'Drag' Harlan by Charles Alden Seltzer (top novels of all time .txt) 📖

The girl’s eyes seemed to leap at his praise.

“I never want to leave this place,” she said. “There is nothing like it. Those two mountains that you see far out into the west—where the sun is going down—are about forty miles distant. If you will notice, you can see that there are other mountains—much smaller—connected with them. They are two small ranges, and they melt into the plains there—and there.”

She pointed to the south and to the north, where the two ranges, seemingly extending straight westward, merged into the edge of the big level where Barbara and Harlan sat on their horses.

The two ranges were perhaps a dozen miles apart, separated by a low level valley through which ran a narrow river, its surface glowing like burnished gold in the rays of the sinking sun.

Gazing westward—straight into the glow—Harlan noted the virgin wildness of the immense valley. It lay, serene, slumberous; its salient features—ridges, low hills, rocky promontories and wooded slopes—touched by the rose tints that descended upon them; while in the depressions reigned purple shadows, soft-toned, blending perfectly with the brighter colors.

With the sunset glow upon it; with the bastioned hills—barren at their peaks, ridged and seamed—looming clear and definite above the vast expanse of green, the colossal valley stretched, with no movement in it or above it—in a vacuum-like stillness that might have reigned over the world on the dawn of creation’s first morning.

Harlan looked covertly at Barbara. The girl’s face was pale, and her eyes were glowing with a light that made him draw a long breath of sympathy and understanding. But it had been many years since he had felt the thrill of awe that she was experiencing at this minute.

He knew that presently the spell would pass, and that material things would exact their due. And the resulting contrast between the beauty of the picture upon which she was gazing, and the solemn realization of loss that memory would bring, instantly, would almost crush her.

Therefore he spoke seriously when he caught her looking at him.

“There’s sunsets an’ sunsets,” he said. “They tell me that they’re a heap common in some parts of the world. Wyoming, now—Wyoming prides herself on sunsets. An’ I’ve heard they have ’em in Italy, an’ France—an’ some more of them foreign places—where guys go to look at ’em. But it’s always seemed to me that there ain’t a heap of sense in gettin’ fussed up over a sunset. The sun has got his work to do; an’ he does it without any fussin’. An’ they tell me that it’s the same sun that sets in all them places I’ve been tellin’ you about.

“Well, it’s always been my idee that the sun ain’t got no compliments due him—he’ll set mighty beautiful—sometimes; an’ folks will get awed an’ thrilly over him. But the next day—if a man happens to be ridin’ in the desert, where there ain’t any water, he’ll cuss the sun pretty thorough—forgettin’ the nice things he said about it once.”

Barbara scowled at him.

“You haven’t a bit of poetry in your soul!” she charged. “I’m sorry we stopped to look at the valley or the sun—or anything. You don’t—you can’t appreciate the beautiful!”

He was silent as she urged Billy onward. And as they fled southwestward, with Purgatory far behind, Harlan swept his hat from his head and bowed toward the mighty valley, saying lowly:

“You’re sure a hummer—an’ no mistake. But if a man had any poetry in his soul—why——”

He rode on, gulping his delight over having accomplished what he had intended to accomplish.

“She’ll be givin’ it to me pretty regular; an’ she won’t have time for no solemn thoughts. They’ll come later, though, when she gets to the Rancho Seco.”

It was the lowing of cattle that at last brought to Harlan the conviction that they were near the Rancho Seco—that and the sight of the roofs of some buildings that presently came into view.

But they had been riding for half an hour before they came upon the cattle and buildings, and the flaming colors had faded into somber gray tones. The filmy dusk that precedes darkness was beginning to settle over the land; and into the atmosphere had come that solemn hush with which the wide, open places greet the night.

Barbara had no further word to say to Harlan until they reached a group of buildings that were scattered on a big level near a river. They had passed a long stretch of wire fence, which Harlan suspected, enclosed a section of land reserved for a pasture; and the girl brought her pony to a halt in front of an adobe building near a high rail fence.

“This is the Rancho Seco,” she said shortly. “This is the stable. Over there is the ranchhouse. Evidently the men are all away somewhere.”

