Foot-prints of Travel by Maturin Murray Ballou (buy e reader TXT) 📖

such universal neatness and cleanliness must extend even to the moral character of the people. A spirit of gentleness, industry, and thrift are observable everywhere, imparting an Arcadian atmosphere to these surroundings. In the houses which we enter there are found neither chairs, tables, nor bedsteads; the people sit, eat, and sleep upon the floors, which are as clean as a newly laid tablecloth.

Here and there upon the roadsides moss-grown shrines bearing sacred emblems are observed, before which women, but rarely men, are seen bending. The principal religions of Japan are Shinto and Buddhism, subdivided into many sects. The Shinto is mainly a form of hero worship, successful warriors being canonized as martyrs are in the Roman Catholic Church. Buddhism is another form of idolatry, borrowed originally from the Chinese. The language of the country is composed of the Chinese and Japanese combined. As we travel inland, places are pointed out to us where populous cities once stood, but where no ruins mark the spot. A dead and buried city in Europe or in Asia leaves rude but almost indestructible remains to mark where great communities once built temples and monuments, and lived and thrived, like those historic examples of mutability, Memphis, Paestum, Cumae, or Delhi; but not so in Japan. It seems strange indeed that a locality where half a million of people have made their homes within the period of a century, should now present the aspect only of fertile fields of grain. But when it is remembered of what fragile material the natives build their dwellings,--namely, of light, thin wood and paper,--their utter disappearance ceases to surprise us. It is a curious fact that this people, contemporary with Greece and Rome at their zenith, who have only reared cities of wood and temples of lacquer, have outlived the classic nations whose half-ruined monuments are our choicest models. The Greek and Latin races have passed away, but Japan still remains, without a change of dynasty and with an inviolate country.

In journeying inland we are struck with many peculiarities showing how entirely opposite to our own methods are many of theirs. At the post-stations the horses are placed and tied in their stalls with their heads to the passage-way, and their tails where we place their heads. Instead of iron shoes, the Japanese pony is shod with close-braided rice-straw. Carpenters, in using the fore-plane, draw it towards them instead of pushing it from them. It is the same in using a saw, the teeth being set accordingly. So the tailor sews from him, not towards his body, and holds his thread with his toes. The women ride astride, like the Hawaiians.

A trip of fifteen miles from Yokohama will take us to the town of Kamakura, where we find the remarkable idol of Dai-Butsu. This great Buddha image, composed of gold, silver, and copper, forms a bronze figure of nearly sixty feet in height, within which a hundred persons may stand together, the interior being fitted at the base as a small chapel. A vast number of little scraps of paper bearing Japanese characters, flutter from the interior walls of the big idol, fastened there by pious pilgrims, forming petitions to the presiding deity. As we enter, these scraps, agitated by the winds, rustle like an army of white bats. This sacred figure is as remarkable as the Sphinx, which presides so placidly at the feet of the great Pyramids. As a work of art, its only merits consist in the calm dignity of expression and repose upon its colossal features. It is many centuries old, and how such an enormous amount of bronze metal was ever cast, or how set up in such perfect shape when finished, no one can say. It must have been completed in sections and put together in the place where it stands, the joints being so perfectly welded as not to be obvious. It was formerly covered by a temple which has long since mouldered to dust, but it is certainly none the less effective and impressive, as it now sits surrounded by the natural scenery and the thick woods.

Japanese art, of which we have all seen such laughable specimens, is not without some claims to excellence; otherwise we should not have the myriads of beautifully ornamented articles which are produced by them, exhibiting exquisite finish and perfection of detail. Of perspective they have no idea whatever; the play of light and shade they do not understand; there is no distinction of distances in their pictures. Their figures are good, being also delicately executed, and their choice of colors is admirable. Thus in profile work they get on very well, but in grouping, they pile houses on the sea, and mountains on the houses. In caricature they greatly excel, and, indeed, they scarcely attempt to represent the human face and figure in any other light.

Tokio is the political capital of Japan, and is situated about twenty miles from Yokohama, containing over half a million of people. It has broad streets and good roadways, having adopted many American ideas of city customs and government. The Bridge of Japan is situated in this city, crossing the river which intersects the capital, and is here what the golden milestone was in the Forum at Rome--all distances in the Empire are measured from it. There are many elaborate temples within the city, containing rare bronzes of great value. Priests are constantly seen writing upon slips of paper, inside of the temples, at the request of devotees, which the suppliants pin upon the walls of the temple as a form of prayer. The renowned temple of Shiba is one of the greatest attractions to strangers in Tokio. Here lie buried most of the bygone Tycoons (sovereigns of Japan). The grounds are divided into many departments, tombs, shrines, and small temples. In the main temple there is an amount of gold, silver, and bronze ornaments of fabulous value, leading us to wonder where the raw material could have come from. History knows nothing of the importation of the precious metals, but it is true that they are found in more or less abundance all over the country. Copper of the purest quality is a native product, the exportation of which is prohibited, and mining for the precious metals is carried on to but a very limited extent. The temple of Shiba is situated near the centre of the population, occupying many acres of ground, walled in, and shaded by a thick grove of trees, whose branches are black with thousands of undisturbed rooks and pigeons which are considered sacred. The principal characteristic of the architecture is its boldness of relief, overhanging roofs, heavy brackets, and elaborate carvings. The doors are of solid bronze in bas-relief.

