Desert Conquest by A. M. Chisholm (top e book reader .TXT) 📖
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"What a shame! We'll see that it doesn't occur again. Which opens an interesting question: When are you going to marry me?"
"Why—I hadn't thought. I suppose we should think of it."
"Well, it's usual, under the circumstances."
"Next June? I think I should like to be a June bride."
"See here, young lady," said Casey severely, "what sort of a gold brick is this? Are you aware that we are in the fag end of July?"
"It's really not a long engagement. A year soon passes."
"And the years soon pass. I'm not going to be defrauded of a year's happiness. I'll stand for any time in September, but not a day later."
"September! But, my dearest boy, that's only a few weeks."
"That's why I said September."
She laughed happily. "Very well, September. But I'll have a thousand things to do. I'll have to go back with Uncle Jim."
"What's the use? Stay here. Kitty Wade will stay, too. I'll coax her."
"But I've all sorts of things to buy?"
"Order 'em by mail."
"My trousseau by mail!" she exclaimed, in horror. "It would be sacrilege."
"Oh, well, suit yourself," said Casey, with a sigh of resignation. "Thank the Lord it only happens once."
She laughed. "And then there's our honeymoon to plan. Where shall we spend it?"
"It's up to you. Wherever you say."
"You've never been to Europe?"
"No. But I'd rather do my honeymooning where I can ask for what I want with some chance of getting it."
"But I speak French, German, and Italian—not fluently, but well enough to get along on."
"And I talk United States, Chinook, and some Cree—we ought to get along almost anywhere," he laughed. "Let's leave this Europe business open. Now here's a really serious question: When our honeymoon is over—what?"
"I don't understand."
"Where shall we live? I can sell out here, if you like."
"But you wouldn't like?"
"I'd hate to," he admitted.
"I know. So should I. We'll live here, at Chakchak. It shall be our home."
"Would you be contented? It's lonely at times. The winters are long. You'd miss your friends and your old life."
"I ran away from both. I love your country because it's yours. It shall be mine, too. Look!" Away in the distance a tiny point of light twinkled. "There are the lights of Chakchak—our home lights, dear!"
Her hand sought his in the darkness, met, and clasped it. A star shot in a blazing trail across the velvet blackness of the sky. The first breath of the night breeze, cold from the mountain passes, brushed their cheeks. Save for the distant light the world was dark, the land lonely, silent, devoid of life. The great spaces enfolded them, wrapped them in silence as in a vast robe. But the old, sweet song was in their hearts as they rode slowly forward—to the Light!
STORIES OF RARE CHARM BY
GENE STRATTON-PORTER
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Front cover of Laddie
LADDIE. Illustrated by Herman Pfeifer.
This is a bright, cheery tale with the scenes laid in Indiana. The story is told by Little Sister, the youngest member of a large family, but it is concerned not so much with childish doings as with the love affairs of older members of the family. Chief among them is that of Laddie, the older brother whom Little Sister adores, and the Princess, an English girl who has come to live in the neighborhood and about whose family there hangs a mystery. There is a wedding midway in the book and a double wedding at the close.
THE HARVESTER. Illustrated by W. L. Jacobs.
"The Harvester," David Langston, is a man of the woods and fields, who draws his living from the prodigal hand of Mother Nature herself. If the book had nothing in it but the splendid figure of this man it would be notable. But when the Girl comes to his "Medicine Woods," and the Harvester's whole being realizes that this is the highest point of life which has come to him—there begins a romance of the rarest idyllic quality.
FRECKLES. Decorations by E. Stetson Crawford.
Freckles is a nameless waif when the tale opens, but the way in which he takes hold of life; the nature friendships he forms in the great Limberlost Swamp; the manner in which everyone who meets him succumbs to the charm of his engaging personality; and his love-story with "The Angel" are full of real sentiment.
A GIRL OF THE LIMBERLOST. Illustrated by Wladyslaw T. Brenda.
The story of a girl of the Michigan woods; a buoyant, lovable type of the self-reliant American. Her philosophy is one of love and kindness towards all things; her hope is never dimmed. And by the sheer beauty of her soul, and the purity of her vision, she wins from barren and unpromising surroundings those rewards of high courage.
AT THE FOOT OF THE RAINBOW. Illustrations in colors by Oliver Kemp.
The scene of this charming love story is laid in Central Indiana. The story is one of devoted friendship, and tender self-sacrificing love. The novel is brimful of the most beautiful word painting of nature, and its pathos and tender sentiment will endear it to all.
Grosset & Dunlap, Publishers, New York
MYRTLE REED'S NOVELS
May be had wherever books are sold. Ask for Grosset & Dunlap's list
Front cover of L Lavender and Old Lace
LAVENDER AND OLD LACE.
A charming story of a quaint corner of New England where bygone romance finds a modern parallel. The story centers round the coming of love to the young people on the staff of a newspaper—and it is one of the prettiest, sweetest and quaintest of old fashioned love stories, * * * a rare book, exquisite in spirit and conception, full of delicate fancy, of tenderness, of delightful humor and spontaneity.
A SPINNER IN THE SUN.
