The Man with the Clubfoot by Valentine Williams (best books to read in your 20s TXT) đź“–
- Author: Valentine Williams
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I told her I must think it over: she seemed to be risking too much. But I think my mind was already made up. I could not bring destruction on this faithful friend.
Then I went upstairs again to Gerry, who was in as vile a temper as before. His lunch had disagreed with him: he hadn't slept: the room was not hot enough ... these were a few of the complaints he showered at me as soon as I appeared. He was in his most impish and malicious mood. He sent me running hither and thither: he gave me an order and withdrew it in the same breath: my complacency seemed to irritate him, to encourage him to provoke me.
At last he came back to his old sore subject, my English accent.
"I guess our good American is too homely for a fine English gentleman like you," he said, "but I believe you'll as lief speak as you were taught before you're through with this city. An English accent is not healthy in Berlin at present, Mister Meyer, sir, and you'd best learn to talk like the rest of us if you want to keep on staying in this house.
"I'm in no state to be worried just now and I've no notion of having the police in here because some of their dam' plain-clothes men have heard my attendant saying 'charnce' and 'darnce' like any Britisher—especially with this English spy running round loose. By the way, you'll have to be registered? Has my sister seen about it yet?"
I said she was attending to it.
"I want to know if she's done it. I'm a helpless cripple and I can't get a thing done for me. Have you given her your papers? Yes, or no?"
This was a bad fix. With all the persistence of the invalid, the man was harping on his latest whim.
So I lied. The Countess had my papers, I said.
Instantly he rang the bell and demanded Monica and had fretted himself into a fine state by the time she appeared.
"What's this I hear, Monica?" he cried in his high-pitched, querulous voice. "Hasn't Meyer been registered with the police yet?"
"I'm going to see to it myself in the morning, Gerry," she said.
"In the morning. In the morning!" he cried, throwing up his hands. "Good God, how can you be so shiftless? A law is a law. The man's papers must be sent in to-day ... this instant."
Monica looked appealingly at me.
"I'm afraid I'm to blame, sir," I said. "The fact is, my passport is not quite in order and I shall have to take it to the embassy before I send it to the police."
Then I saw Josef standing by the bed, a salver in his hand.
"Zom letters, sir," he said to Gerry. I wondered how long he had been in the room.
Gerry waved the letters aside and burst into a regular screaming fit. He wouldn't have things done that way in the house; he wouldn't have unknown foreigners brought in, with the city thick with spies—especially people with an English accent—his nerves wouldn't stand it: Monica ought to know better, and so on and so forth. The long and the short of it was that I was ordered to produce my passport immediately. Monica was to ring up the embassy to ask them to stretch a point and see to it out of office hours, then Josef should take me round to the police.
I don't know how we got out of that room. It was Monica, with her sweet womanly tact, who managed it. I believe the madman even demanded to see my passport, but Monica scraped me through that trap as well.
I had left my hat and coat in the entrance hall downstairs. I put on my coat, then went to Monica in the morning-room.
There was much she wanted to say—I could see it in her eyes—but I think she gathered from my face what I was going to do, so she said nothing.
At the door I said aloud, for the benefit of Josef, who was on the stairs:
"Very good, my lady. I will come straight back from the embassy and then go with Josef to the police."
The next moment I was adrift in Berlin.
CHAPTER XIII I FIND ACHILLES IN HIS TENTOutside darkness had fallen. I had a vague suspicion that the house might be watched, but I found the Bendler-Strasse quite undisturbed. It ran its quiet, aristocratic length to the tangle of bare branches marking the Tiergarten-Strasse with not so much as a dog to strike terror into the heart of the amateur spy. Even in the Tiergarten-Strasse, where the Jewish millionaires live, there was little traffic and few people about, and I felt singularly unromantic as I walked briskly along the clean pavements towards Unter den Linden.
Once more the original object of my journey into Germany stood clearly before me. An extraordinary series of adventures had deflected me from my course, but never from my purpose. I realized that I should never feel happy in my mind again if I left Germany without being assured as to my brother's fate. And now I was on the threshold either of a great discovery or of an overwhelming disappointment.
For the street called In den Zelten was my next objective. I knew I might be on the wrong track altogether in my interpretation of what I was pleased to term in my mind the message from Francis. If I had read it falsely—if, perhaps, it were not from him at all—then all the hopes I had built on this mad dash into the enemy's country would collapse like a house of cards. Then, indeed, I should be in a sorry pass.
But my luck was in, I felt. Hitherto, I had triumphed over all difficulties. I would trust in my destiny to the last.
