author - "Carl Richard Jacobi"
our eighth landing, all that passed. For R-14 was old again, older than any of the others.
And then, on October sixteenth, Mason opened the door of the locked cabin. It happened quite by accident. One of the arelium-thaxide conduits broke in the Marie Galante's central passageway, and the resulting explosion grounded the central feed line of the instrument equipment. In a trice the passageway was a sheet of flame, rapidly filling with smoke from burning insulation.
Norris, of course, was in the bridge cuddy with locked doors between us and him, and now with the wiring burned through there was no way of signalling him he was wanted for an emergency. In his absence Mason took command.
That passageway ran the full length of the ship. Midway down it was the door leading to the women's lounge. The explosion had jammed that door shut, and smoke was pouring forth from under the sill. All at once one of the women rushed forward to announce hysterically that Mason's wife, Estell
shadows. As if there might be a fog. But no fog, however, thick, could hide the apple tree that grew close against the house.
But the tree was there ... shadowy, indistinct in the gray, with a few withered apples still clinging to its boughs, a few shriveled leaves reluctant to leave the parent branch.
The tree was there now. But it hadn't been when he first had looked. Mr. Chambers was sure of that.
* * * * *
And now he saw the faint outlines of his neighbor's house ... but those outlines were all wrong. They didn't jibe and fit together ... they were out of plumb. As if some giant hand had grasped the house and wrenched it out of true. Like the house he had seen across the street the night before, the house that had painfully righted itself when he thought of how it should look.
Perhaps if he thought of how his neighbor's house should look, it too might right itself. But Mr. Chambers was very weary. Too weary to think about the house.
He turned from the window and
our eighth landing, all that passed. For R-14 was old again, older than any of the others.
And then, on October sixteenth, Mason opened the door of the locked cabin. It happened quite by accident. One of the arelium-thaxide conduits broke in the Marie Galante's central passageway, and the resulting explosion grounded the central feed line of the instrument equipment. In a trice the passageway was a sheet of flame, rapidly filling with smoke from burning insulation.
Norris, of course, was in the bridge cuddy with locked doors between us and him, and now with the wiring burned through there was no way of signalling him he was wanted for an emergency. In his absence Mason took command.
That passageway ran the full length of the ship. Midway down it was the door leading to the women's lounge. The explosion had jammed that door shut, and smoke was pouring forth from under the sill. All at once one of the women rushed forward to announce hysterically that Mason's wife, Estell
shadows. As if there might be a fog. But no fog, however, thick, could hide the apple tree that grew close against the house.
But the tree was there ... shadowy, indistinct in the gray, with a few withered apples still clinging to its boughs, a few shriveled leaves reluctant to leave the parent branch.
The tree was there now. But it hadn't been when he first had looked. Mr. Chambers was sure of that.
* * * * *
And now he saw the faint outlines of his neighbor's house ... but those outlines were all wrong. They didn't jibe and fit together ... they were out of plumb. As if some giant hand had grasped the house and wrenched it out of true. Like the house he had seen across the street the night before, the house that had painfully righted itself when he thought of how it should look.
Perhaps if he thought of how his neighbor's house should look, it too might right itself. But Mr. Chambers was very weary. Too weary to think about the house.
He turned from the window and