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m nothingbut horrors, he may well ask--"Where's the entertainment for the manwho wants an evening's amusement?" The humor of a farce may not seemover-refined to a particular class of intelligence; but there arethousands of people who take an honest pleasure in it. And who, afterseeing my old friend J.L. Toole in some of his famous parts, andhaving laughed till their sides ached, have not left the theatre morebuoyant and light-hearted than they came? Well, if the stage hasbeen thus useful and successful all these centuries, and still isproductive; if the noble fascination of the theatre draws to it, as weknow that it does, an immortal poet such as our Tennyson, whom, I cantestify from my own experience, nothing delights more than the successof one of the plays which, in the mellow autumn of his genius, he hascontributed to the acting theatre; if a great artist like Tadema isproud to design scenes for stage plays; if in all departments of stageproduction we see great talent, and in nearly every i

m nothingbut horrors, he may well ask--"Where's the entertainment for the manwho wants an evening's amusement?" The humor of a farce may not seemover-refined to a particular class of intelligence; but there arethousands of people who take an honest pleasure in it. And who, afterseeing my old friend J.L. Toole in some of his famous parts, andhaving laughed till their sides ached, have not left the theatre morebuoyant and light-hearted than they came? Well, if the stage hasbeen thus useful and successful all these centuries, and still isproductive; if the noble fascination of the theatre draws to it, as weknow that it does, an immortal poet such as our Tennyson, whom, I cantestify from my own experience, nothing delights more than the successof one of the plays which, in the mellow autumn of his genius, he hascontributed to the acting theatre; if a great artist like Tadema isproud to design scenes for stage plays; if in all departments of stageproduction we see great talent, and in nearly every i