author - "Dashiell Hammett"
e building, divided into apartments or flats of a dismal and dingy sort. We found the landlady in the basement: a gaunt woman in soiled gray, with a hard, thin-lipped mouth and pale, suspicious eyes. She was rocking vigorously in a creaking chair and sewing on a pair of overalls, while three dirty kids tussled with a mongrel puppy up and down the room.
Dean showed his badge, and told her that we wanted to speak to her in privacy. She got up to chase the kids and their dog out, and then stood with hands on hips facing us.
"Well, what do you want?" she demanded sourly.
"Want to get a line on your tenants," Dean said. "Tell us about them."
"Tell you about them?" She had a voice that would have been harsh enough even if she hadn't been in such a peevish mood. "What do you think I got to say about 'em? What do you think I am? I'm a woman that minds her own business! Nobody can't say that I don't run a respectable --"
This was getting us nowhere.
"Who lives in number one?" I asked.
"The
d its offices. As the morning aged and the shadows grew shorter and thicker, so, generally, did the individuals who composed this morning procession. Eight o'clock was frequently young and slender and brisk, Eight-thirty less so, Nine still less, and rear-guard Ten o'clock was preponderantly neither young nor slender, and more often sluggish than brisk.
Into this rear guard, though physically he belonged to no later period than eight-thirty, a blue roadster carried Hubert Landow. His broad shoulders were blue-coated, his blond hair gray-capped, and he was alone in the roadster. With a glance around to make sure Millar's dark young man was not in sight, Alec Rush turned his coupe in the blue car's wake.
They rode swiftly into the city, down into its financial centre, where Hubert Landow deserted his roadster before a Redwood Street stockbroker's office. The morning had become noon before Landow was in the street again, turning his roadster northward.
When shadowed and shadower came to rest
e building, divided into apartments or flats of a dismal and dingy sort. We found the landlady in the basement: a gaunt woman in soiled gray, with a hard, thin-lipped mouth and pale, suspicious eyes. She was rocking vigorously in a creaking chair and sewing on a pair of overalls, while three dirty kids tussled with a mongrel puppy up and down the room.
Dean showed his badge, and told her that we wanted to speak to her in privacy. She got up to chase the kids and their dog out, and then stood with hands on hips facing us.
"Well, what do you want?" she demanded sourly.
"Want to get a line on your tenants," Dean said. "Tell us about them."
"Tell you about them?" She had a voice that would have been harsh enough even if she hadn't been in such a peevish mood. "What do you think I got to say about 'em? What do you think I am? I'm a woman that minds her own business! Nobody can't say that I don't run a respectable --"
This was getting us nowhere.
"Who lives in number one?" I asked.
"The
d its offices. As the morning aged and the shadows grew shorter and thicker, so, generally, did the individuals who composed this morning procession. Eight o'clock was frequently young and slender and brisk, Eight-thirty less so, Nine still less, and rear-guard Ten o'clock was preponderantly neither young nor slender, and more often sluggish than brisk.
Into this rear guard, though physically he belonged to no later period than eight-thirty, a blue roadster carried Hubert Landow. His broad shoulders were blue-coated, his blond hair gray-capped, and he was alone in the roadster. With a glance around to make sure Millar's dark young man was not in sight, Alec Rush turned his coupe in the blue car's wake.
They rode swiftly into the city, down into its financial centre, where Hubert Landow deserted his roadster before a Redwood Street stockbroker's office. The morning had become noon before Landow was in the street again, turning his roadster northward.
When shadowed and shadower came to rest