The Gray Mask by Charles Wadsworth Camp (free ebook reader for android TXT) 📖

be no coincidence about two such catastrophes in the same spot. In spite of the coroner's verdict, murder was the only sensible deduction. Yet he found no slightest souvenir of violence. The face alone held a record of an attack—the features were twisted as if from its vehemence, and the eyes appeared to secrete some shocking vision.

Garth sprang to his feet. Alden's sick fear and his wife's hysterical misgivings were placed on a basis far sounder than imagination. A danger, unconformable, but none the less real, skirted their isolated house, had at last, according to the woman, forced an entrance.

Garth knew his limitations. He must have help, and now Alden must be made to talk.

He ran back to the house and stepped through the window. The lamp had been lighted. It shone on Mrs. Alden who bent over the writing-table, her gaze directed hypnotically towards the huddled man in the chair. Garth, since he came from the rear, could not see Alden's face at first.

"Mrs. Alden," he said, "I found your man, out there—"

Her hands left the table. She straightened. With a perceptible effort she raised her eyes from the chair to meet Garth's.

"Not de—"

She put her hand to her mouth and crushed back the word.

Garth nodded.

"I must have help. Where's the telephone?" he asked.

He started for the hall.

"Lock that window," he said. "I've left it open."

Suddenly he paused and turned. A sound, scarcely human, had come from the chair—a hollow, a meaningless vocal attempt, as though there were no palate behind it, no tongue to shape its intention.

From where he stood Garth could see Alden distinctly enough. His head was sunk forward on his chest. His fingers clutched powerlessly at the chair arms. His eyes appeared to have hoarded and just now released all the strength of which his meager body had been stripped. They flashed with a passionate purpose which drew Garth magnetically until he was close and had stooped and was staring into them with a curiosity almost as pronounced as their eagerness.

"What is it, Mr. Alden?" he asked.

The other's fingers continued to stray about the chair arms.

"You've got to tell me what you know—all you suspect," Garth urged. "We've murder on our hands. What do you know?"

Alden's head rose and fell affirmatively.

"Out with it."

But Alden did not answer, although his eyes burned brighter; and Garth guessed.

"Speak, Mr. Alden," he begged.

Alden's lips moved. His throat worked. His face set in a grotesque grimace.

"There's danger for all of us," Garth cried. "The time for silence has passed."

Then Alden answered, but it was only with that helpless, futile sound—such a whimper as escapes unintelligibly from the fancied fatality of a nightmare.

Garth drew back. Now when it was too late Alden wanted to talk. Now when he had been robbed of the power he craved the abandonment of words.

"Mrs. Alden," Garth whispered. "You know your husband can't speak! Look at him!"

About her advance there was that hypnotic quality Garth had noticed before. He read in her face, moreover, a sympathy and a love that made it as difficult of unmoved contemplation as the helpless suffering in Alden's.

Alden smiled sorrowfully as his wife came close and stooped to him. His hands ceased their straying about the chair arms. They rose with a quick motion, an unsuspected strength, and closed about her white and beautiful throat.

She did not cry out. Perhaps there was no time. Her eyes closed. Her lips were wistful.

Garth tore at the man's fingers. It took all his force to break their hold. And as he fought the answer to a great deal came to him. Alden was clearly insane, and his wife's fear and John's doubt of her safety were accounted for. Yet it didn't answer all. What was the share of the shrouded army in the forest? What was the connection of the death that had struck there twice?

Alden's vise-like grip was broken. Mrs. Alden swayed against the writing-table, gasping. Alden's whimpering had recommenced.

Garth looked from one to the other.

"Good God!" he said.

She turned on him.

"Why did you come? It is your fault."

Garth pointed at the cabinet where the medicine was kept. The nightmare whimpering did not cease.

"Get him something," Garth directed. "The doctor must have left you a narcotic."

She walked with a pronounced lurch to the cabinet where Garth heard her fumbling among the bottles, but he did not turn away from Alden. The imbecile sounds stopped, but the lips worked ineffectively again. One of the hands moved slowly with an apparent sanity of purpose. Garth realized that it was motioning him back. Alden started to rise. Garth saw his veins swell and the emaciated muscles strain as he literally dragged himself out of the chair and braced his elbows against the writing-table. He grasped a pencil and wrote rapidly on a piece of paper. Garth understood, and he reached out for the sheet on which Alden had written the words—perhaps a warning, perhaps the truth—which his tongue had been unable to form.

"Don't touch that paper."

There was a new quality about the voice Garth could not deny. There was no more tinkling of glass at the cabinet. He found it difficult to credit Mrs. Alden with that clear, authoritative command. He turned warily and looked into the muzzle of his own revolver. Mrs. Alden's outstretched hand, he noticed, did not waver.

"What does this mean?" he cried.

"It means," she answered in a tired voice, "that if you read what is on that paper you'll leave me no choice. I shall have to shoot."

Alden whimpered again. The paper fluttered to the floor and rested, white and uncommunicative, beneath the table. His face set. He pointed accusingly towards the rear window.

