author - "Leonardo Da Vinci"
NTENTS OF VOLUME I.
PROLEGOMENA AND GENERAL INTRODUCTION TO THE BOOK ON PAINTING
Clavis Sigillorum and Index of Manuscripts.--The author's intentionto publish his MSS. (1).--The preparation of the MSS. forpublication (2).--Admonition to readers (3).--The disorder in theMSS. (4).--Suggestions for the arrangement of MSS. treating ofparticular subjects (5--8).--General introductions to the book onpainting (9--13).--The plan of the book on painting (14--17).--Theuse of the book on painting (18).--Necessity of theoreticalknowledge (19, 20).--The function of the eye (21--23).--Variabilityof the eye (24).--Focus of sight (25).--Differences of perception byone eye and by both eyes (26--29).--The comparative size of theimage depends on the amount of light (30--39).
II.
LINEAR PERSPECTIVE
General remarks on perspective (40--41).--The elements ofperspective:--of the point (42--46).--Of the line (47--48).--Thenature of the outline (49).--Definition of perspective (50).--Theperception of t
NTENTS OF VOLUME I.
PROLEGOMENA AND GENERAL INTRODUCTION TO THE BOOK ON PAINTING
Clavis Sigillorum and Index of Manuscripts.--The author's intentionto publish his MSS. (1).--The preparation of the MSS. forpublication (2).--Admonition to readers (3).--The disorder in theMSS. (4).--Suggestions for the arrangement of MSS. treating ofparticular subjects (5--8).--General introductions to the book onpainting (9--13).--The plan of the book on painting (14--17).--Theuse of the book on painting (18).--Necessity of theoreticalknowledge (19, 20).--The function of the eye (21--23).--Variabilityof the eye (24).--Focus of sight (25).--Differences of perception byone eye and by both eyes (26--29).--The comparative size of theimage depends on the amount of light (30--39).
II.
LINEAR PERSPECTIVE
General remarks on perspective (40--41).--The elements ofperspective:--of the point (42--46).--Of the line (47--48).--Thenature of the outline (49).--Definition of perspective (50).--Theperception of t