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here. Steady, Goldie! Dear me, this horse does detest standing still!”

“I fancy he is anxious to get down with the others. Let me hold him for you. Whoa, there!” He put a hand upon the bridle, a familiarity Goldie resented. He snorted and dodged backward, to the ruin of the picture Beatrice was endeavoring to get.

“Now you've frightened him. Whoa, pet! It's of no use to try; he won't stand.”

“Let me have your camera. He's getting rather an ugly temper, I think.” Sir Redmond put out his hand again, and again Goldie dodged backward.

“I can do better alone, Sir Redmond.” The cheeks of Beatrice were red. She managed to hold the horse in until her kodak was put safely in its case, but her temper, as well as Goldie's, was roughened. She hated spoiling a film, which she was perfectly sure she had done.

Goldie felt the sting of her whip when she brought him back into the road, and, from merely fretting, he took to plunging angrily. Then, when Beatrice pulled him up sharply, he thrust out his nose, grabbed the bit in his teeth, and bolted down the hill, past all control.

“Good God, hold him!” shouted Sir Redmond, putting his horse to a run.

The advice was good, and Beatrice heard it plainly enough, but she neither answered nor looked back. How, she thought, resentfully, was one to hold a yellow streak of rage, with legs like wire springs and a neck of iron? Besides, she was angrily alive to the fact that Keith Cameron, watching down below, was having his revenge. She wondered if he was enjoying it.

He was not. Goldie, when he ran, ran blindly in a straight line, and Keith knew it. He also knew that the Englishman couldn't keep within gunshot of Goldie, with the mount he had, and half a mile away—Keith shut his teeth hard together, and went out to meet her. Redcloud lay along the ground in great leaps, but Keith, bending low over his neck, urged him faster and faster, until the horse, his ears laid close against his neck, did the best there was in him. From the tail of his eye, Keith saw Sir Redmond's horse go down upon his knees, and get up limping—and the sight filled him with ungenerous gladness; Sir Redmond was out of the race. It was Keith and Redcloud—they two; and Keith could smile over it.

He saw Beatrice's hat loosen and lift in front, flop uncertainly, and then go sailing away into the sage-brush, and he noted where it fell, that he might find it, later. Then he was close enough to see her face, and wondered that there was so little fear written there. Beatrice was plucky, and she rode well, her weight upon the bit; but her weight was nothing to the clinched teeth of the horse; and, though she had known it from the start, she was scarcely frightened. There was a good deal of the daredevil in Beatrice; she trusted a great deal to blind luck.

Just there the land was level, and she hoped to check him on the slope of the hill before them. She did not know it was moated like a castle, with a washout ten feet deep and twice that in width, and that what looked to her quite easy was utterly impossible.

Keith gained, every leap. In a moment he was close behind.

“Take your foot out of the stirrup,” he commanded, harshly, and though Beatrice wondered why, something in his voice made her obey.

Now Redcloud's nose was even with her elbow; the breath from his wide-flaring nostrils rose hotly in her face. Another bound, and he had forged ahead, neck and neck with Goldie, and it was Keith by her side, keen-eyed and calm.

“Let go all hold,” he said. Reaching suddenly, he caught her around the waist and pulled her from the saddle, just as Redcloud, scenting danger, plowed his front feet deeply into the loose soil and stopped dead still.

It was neatly done, and quickly; so quickly that before Beatrice had more than gasped her surprise, Keith lowered her to the ground and slid out of the saddle. Beatrice looked at him, and wondered at his face, and at the way he was shaking. He leaned weakly against the horse and hid his face on his arm, and trembled at what had come so close to the girl—the girl, who stood there panting a little, with her wonderful, waving hair cloaking her almost to her knees, and her blue-brown eyes wide and bright, and full of a deep amazement. She forgot Goldie, and did not even look to see what had become of him; she forgot nearly everything, just then, in wonder at this tall, clean-built young fellow, who never had seemed to care what happened, leaning there with his face hidden, his hat far hack on his head and little drops standing thickly upon his forehead. She waited a moment, and when he did not move, her thoughts drifted to other things.

“I wonder,” she said abstractedly, “if I broke my kodak.”

Keith lifted his head and looked at her. “Your kodak—good Lord!” He looked hard into her eyes, and she returned the stare.

“Come here,” he commanded, hoarsely, catching her arm. “Your kodak! Look down there!” He led her to the brink, which was close enough to set him shuddering anew. “Look! There's Goldie, damn him! It's a wonder he's on his feet; I thought he'd be dead—and serve him right. And you—you wonder if you broke your kodak!”

Beatrice drew back from him, and from the sight below, and if she were frightened, she tried not to let him see. “Should I have fainted?” She was proud of the steadiness of her voice. “Really, I am very much obliged to you, Mr. Cameron, for saving me from an ugly fall. You did it very neatly, I imagine, and I am grateful. Still, I really hope I didn't break my kodak. Are you very disappointed because I can't faint away? There doesn't seem to be any brook close by, you see—and I haven't my er—lover's arms to fall into. Those are the regulation stage settings, I believe, and—”

“Don't worry, Miss Lansell. I didn't expect you to faint, or to show any human feelings whatever. I do pity your horse, though.”

“You didn't a minute ago,” she reminded him. “You indulged in a bit of profanity, if I remember.”

“For which I beg Goldie's pardon,” he retorted, his eyes unsmiling.

“And mine, I hope.”

“Certainly.”

“I think it's rather absurd to stand here sparring, Mr. Cameron. You'll begin to accuse me of ingratitude, and I'm as grateful as possible for what you did. Sir Redmond's horse was too slow to keep up, or he would have been at hand, no doubt.”

“And could have supplied part of the stage setting. Too bad he was behind.” Keith turned and readjusted the cinch on his saddle, though it was not loose enough to matter, and before he had finished Sir Redmond rode up.

“Are you hurt, Beatrice?” His face was pale, and his eyes anxious.

“Not at all. Mr. Cameron kindly helped me from the saddle in time to prevent an accident. I wish you'd thank him, Sir Redmond. I haven't the words.”

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