The gesture was clear to Garth. He knew what it meant before his eyes followed its direction. Before he had seen, he appreciated almost palpably the new presence in the room. At the moment it seemed inevitable to him that the tense group should be joined by a stronger force, the inspiration, probably, of the mysteries that had posed it, and that worked ahead, he could not doubt, to a graver issue for Alden and himself.

The newcomer glided from the shadows by the window and moved to Mrs. Alden's side—huge, powerful. The cap, drawn low over his eyes, and the thick growth about the mouth, robbed his face of expression and gave to his actions a mechanical precision not lightly to be disturbed. He took the revolver from the woman.

"I couldn't," she said. "He hasn't read. It won't be necessary?"

"Necessary," the man answered, "but you were right. Not in that way. It leaves too much evidence. As the others went."

"No more death," she cried. "There has been too much death."

"These days the world is full of death," he answered. "What are one or two here?"

The voice carried as little expression as the face or the figure, but an accent, which Garth knew, hindered its flow, and defined the situation with a brutal clearness.

He turned at a slipping behind him, a heavy fall. Alden lay on the floor, his hand stretched towards the futile spot of white beneath the table. His wife stumbled across and knelt beside him, restlessly fingering his shoulders.

"Andrew!" she cried. "You don't understand. Look at me. You have to understand. I love you. Nothing changes that."

The newcomer moved to her, and, without relaxing his vigilance, grasped her arm.

"There's too much to be done to-night for tears. Keep your watch."

He indicated Garth.

"I'll come back and attend to him later."

She continued to stare at her husband's closed eyes.

"He knows now, but you shan't kill him. I tell you you shan't kill him."

"When the occasion arises you will follow your duty," he said.

He turned to Garth, pointing to the oak door in the rear corner.

"You will go in there."

A flashing recollection of Nora decided Garth. Resistance now, he knew, as he studied the great figure, would mean the end, whereas, if he waited and obeyed, the knife, secreted in his felt, offered a possible escape.

"Wait!" the man snapped.

He thrust the revolver in Mrs. Alden's hand while he ran quickly over Garth's clothing. The thickness of the belt escaped him. He found only the pocket lamp.

"The telephone is disconnected," he said, evidently to reassure the woman. "Your husband is too weak to leave the house, and no one will come near it until daylight. We won't cross that bridge before we reach it."

She shuddered.

The other opened the oak door and motioned Garth to enter. He went through, simulating a profound dejection, but actually reaching out again to confidence. For the man would come back to visit him with the silent, undemonstrative violence that had done for the two men in the woods, but Garth would be waiting for him, behind the door, with his knife. Therefore, when the door was locked, he commenced hopefully to examine his prison.

The night, he found after a moment, was not complete in here. It possessed a quality, milky but lustreless, reminiscent of the shroud through which the shadowy figures had paraded. It retained, however, the obscurity of thorough darkness. He had a feeling, indeed, of standing in a darkness that was white.

There must be windows over there, many windows. He felt his way across. The wall, as well as the interior face of the door, was lined with sheet tin, suggesting immediately the nature of his prison—a dismantled conservatory. The glazed end was of small panes, heavily leaded. The frames in themselves offered a resistance to escape as efficacious as prison bars.

The arrangement, nevertheless, gave him one advantage. A single door to guard removed the threat of a surprise.

In the centre of the floor he found a considerable heap of wood, probably the fittings of the place. He scarcely dared pause to examine it. He hurried back to his post at the doorway, removed the knife from his belt, jointed it, and tested the point against his finger. He didn't know how long his respite would last. He couldn't hazard a guess as to the nature of the big man's occupation. He could only estimate its importance by the fact that it had prevented the other's dealing summarily with him.

He had entered the case with too little light. Nora had been right. One can not follow a straight course through the dark. Only a few dim outlines offered themselves for his appraisal. Mrs. Alden had made her choice between an evident, an exceptional affection for her husband and an enterprise directed by the sinister figure who had stepped from the shadows. Of what a vast importance that enterprise must be since it had prodded her to such a decision, since it had made her acquiesce, however unwillingly, in murder to safeguard its progress! She faced even the death of her own husband because he had learned too much of its intention. And she had no slightest amorous tendency—of that Garth was sure—towards the bearded giant to whose will she bent her own with a pitiable humility. The lack of that world-wide, easily comprehensible motive to wrong, taken with the leader's German accent, directed Garth's logic to the furnaces, which night after night stained the sky with a scarlet, significant of their feverish industry. Yet the shadowy figures of the woods were still elusive, unless the place was used as a rendezvous and the affair to-night approached a crisis. Could he escape? Would he be in time to prevent a crime of such proportions, of such disquieting possibilities?

He stiffened at a stealthy movement of the key in the lock. The answer lay just ahead. Garth could not doubt that the German was about to enter, to annihilate in his subtle manner an enemy he believed unarmed.

With his left hand he braced himself against the door-frame for the stroke, while with his right hand he lifted the knife. The necessity of striking without warning sickened him. He had no choice. There was too much eager help within ear-shot of an alarm. The stakes loomed too commandingly to tolerate a sentimental hesitation. It was not only his