author - "Edgar Allan Poe"

I certainly expected that you would do so. You did look up; and I was now assured that I had correctly followed your steps. But in that bitter tirade upon Chantilly, which appeared in yesterday's 'Musée,' the satirist, making some disgraceful allusions to the cobbler s change of name upon assuming the buskin, quoted a Latin line about which we have often conversed. I mean the line

Perdidit antiquum litera sonum.

I had told you that this was in reference to Orion, formerly written Urion; and, from certain pungencies connected with this explanation, I was aware that you could not have forgotten it. It was clear, therefore, that you would not fail to combine the two ideas of Orion and Chantilly. That you did combine them I saw by the character of the smile which passed over your lips. You thought of the poor cobbler's immolation. So far, you had been stooping in your gait; but now I saw you draw yourself up to your full height. I was then sure that you reflected upon the di

ed" or some language to that effect. Henderson, the first mate, now took the matter up, being justly indignant, as well as the whole ship's crew, at a speech evincing so base a degree of heartless atrocity. He spoke plainly, seeing himself upheld by the men, told the captain he considered him a fit subject for the gallows, and that he would disobey his orders if he were hanged for it the moment he set his foot on shore. He strode aft, jostling Block (who turned pale and made no answer) on one side, and seizing the helm, gave the word, in a firm voice, Hard-a-lee! The men flew to their posts, and the ship went cleverly about. All this had occupied nearly five minutes, and it was supposed to be hardly within the bounds of possibility that any individual could be saved- allowing any to have been on board the boat. Yet, as the reader has seen, both Augustus and myself were rescued; and our deliverance seemed to have been brought about by two of those almost inconceivable pieces of good fortune which are attribute

The Devil in the Belfry
Lionizing
X-ing a Paragrab
Metzengerstein
The System of Doctor Tarr and Professor Fether
The Literary Life of Thingum Bob, Esq.
How to Write a Blackwood article
A Predicament
Mystification
Diddling
The Angel of the Odd
Mellonia Tauta
The Duc de l'Omlette
The Oblong Box
Loss of Breath
The Man That Was Used Up
The Business Man
The Landscape Garden
Maelzel's Chess-Player
The Power of Words
The Colloquy of Monas and Una
The Conversation of Eiros and Charmion
Shadow.--A Parable

en: for this generosity in the heathen is unwonted; and fickle-mindedness has ever been an attribute of the worshippers of Baal."

"'That they are fickle-minded and treacherous is as true as the Pentateuch," said Buzi-Ben-Levi, "but that is only toward the people of Adonai. When was it ever known that the Ammonites proved wanting to their own interests? Methinks it is no great stretch of generosity to allow us lambs for the altar of the Lord, receiving in lieu thereof thirty silver shekels per head !"

"Thou forgettest, however, Ben-Levi," replied Abel-Phittim, "that the Roman Pompey, who is now impiously besieging the city of the Most High, has no assurity that we apply not the lambs thus purchased for the altar, to the sustenance of the body, rather than of the spirit."

"Now, by the five corners of my beard!" shouted the Pharisee, who belonged to the sect called The Dashers (that little knot of saints whose manner of _dashing _and lacerating the feet against the pavement was long a thorn

ly the real aspect of the building. Its principal feature seemed to be that of an excessive antiquity. The discoloration of ages had been great. Minute fungi overspread the whole exterior, hanging in a fine tangled web-work from the eaves. Yet all this was apart from any extraordinary dilapidation. No portion of the masonry had fallen; and there appeared to be a wild inconsistency between its still perfect adaptation of parts, and the crumbling condition of the individual stones. In this there was much that reminded me of the specious totality of old wood-work which has rotted for long years in some neglected vault, with no disturbance from the breath of the external air. Beyond this indication of extensive decay, however, the fabric gave little token of instability. Perhaps the eye of a scrutinizing observer might have discovered a barely perceptible fissure, which, extending from the roof of the building in front, made its way down the wall in a zigzag direction, until it became lost in the sullen waters of

This it is and nothing more."

Presently my soul grew stronger; hesitating then no longer,

"Sir," said I, "or Madam, truly your forgiveness I implore;

But the fact is I was napping, and so gently you came rapping,

And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you"--here I opened wide the door--

Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,

Doubting, dreaming dreams no mortals ever dared to dream before;

But the silence was unbroken, and the stillness gave no token,

And the only word there spoken was the whispered word,

"Lenore?" This I whispered, and an echo murmured back the word,

"Lenore!"--

Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping something louder than before.
"Surely," said I, "surely that is something at my window lattice;

Let me see, then, what thereat is and this mystery explore--

Let my heart be still a moment and this mystery explore;--

The Purloined Letter
The Thousand-and-Second Tale of Scheherezade
A Descent into the Maelström
Von Kempelen and his Discovery
Mesmeric Revelation
The Facts in the Case of M. Valdemar
The Black Cat
The Fall of the House of Usher
Silence -- a Fable
The Masque of the Red Death
The Cask of Amontillado
The Imp of the Perverse
The Island of the Fay
The Assignation
The Pit and the Pendulum
The Premature Burial
The Domain of Arnheim
Landor's Cottage
William Wilson
The Tell-Tale Heart
Berenice
Eleonora

ly analyzing the mysteries of the human mind; such tales of illusion and banter as "The Premature Burial" and "The System of Dr. Tarr and Professor Fether"; such bits of extravaganza as "The Devil in the Belfry" and "The Angel of the Odd"; such tales of adventure as "The Narrative of Arthur Gordon Pym"; such papers of keen criticism and review as won for Poe the enthusiastic admiration of Charles Dickens, although they made him many enemies among the over-puffed minor American writers so mercilessly exposed by him; such poems of beauty and melody as "The Bells," "The Haunted Palace," "Tamerlane," "The City in the Sea" and "The Raven." What delight for the jaded senses of the reader is this enchanted domain of wonder-pieces! What an atmosphere of beauty, music, color! What resources of imagination, construction, analysis and absolute art! One might almost sympathize with Sarah Helen Whitman, who, confessing to a half faith in the old superstition of the significance of anagrams, found, in the transposed letter

Description

Edgar Allan Poe is one of the primary figures of American nineteenth-century literature. His writing was heavily influenced by Romanticism ideals of emotion and feeling, and although mostly known for his Gothic-tinged horror, his tales jump between many different genres, including science-fiction, satire, humor, mystery, and even early detective fiction.

Poe mostly wrote short stories and poems, published in magazines and periodicals like the Southern Literary Messenger and Graham’s Magazine, although he also turned his hand to essays and novels (including The Narrative of Arthur Gordon Pym of Nantucket). He was one of the first American writers to pursue writing as a career, but was better received in France than in his native country. He struggled to make ends meet and resorted to work as a literary critic. His reputation suffered a further blow after his unfortunately early death in 1849 at the age of 40, when a rival not only wrote an extremely unflattering obituary, but bought the rights to his work and published a compilation with a hit piece for an introduction. This undeserved reputation took many decades to fade, but didn’t hinder praise from other notable authors including Arthur Conan Doyle and H. P. Lovecraft.

Collected here are all of Poe’s short fiction stories, in order of their original magazine publication. Notable stories include “The Gold-Bug,” “The Black Cat,” “The Fall of the House of Usher,” “The Masque of the Red Death,” “The Pit and the Pendulum,” “The Murders in the Rue Morgue,” and many more.