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Thriller is a genre in literature. Thriller completely independent genre. Books of this genre are available now for your attention. We add new Thriller books to our e-library every day every day. Always interesting and instructive to read using our elibrary.
Only occasionally does a rather skillfully tailored product come off this “conveyor line” that really has any merit in order to stand out from the basically homogeneous literary mass. Our electronic library is full of thriller highlights.
“Thriller” is a modern term.
This genre is classified by causing a sudden outburst of emotion in the reader.
Thriller elements are present in many works of different genres. Thriller mix of fantasy and detective. Of course, reading thriller novels of high quality in terms of content and form of presentation is a very useful, informative and even, in some cases, instructive activity. However, the reader must understand in advance that sometimes a detailed description of many bloody fights, shootings and martial arts, the suffering of numerous victims, all kinds of confrontations can cause him a kind of rejection from further reading works of this genre of literature.


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Reading books RomanceReading books romantic stories you will plunge into the world of feelings and love. Most of the time the story ends happily. Very interesting and informative to read books historical romance novels to feel the atmosphere of that time.
In this genre the characters can be both real historical figures and the author's imagination. Thanks to such historical romantic novels, you can see another era through the eyes of eyewitnesses.
Critics will say that romance is too predictable. That if you know how it ends, there’s no point in reading it. Sorry, but no. It’s okay to choose between genres to get what you need from your books. But in romance the happy ending is a feature.It’s so romantic to describe the scene when you have found your True Love like in “fairytale love story.”



Reading thrillers facilitates to the formation of a person's sense of danger and makes him avoid such situations in every possible way in real life. At the same time, the reader can use the example of books to form his own line of behavior in real situations. Thrillers contribute to the development of the sixth sense - intuition. The reader will definitely remember the heroes of thrillers, because they operate in extreme circumstances and must include all means for survival. Filmmakers are always on the lookout for new releases in thriller. Scripts are created every day, that are even more sophisticated and dynamic. Based on these scenarios, new films will be screened, that attract tens of thousands of fans thriller genre. Therefore, each reader will be interested in how it was possible to embody the complexity of the plot on the screen, which is described in the original book. The great success of thrillers on the screen, the basis will still be a book.



You may also be interested in books of the MYSTERY & CRIME or HORROR genre


Read books online » Thriller » The Mad King by Edgar Rice Burroughs (short novels in english .txt) 📖

Book online «The Mad King by Edgar Rice Burroughs (short novels in english .txt) 📖». Author Edgar Rice Burroughs



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realization, so sudden that it almost took his breath away, that the girl was very beautiful and very much to be desired. He had not thought about the matter until her utter im-possibility was forced upon him.

It was decided that Joseph should leave the king’s apartment at once and discover in what part of the castle Emma von der Tann was imprisoned. Their further plans were to depend upon the information gained by the old man during his tour of investigation of the castle.

In the interval of his absence Barney paced the length of his prison time and time again. He thought the fellow would never return. Perhaps he had been detected in the act of spying, and was himself a prisoner in some other part of the castle! The thought came to Barney like a blow in the face, for he realized that then he would be entirely at the mercy of his captors, and that there would be none to champion the cause of the Princess von der Tann.

When his nervous tension had about reached the breaking point there came a sound of stealthy movement just outside the door of his room. Barney halted close to the massive panels. He heard a key fitted quietly and then the lock grated as it turned.

Barney thought that they had surely detected Joseph’s duplicity and had come to make short work of the king before other traitors arose in their midst entirely to frustrate their plans. The young American stepped to the wall behind the door that he might be out of sight of whoever entered. Should it prove other than Joseph, might the Lord help them! The clenched fists, square-set chin, and gleaming gray eyes of the prisoner presaged no good for any incoming en-emy.

Slowly the door swung open and a man entered the room. Barney breathed a deep sigh of relief—it was Joseph.

“Well?” cried the young man from behind him, and Joseph started as though Peter of Blentz himself had laid an accusing finger upon his shoulder. “What news?”

“Your majesty,” gasped Joseph, “how you did startle me! I found the apartments of the princess, sire. There is a bare chance that we may succeed in rescuing her, but a very bare one, indeed.

“We must traverse a main corridor of the castle to reach her suite, and then return by the same way. It will be a miracle if we are not discovered; but the worst of it is that next to her apartments, and between them and your majesty’s, are the apartments of Captain Maenck.

“He is sure to be there and officers and servants may be coming and going throughout the entire night, for the man is a convivial fellow, sitting at cards and drink until sunrise nearly every day.”

“And when we have brought the princess in safety to my quarters,” asked Barney, “what then? How shall we conduct her from the castle? You have not told me that as yet.”

The old man explained then the plan of escape. It seemed that one of the two huge tile panels that flanked the fireplace on either side was in reality a door hiding the entrance to a shaft that rose from the vaults beneath the castle to the roof. At each floor there was a similar secret door concealing the mouth of the passage. From the vaults a corridor led through another secret panel to the tunnel that wound downward to the cave in the hillside.

“Beyond that we shall find horses, your majesty,” concluded the old man. “They have been hidden in the woods since I came to Blentz. Each day I go there to water and feed them.”

During the servant’s explanation Barney had been casting about in his mind for some means of rescuing the princess without so great risk of detection, and as the plan of the secret passageway became clear to him he thought that he saw a way to accomplish the thing with comparative safety in so far as detection was concerned.

“Who occupies the floor above us, Joseph?” he asked.

“It is vacant,” replied the old man.

“Good! Come, show me the entrance to the shaft,” directed Barney.

“You will go without attempting to succor the Princess Emma?” exclaimed the old fellow in ill-concealed chagrin.