She got off the pony, removed the saddle and bridle, carried them into the stable, came out again, and opened a gate in the fence, through which she sent “Billy.” Then she closed the gate and turned to Harlan, who had dismounted and was standing at Purgatory’s head.

“I thank you for what you have done for me,” she said, coldly. “And now, I should like to know just what you purpose to do—and why you have come.”

Harlan’s eyes narrowed as he returned her gaze. He remembered Lane Morgan’s words: “John Haydon is dead stuck on Barbara;” and he had wondered ever since the meeting in Lamo if Barbara returned Haydon’s affection, or if she trusted Haydon enough to confide in him.

Barbara’s attitude toward Haydon would affect Harlan’s attitude toward the girl. For if she loved Haydon, or trusted him enough to confide in him—or even to communicate with him concerning ordinary details, Harlan could not apprise her of the significance of his presence at the Rancho Seco.

For Haydon was unknown to Harlan and Harlan was not inclined to accept Morgan’s praise of him as conclusive evidence of the man’s worthiness. Besides, Morgan had qualified his instructions with: “Take a look at John Haydon, an’ if you think he’s on the level—an’ you want to drift on—turn things over to him.”

Harlan did not want to “drift on.” Into his heart since his meeting in Lamo with Barbara—and during the ride to the Rancho Seco—had grown a decided reluctance toward “drifting.” And not even the girl’s scorn could have forced him to leave her at the ranch, unprotected.

But he could not tell her why he could not go. Despite her protests he must remain—at least until he was able to determine the character of John Haydon.

A gleam of faint mockery came into his eyes as he looked at Barbara.

“I’m keepin’ my promise to your dad—I’m stayin’ at the Rancho Seco because he told me to stay. He wanted me to sort of look out that nothin’ happened to you. I reckon we’ll get along.”

The girl caught her breath sharply. In the growing darkness Harlan’s smile seemed to hold an evil significance; it seemed to express a thought that took into consideration the loneliness of the surroundings, the fact that she was alone, and that she was helpless. More—it seemed to be a presumptuous smile, insinuating, full of dire promise.

For Harlan was an outlaw—she could not forget that! He bore a reputation for evil that had made him feared wherever men congregated; and as she watched him it seemed to her that his face betrayed signs of his ruthlessness, his recklessness, and his readiness for violence of every kind.

He might not have killed her father—Rogers and Lawson had acquitted him of that. But he might be lying about the promise to her father merely for the purpose of providing an excuse to come to the Rancho Seco. It seemed to her that if her father had really exacted a promise from him he would have written to her, or sent her some token to prove the genuineness of it. There was no visible evidence of Harlan’s truthfulness.

“Do you mean to say you are going to stay here—indefinitely?” she demanded, her voice a little hoarse from the fright that was stealing over her.

He smiled at her. “You’ve hit it about right, ma’am.”

“I don’t want you to stay here!” she declared, angrily.

“I’m stayin’, ma’am.” His smile faded, and his eyes became serious—earnest.

“Later on—when things shape themselves up—I’ll tell you why I’m stayin’. But just now——”

She shrank from him, incredulous, a growing fear plain in her eyes. And before he could finish what he intended to say she had wheeled, and was running toward the ranchhouse.

He watched until she vanished through an open doorway; he heard the door slam, and caught the sound of bars being hurriedly dropped into place. And after that he stood for a time watching the house. No light came from within, and no other sound.

He frowned slightly, drawing a mental picture of the girl inside, yielding to the terror that had seized her. Then after a while he walked down along the corral fence until he came to another building—a bunkhouse. And for a long time he stood in the doorway of the building, watching the ranchhouse, afflicted with grim sympathy.

“It ain’t so damn’ cheerful, at that,” he mused. “I reckon she thinks she’s landed into trouble with both feet—with her dad cashin’ in like he did, an’ Deveny after her. It sure must be pretty hard to consider all them things. An’ on top of that I mosey along, with a reputation as a no-good son-of-a-gun, an’ scare the wits out of her with my homely mug. An’ I can’t tell her why she hadn’t ought to be scared. I call that mighty mean.”