I had taken the precaution of turning up my overcoat collar and of pulling my hat well down over my eyes, but no one troubled me. I reflected that only Clubfoot and Schmalz were in a position to recognize me and that, if I steered clear of places like hotels and restaurants and railway stations, where criminals always seem to be caught, I might continue to enjoy comparative immunity. But the trouble was the passport question. That reminded me.
I must get rid of Semlin's passport. As I walked along I tore it into tiny pieces, dropping each fragment at a good interval from the other. It cost me something to do it, for a passport is always useful to flash in the eyes of the ignorant. But this passport was dangerous. It might denounce me to a man who would not otherwise recognize me.
I had some difficulty in finding In den Zelten. I had to ask the way, once of a postman and once of a wounded soldier who was limping along with crutches. Finally, I found it, a narrowish street running off a corner of the great square in front of the Reichstag. No. 2 was the second house on the right.
I had no plan. Nevertheless, I walked boldly upstairs. There was but one flat on each floor. At the third story I halted, rather out of breath, in front of a door with a small brass plate inscribed with the name "Eugen Kore." I rang the bell boldly.
An elderly man-servant opened the door.
"Is Herr Eugen Kore at home?" I asked.
The man looked at me suspiciously.
"Has the gentleman an appointment?" he said.
"No," I replied.
"Then the Herr will not receive the gentleman," came the answer, and the man made as though to close the door.
I had an inspiration.
"A moment!" I cried, and I added the word "Achilles" in a low voice.
The servant opened the door wide to me.
"Why didn't you say that at once?" he said. "Please step in. I will see if the Herr can receive you."
He led the way through a hall into a sitting-room and left me there. The place was a perfect museum of art treasures, old Dutch and Italian masters on the walls, some splendid Florentine chests, a fine old dresser loaded with ancient pewter. On a mantelshelf was an extraordinary collection of old keys, each with its label. "Key of the fortress of Spandau, 1715." "Key of the Postern Gate of the Pasha's Palace at Belgrade, 1810," "House Key from Nuremberg, 1567," were some of the descriptions I read.
Then a voice behind me said:
"Ah! you admire my little treasures!"
Turning, I saw a short, stout man, of a marked Jewish appearance, with a bald head, a fat nose, little beady eyes and a large waist.
"Eugen Kore!" he introduced himself with a bow.
"Meyer!" I replied, in the German fashion.
"And what can we do for Herr ... Meyer?" he asked in oily tones, pausing just long enough before he pronounced the name I gave to let me see that he believed it to be a pseudonym.
"I believe you know a friend of mine, whose address I am anxious to find," I said.
"Ah!" sighed the little Jew, "a man of affairs like myself meets so many people that he may be pardoned.... What did you say his name was, this friend of yours?"
I thought I would try the effect of the name "Eichenholz" upon this enigmatic creature.
"Eichenholz? Eichenholz?" Kore repeated.
"I seem to know the name ... it seems familiar ... now let me see again.... Eichenholz, Eichenholz. ..."
While he was speaking he unlocked one of the oak cabinets and a safe came to view. Opening this, he brought out a ledger and ran his finger down the names. Then he shut the book, replaced it, locked the safe and the cabinet, and turned to me again.
"Yes," he said, "I know the name."
His reticence was disconcerting.
"Can you tell me where I can find him?" I asked.
"Yes," was the reply.
I was getting a trifle nettled.
"Well, where?" I queried.
"This is all very well, young Sir," said the Jew. "You come in here from nowhere, you introduce yourself as Meyer; you ask me 'Who?' and 'What?' and 'Where?'—questions that, mark you, in my business, may have valuable answers. We private enquiry agents must live, my dear sir, we must eat and drink like other men, and these are hard times, very hard times. I will ask you a question if I may. Meyer? Who is Meyer? Everybody in this country is called Meyer!"
I smiled at this bizarre speech.
"This Eichenholz, now," I said, "... supposing he were my brother."
"He might congratulate himself," Kore said, blinking his little lizard eyes.
"And he sent me word to call and see you to find out his whereabouts. You seem to like riddles, Herr Kore.... I will read you one!"
And I read him the message from Francis ... all but the first two lines.
The little Jew beamed with delight.
"Ach! that is bright!" he cried, "oi, oi, oi, but he is smart, this Herr Eichenholz! Who'd have thought of that? Brilliant, brilliant!"
"As you say, Herr Kore, enquiry agents must live, and I am quite prepared to pay for the information I require...."
I pulled out my portfolio as I spoke.
"The matter is quite simple," Kore replied. "It is already arranged. The charge is five hundred marks. My client said to me the last time I saw him, 'Kore,' he said, 'if one should come asking news of me you will give him the word and he will pay you five hundred marks.'"
"The word?" I said.
"The word," he repeated.
"You must take Dutch money," I said. "Here you
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