“Far from it,” replied Barney. “Bring your rope and the swords. I think we are going to find the rescuing of the Princess Emma the easiest part of our adventure.”

The old man shook his head, but went to another room of the suite, from which he presently emerged with a stout rope about fifty feet in length and two swords. As he buckled one of the weapons to Barney his eyes fell upon the American’s seal ring that encircled the third finger of his left hand.

“The Royal Ring of Lutha!” exclaimed Joseph. “Where is it, your majesty? What has become of the Royal Ring of the Kings of Lutha?”

“I’m sure I don’t know, Joseph,” replied the young man. “Should I be wearing a royal ring?”

“The profaning miscreants!” cried Joseph. “They have dared to filch from you the great ring that has been handed down from king to king for three hundred years. When did they take it from you?”

“I have never seen it, Joseph,” replied the young man, “and possibly this fact may assure you where all else has failed that I am no true king of Lutha, after all.”

“Ah, no, your majesty,” replied the old servitor; “it but makes assurance doubly sure as to your true identity, for the fact that you have not the ring is positive proof that you are king and that they have sought to hide the fact by removing the insignia of your divine right to rule in Lutha.”

Barney could not but smile at the old fellow’s remarkable logic. He saw that nothing short of a miracle would ever convince Joseph that he was not the real monarch, and so, as matters of greater importance were to the fore, he would have allowed the subject to drop had not the man attempted to recall to the impoverished memory of his king a recollection of the historic and venerated relic of the dead monarchs of Lutha.

“Do you not remember, sir,” he asked, “the great ruby that glared, blood-red from its center, and the four sets of golden wings that formed the setting? From the blood of Charlemagne was the ruby made, so history tells us, and the setting represented the protecting wings of the power of the kings of Lutha spread to the four points of the compass. Now your majesty must recall the royal ring, I am sure.”

Barney only shook his head, much to Joseph’s evident sorrow.

“Never mind the ring, Joseph,” said the young man. “Bring your rope and lead me to the floor above.”

“The floor above? But, your majesty, we cannot reach the vaults and tunnel by going upward!”

“You forget, Joseph, that we are going to fetch the Princess Emma first.”

“But she is not on the floor above us, sire; she is upon the same floor as we are,” insisted the old man, hesitating.

“Joseph, who do you think I am?” asked Barney.

“You are the king, my lord,” replied the old man.

“Then do as your king commands,” said the American sharply.

Joseph turned with dubious mutterings and approached the tiled panel at the left of the fireplace. Here he fumbled about for a moment until his fingers found the hidden catch that held the cunningly devised door in place. An instant later the panel swung inward before his touch, and standing to one side, the old fellow bowed low as he ushered Barney into the Stygian darkness of the space beyond their vision.

Joseph halted the young man just within the doorway, cautioning him against the danger of falling into the shaft, then he closed the panel, and a moment later had found the lantern he had hidden there and lighted it. The rays disclosed to the American the rough masonry of the interior of a narrow, well-built shaft. A rude ladder standing upon a narrow ledge beside him extended upward to lose itself in the shadows above. At its foot the top of another ladder was visible protruding through the opening from the floor beneath.

No sooner had Joseph’s lantern shown him the way than Barney was ascending the ladder toward the floor above. At the next landing he waited for the old man.

Joseph put out the light and placed the lantern where they could easily find it upon their return. Then he cautiously slipped the catch that held the panel in place and slowly opened the door until a narrow line of lesser darkness showed from without.

For a moment they stood in silence listening for any sound from the chamber beyond, but as nothing occurred to indicate that the apartment was occupied the old man opened the portal a trifle further, and finally far enough to permit his body to pass through. Barney followed him. They found themselves in a large, empty chamber, identical in size and shape with that which they had just quitted upon the floor below.

From this the two passed into the corridor beyond, and thence to the apartments at the far end of the wing, directly over those occupied by Emma von der Tann.

Barney hastened to a window overlooking the moat. By leaning far out he could see the light from the princess’s chamber shining upon the sill. He wished that the light was not there, for the window was in plain view of the guard on the lookout upon the barbican.

Suddenly he caught the sound of voices from the chamber beneath. For an instant he listened, and then, catching a few words of the dialogue, he turned hurriedly toward his companion.

“The rope, Joseph! And for God’s sake be quick about it.”

V THE ESCAPE

FOR HALF an hour the Princess von der Tann succeeded ad-mirably in immersing herself in the periodical, to the exclusion of her unhappy thoughts and the depressing influence of the austere countenance of the Blentz Princess hanging upon the wall behind her.

But presently she became unaccountably nervous. At the slightest sound from the palace-life on the floor below she would start up with a tremor of excitement. Once she heard footsteps in the corridor before her door, but they passed on, and she thought she discerned the click of a latch a short distance further on along the passageway.

Again she attempted to gather up the thread of the article she had been reading, but she was unsuccessful. A stealthy scratching brought her round quickly, staring in the direction of the great portrait. The girl would have sworn that she had heard a noise within her chamber. She shuddered at the thought that it might have come from that painted thing upon the wall.

What was the matter with her? Was she losing all control of herself to be frightened like a little child by ghostly noises?

She tried to return to her reading, but for the life of her she could not keep her eyes off the silent, painted woman who stared and stared and stared in cold, threatening silence upon this ancient enemy of her house.

Presently the girl’s eyes went wide in horror. She could feel the scalp upon her head contract with fright. Her terror-filled gaze was frozen upon that awful figure that loomed so large and sinister above her, for the thing had moved! She had seen it with her own eyes. There could be no mistake— no hallucination of overwrought nerves about it. The Blentz Princess was moving slowly toward her!

Like one in a trance the girl rose from her chair, her eyes glued upon the awful apparition that seemed creeping upon her. Slowly she withdrew toward the opposite

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