter culture of the United States finally took hold.
For the next forty years my parents remained overseas choosing to live in some of the harshest environments and I was fortunate enough to be taken along.
We were not explorers, nor were my parents interested in being 'the first' at anything; but what spurred them on, what kept them going into their retirement, was the desire to not just simply visit distant lands, but to live there, to try as best they could to experience the daily lives of the people they lived amongst.
The stories in this small book are a snap shot of some of the things we saw and experienced. They are in chronological order starting in the early 70's in the Middle East and ending in 2006 in the Pamir mountains.
The Tortoise is the most popular character of all the varied characters that abound in the folklore of the Nigerian peoples. The exploits of the Tortoise, whether in all-animal stories or in stories that have an animal-human mix, are without compare in all of the folklore that originates from The Federal Republic of Nigeria.
"Joseph was not fond of the river. He was from a forest tribe – he feared the river god. It seemed so large and powerful, sliding darkly along. Tombe laughed at Joseph's fears - and dreams. Because one night Joseph had a dream; he dreamt the river god rose up and took Tombe away. Joseph awoke in a sweat, but on the bunk below him Tombe was safe.
The next day at break time Joseph took a small path out of the plantation into the nearby forest. The familiar forest sounds enveloped him – the singing of insect wings, the screeks and whistles of birds and the scuffling of leaves as a small mammal moved through the undergrowth"
The Tortoise is the most popular character of all the varied characters that abound in the folklore of the Nigerian peoples. The exploits of the Tortoise, whether in all-animal stories or in stories that have an animal-human mix, are without compare in all of the folklore that originates from The Federal Republic of Nigeria.
The Tortoise is the most popular character of all the varied characters that abound in the folklore of the Nigerian peoples. The exploits of the Tortoise, whether in all-animal stories or in stories that have an animal-human mix, are without compare in all of the folklore that originates from The Federal Republic of Nigeria.
Sylvia Soong, a young Chinese woman, finds herself in a rusty-tin roof town of West Africa, where the jungle meets the savannah and spirits cavort in baobab trees. In 1972, she marries Winston Soong, an aid worker on his way to Africa.
But life in Africa is not the adventure she imagined. Instead, Sylvia spends her days in their white tiled house trapped behind compound walls. Even though she longs for companionship, it arrives in an unwelcome form. She soon discovers she is not alone: spirit children prey on her newborn's life, and when her daughter is bitten by a snake, she meets Ayo, an African-English doctor who provides a window into a world previously out of reach.
While Sylvia is increasingly drawn to Ayo, Winston travels the countryside bearing miracle seeds that promise to triple harvests. Yet as he works with village farmers, he begins to wonder if the seeds do more harm than good. When a juju witch casts a spell on Winston's life, he is caught in a trap, and the forest canopy suddenly seems claustrophobic. As the country becomes increasingly violent, dangerous forces threaten all of their lives.
Set against the troubled and mesmerizing landscape of Nigeria, SEEDS OF PLENTY paints a vivid portrait of a country in transformation, rooted in a magical and menacing past full of bush-souls, python-mermaid spirits, military coups, juju black magic, airport pirates, and sacred forests. Chinese and West African spiritual beliefs collide in this richly imagined story about love that crosses oceans, identity that spans continents, and well-intentioned development aid gone wrong.
These nine stories are first and foremost autobiographical. They are also true. In the early 1970's my parents decided to leave England in search of a more interesting life; fueled by a lifetime of adventure stories my father was desperate to see the world, to experience adventure and to see what little remained of real cultures before the bland cookie-cutter culture of the United States finally took hold.
For the next forty years my parents remained overseas choosing to live in some of the harshest environments and I was fortunate enough to be taken along.
We were not explorers, nor were my parents interested in being 'the first' at anything; but what spurred them on, what kept them going into their retirement, was the desire to not just simply visit distant lands, but to live there, to try as best they could to experience the daily lives of the people they lived amongst.
The stories in this small book are a snap shot of some of the things we saw and experienced. They are in chronological order starting in the early 70's in the Middle East and ending in 2006 in the Pamir mountains.