In the suburbs is a hill known as Atago-Yama, from whence there is a grand, comprehensive view of the capital. A couple of miles to the southeast lies the broad, glistening Bay of Tokio, and round the other points of the compass the imperial city itself covers a plain of some eight miles square, divided by water-ways, bridges, and clumps of graceful trees looming conspicuously above the low dwellings. The whole is as level as a checker-board; but yet there is relief to the picture in the fine open gardens, the high-peaked gable roofs of the temples, and the broad white roadways.

A visit to Kioto, which is called the City of Temples, shows us some prominent local peculiarities. The Japanese character presents as much unlikeness to the Oriental as to the European type, and is comparable only to itself. A native believes that the little caricature in ivory or wood which has, perhaps, been manufactured under his own eyes, or even by his own hands, is sacred, and he will address his prayers to it with a solemn conviction of its power to respond favorably. His most revered gods are effigies of renowned warriors and successful generals. African superstition is no blinder than is such adoration, though it be performed by an intelligent people. Some of the native animals, such as foxes, badgers, and snakes, are protected with superstitious reverence. Before one of the temples we see a theatrical performance in progress, which seems rather incongruous, but upon inquiry the object of this is found to be a desire to appease the special gods of this individual temple; in fact, to entertain and amuse them so that they will receive the prayers of the people with favor. The exhibition consists of dancing and posturing by professionals of both sexes, accompanied by the noise of whistles, gongs, bells, and fifes.

At Koby we embark for Nagasaki, sailing the whole length of the famous Inland Sea, a most enchanting three days' voyage among lovely islands, terraced and cultivated here and there like vineyards on the Rhine. The course is characterized by narrow and winding passages, losing themselves in creeks and bays after a most curious fashion, while brown hamlets here and there fringe the coast line. Nagasaki is in the extreme south of Japan, a city second only to Yokohama in commercial importance. A sad interest attaches to the small but lofty island of Pappenburg, which stands like a sentinel guarding the entrance to the harbor. It is the Tarpeian Rock of the far East. During the persecution of the Christians in the seventeenth century, the steep cliff which forms the seaward side of the island was an execution point, and from here men and women who declined to abjure their faith were cast headlong on the sea-washed rocks five hundred feet below. The harbor is surrounded by lofty elevations. Tall, dark pines and a verdant undergrowth mark the deep ravines and sloping hillsides, upon which European dwellings are seen overlooking the bay. If we climb the path among these hills we occasionally pass a Buddhist temple, and come upon many wild-flowers, shaded by oaks and camphor-trees of great size and beautiful foliage, with occasional specimens of the Japanese wax-tree. Still further up, the hills are covered with dark, moss-grown gravestones, bearing curious characters engraven upon them, and marking the sleeping-places of bygone generations. The unbroken quiet of this city of the dead contrasts vividly with the hum of busy life which comes up to us from the town with its population of a hundred thousand souls. As to the products of this locality, they are mostly figured porcelain, embroidered silks, japanned goods, ebony and tortoise-shell finely carved and manufactured into toy ornaments. Every small, low house has a shop in front quite open to the street; but small as these houses are, room is nearly always found in the rear or at the side for a little flower-garden, fifteen or twenty feet square, where dwarf trees flourish amid hillocks of turf and ferns, with here and there a tub of goldfish. Azaleas, laurels, and tiny clumps of bamboos, are the most common plants to be seen in these charming little spots of greenery.

Botanists declare Japan to be one of the richest of all countries in its vegetation. The cultivation of the soil is thoroughly and skilfully systematized, the greatest possible results being obtained from a given area of land. This is partly due to the careful mode of enrichment applied in liquid form. Its flora is spontaneous and magnificent, repaying the smallest attention by a development which is surprising. Next in importance to the production of rice, which is the staple food of the people, come the mulberry and tea plants, one species of the former not only feeding the silkworm, but it also affords the fibre of which Japanese paper is made, as well as forming the basis of their cordage and some descriptions of dress material. In usefulness the bamboo is most remarkable, growing to a height of sixty feet, and entering into the construction of house-frames, screens, many household articles, mats, pipes, and sails. The camphor-tree, which