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ere Tom Wolfe to have written it as a non-fiction title. That it was inspired by actual characters and events, and turned by Wolfe's expert hands into a compelling modern-day tale of murder and mortality, were enough to convince me that I could pull off the same sort of magic with my own "what if" scenario, swapping Silicon Valley for New York, and the personal computer business for bond trading.

That this was my first attempt at writing a novel goes a long way toward explaining the earliest rejections of the work, then titled "Silicon Dreams," by editors unlucky enough to have had it land with a thud on their desks. Somehow I'd lost sight of Mr. Wolfe's excellent illustration and found myself mimicking, all at once, the likes of Sidney Sheldon, Arthur Hailey, Jackie Collins, and, believe it or not, Stephen King (who happens to be my favorite mainstream read). With so many influences at play in the already befuddled head of an aspiring young writer with dreams of hitting the number one spot on all of t

ere Tom Wolfe to have written it as a non-fiction title. That it was inspired by actual characters and events, and turned by Wolfe's expert hands into a compelling modern-day tale of murder and mortality, were enough to convince me that I could pull off the same sort of magic with my own "what if" scenario, swapping Silicon Valley for New York, and the personal computer business for bond trading.

That this was my first attempt at writing a novel goes a long way toward explaining the earliest rejections of the work, then titled "Silicon Dreams," by editors unlucky enough to have had it land with a thud on their desks. Somehow I'd lost sight of Mr. Wolfe's excellent illustration and found myself mimicking, all at once, the likes of Sidney Sheldon, Arthur Hailey, Jackie Collins, and, believe it or not, Stephen King (who happens to be my favorite mainstream read). With so many influences at play in the already befuddled head of an aspiring young writer with dreams of hitting the number one spot on all of t