Miss Myrtle Reed may always be depended upon to write a story in which poetry, charm, tenderness and humor are combined into a clever and entertaining book. Her characters are delightful and she always displays a quaint humor of expression and a quiet feeling of pathos which give a touch of active realism to all her writings. In "A Spinner in the Sun" she tells an old-fashioned love story, of a veiled lady who lives in solitude and whose features her neighbors have never seen. There is a mystery at the heart of the book that throws over it the glamour of romance.
THE MASTER'S VIOLIN.
A love story in a musical atmosphere. A picturesque, old German virtuoso is the reverent possessor of a genuine "Cremona." He consents to take for his pupil a handsome youth who proves to have an aptitude for technique, but not the soul of an artist. The youth has led the happy, careless life of a modern, well-to-do young American and he cannot, with his meagre past, express the love, the passion and the tragedies of life and all its happy phases as can the master who has lived life in all its fulness. But a girl comes into his life—a beautiful bit of human driftwood that his aunt had taken into her heart and home, and through his passionate love for her, he learns the lessons that life has to give—and his soul awakes.
Founded on a fact that all artists realize.
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Grosset & Dunlap, 526 West 26th St., New York
AMELIA E. BARR'S STORIES
DELIGHTFUL TALES OF OLD NEW YORK
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THE BOW OF ORANGE RIBBON. With Frontispiece.
This exquisite little romance opens in New York City in "the tender grace" of a May day long past, when the old Dutch families clustered around Bowling Green. It is the beginning of the romance of Katherine, a young Dutch girl who has sent, as a love token, to a young English officer, the bow of orange ribbon which she has worn for years as a sacred emblem on the day of St. Nicholas. After the bow of ribbon Katherine's heart soon flies. Unlike her sister, whose heart has found a safe resting place among her own people, Katherine's heart must rove from home—must know to the utmost all that life holds of both joy and sorrow. And so she goes beyond the seas, leaving her parents as desolate as were Isaac and Rebecca of old.
THE MAID OF MAIDEN LANE; A Love Story. With Illustrations by S. M. Arthur.
A sequel to "The Bow of Orange Ribbon." The time is the gracious days of Seventeen-hundred and ninety-one, when "The Marseillaise" was sung with the American national airs, and the spirit affected commerce, politics and conversation. In the midst of this period the romance of "The Sweetest Maid in Maiden Lane" unfolds. Its chief charm lies in its historic and local color.
SHEILA VEDDER. Frontispiece in colors by Harrison Fisher.
A love story set in the Shetland Islands.
Among the simple, homely folk who dwelt there Jan Vedder was raised; and to this island came lovely Sheila Jarrow. Jan knew, when first he beheld her, that she was the one woman in all the world for him, and to the winning of her love he set himself. The long days of summer by the sea, the nights under the marvelously soft radiance of Shetland moonlight passed in love-making, while with wonderment the man and woman, alien in traditions, adjusted themselves to each other. And the day came when Jan and Sheila wed, and then a sweeter love story is told.
TRINITY BELLS. With eight Illustrations by C. M. Relyea.
The story centers around the life of little Katryntje Van Clyffe, who, on her return home from a fashionable boarding school, faces poverty and heartache. Stout of heart, she does not permit herself to become discouraged even at the news of the loss of her father and his ship "The Golden Victory." The story of Katryntje's life was interwoven with the music of the Trinity Bells which eventually heralded her wedding day.
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Grosset & Dunlap, 526 West 26th St., New York
CHARMING BOOKS FOR GIRLS
May be had wherever books are sold. Ask for Grosset & Dunlap's list
WHEN PATTY WENT TO COLLEGE, By Jean Webster. Illustrated by C. D. Williams.
One of the best stories of life in a girl's college that has ever been written. It is bright, whimsical and entertaining, lifelike, laughable and thoroughly human.
JUST PATTY, By Jean Webster. Illustrated by C. M. Relyea.
Patty is full of the joy of living, fun-loving, given to ingenious mischief for its own sake, with a disregard for petty convention which is an unfailing source of joy to her fellows.
THE POOR LITTLE RICH GIRL, By Eleanor Gates. With four full page illustrations.
This story relates the experience of one of those unfortunate children whose early days are passed in the companionship of a governess, seldom seeing either parent, and famishing for natural love and tenderness. A charming play as dramatized by the author.
REBECCA OF SUNNYBROOK FARM, By Kate Douglas Wiggin.
One of the most beautiful studies of childhood—Rebecca's artistic, unusual and quaintly charming qualities stand out midst a circle of austere New Englanders. The stage version is making a phenomenal dramatic record.
NEW CHRONICLES OF REBECCA, By Kate Douglas Wiggin. Illustrated by F. C. Yohn.
Additional episodes in the girlhood of this delightful heroine that carry Rebecca through various stages to her eighteenth birthday.
REBECCA MARY, By Annie Hamilton Donnell. Illustrated by Elizabeth Shippen Green.
This author possesses the rare gift of portraying all the grotesque little joys and sorrows and scruples of this very small girl with a pathos that is peculiarly genuine and appealing.
EMMY LOU: Her Book and Heart,
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